Tag Archive: #NetGalley


Not much to say here this time. It was really hard to write this without including spoilers and I have enough left that I want to talk about that I might do an “And Another Thing” post about it some time. That said, this one is thanks to the nice folks at Entagled Teen. Here is Rachel Rust’s 8 Souls. Enjoy!

8 Souls cover

Villisca, Iowa is known for murder. For the deaths of eight people in 1912. For the Ax Muder house.  The house that seventeen year old Chessie has been dreaming about her entire life, sometimes new and lived in, sometimes as it is now slowly falling in on itself across the street from her grandparents’ house. Across the street from where she’ll be spending the entire summer while her parents work out the details of their divorce. Amid nightmares and ghostly voices, Chessie finds herself stuck trying to figure out her connection to the Ax Murder house and David, the mysterious boy who knows more than he lets on and so, so many secrets.

So, I make no secret of the fact that I love haunted house stories and horror in general. The promise of a small town with dark secrets and a house that can’t forget pulled me to Rachel Rust’s 8 Souls. It’s a book that was pretty good for what it is and than just misses the mark for what I wanted it to be. Notable differences there.

This being a book published by Entangled Teen, I knew to expect a fairly large romance side plot. That’s just what they do as a publisher. The mysterious boy is mentioned in the blurb. It’s something that I was going to have to roll with. My issue, of course, comes not from the existence of this romance plot but from how much feels underdone in the face of and about it.

There were a lot of ideas that could have been fantastic if they’d been given more room or if they’d been introduced earlier. Most of the stuff about the haunting and David’s whole deal could have worked fantastically if they’d been worked in earlier and given more page space. Make that a thing alongside Chessie thinking that David and Mateo were pranking her with the whole ghost hunting deal. Spend more time with Chessie trying to figure out what’s going on instead of avoiding David and watching Netflix instead of looking into the thing haunting her. Even the romance itself felt rushed along once Chessie decided that she could trust what David was saying.

The antagonist gets hit with this harder than most other details. There’s a thread throughout the book about these little girls having gone missing and that there’s more disappearances and strange deaths in Villisca than most cities its size. But there isn’t much done with that until right at the end. It was almost to the point that I’d forgotten about it in a couple of places. There were a couple of characters who might have been antagonists or, in a more horror focused book, solid red herrings. But nothing came of them and the antagonist was left feeling like they’d been brought in out of left field. A last minute, one more thing, secret that David hadn’t bothered to mention yet. It was an idea that got introduced and used within pages so the story could rush on to the climax. That was frustrating for me, because the antagonist and the climax both could have been so, so good with a little tweaking and a little more page space.

That’s pretty well where I land on 8 Souls. Rust did a good job with the setting, a small town that’s losing people as time goes on. The real world Villisca, Iowa was actually the scene of an ax murder of eight people, so that’s something that could be interesting to look more into after reading this. But it is very much a book that wants for a little more. A little more to the horror, and the characters, and the buildup. As a YA romance with supernatural elements, it’s functional. With more time to percolate it could have been fantastic, and for that I give it a three out of five. I would be willing to read Rachel Rust again, but I also want to see what she would do in another genre.

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I had a hard time writing this one. It gets minorly spoilery, due in part to the official blurb itself . This one’s thanks to netGalley for providing me a copy for review. Here’s Sean Grigsby’s Daughters of Forgotten Light. Enjoy!

Daughters of Forgotten Light cover

Oubliette, prison city, population: forgotten. Unwanted. Worthless. The women society doesn’t want. It’s been Lena Horror’s home for the past ten years. A flimsy truce keeps everyone from killing each other. Keeps the gangs mostly in line. At least, until something unexpected arrives in the quarterly supply drop. Back on Earth, Senator Linda Dolfuse has been ordered to find an excuse to wipe the prisoners off of Oubliette to allow good, honest citizens of the United Continent of North America a chance at a better future away from the frozen Earth and its endless war. Seems like a smooth enough job until she sees something on the drone footage that shouldn’t be there, the baby she’d given up.

This is one of those books that I started reading ready to love it. The concept of a prison world ruled by motorcycle gangs where unwanted and misbehaving women are sent to be forgotten, that’s something that has a lot of potential. Unfortunately the writing just doesn’t stand up to the concept.  Similarly, the Earth side portions, where corrupt politicians live big while their constituents are often forced to sell their children to Oubliette or the massive unending war just to survive, could have been fascinating. That concept could have carried a book on its own if it had been done well. It just doesn’t. And then, of course, we have the mess with the baby.

The baby thing bothers me, in part because it could have been done so much better, but largely because it lands the book with a bunch of hardened prisoners who all want this helpless kid for what feels like no reason. Each gang is only allowed six members and, even with the treaty keeping outright murder from happening, none of them should be willing to give up one of those slots for something that’s such a handicap against the other two gangs. Of course this means that all three gang leaders want the kid, because reasons? I keep coming back to that. I don’t want to say that they all want the baby because women, but it feels an awful lot like that. The cannibals want her, the all black gang wants her, and Horror wants her. Horror wants the kid mind, not the Daughters as a whole. It also isn’t even like the baby was a secret test and the drone was sent to see how the prisoners would react to her, the drone came way later in the book and existed just long enough to force the two stories together.

The time line is super vague. Three months pass between our introductory supply drop and the one the drone shows up on. That’s three months for both Senator Dolfuse on Earth and the prisoners on Oubliette, with it being repeatedly mentioned that there is nothing to do on Oubliette except fighting or having sex. Three months where Horror and the Daughters of Forgotten Light seemingly do nothing except get their new member, Sarah, her motorcycle and her weapon. Then it’s like Horror remembers that the cannibals have that baby she wanted and she’d been itching to break the truce her mentor set up anyway, let’s go take the kid despite having not prepared for a fight at all.

The worst of this is, the three month gap was taken up with Senator Dolfuse’s adventures in ill defined guilt and getting the drone on the shipment. She’s probably the single character we spend the most time with, but she feels way less important than the others. The Earth bits would have probably served better as shorter segments that attempted less with the world building, as is, they just felt like they dragged on forever without showing anything for it. It could have been great to see Dolfuse checking in more actively with the Vice President, or having her interact with characters that are against shipping, showing her growing awareness and how she changes as a result. That could have been aces.

If we had seen any character development, that would have been great. Most of the women on Oubliette are terribly static, which isn’t helped by the vague timeline because there isn’t really anything for them to grow from. Horror we see being aggressive and murdery, but it feels empty because she’s just like that, either ready for violence or ignoring everything because baby. The new girl goes from being afraid of everything, including the other Daughters, to being jaded and nearly as violent as Horror in the space of something like three paragraphs. She gets what feels like way too much page space talking about how Oubliette has taught her not to trust anyone when we don’t see Oubliette teaching her not to trust. It doesn’t work, especially given that early on Sarah feels like she’s meant to be the reader’s view point into the workings of Oubliette, and we never really get that either.

Even leaving aside the character issues, the world building really isn’t there for me on this one either. There are so many things that feel like they need explanations that just get breezed by. Why are only men sent to the army? Why wasn’t an eye already being kept on Oubliette to make sure that they weren’t just dropping prisoners into an airless void? Why not provide something for the women on Oubliette to do with their lifetime of being stuck in the middle of nowhere? How can the UCNA afford to ship these women to space and fight this massive war, but then food is horribly scarce and the average citizen is in real trouble of needing to sell one of their kids to survive? It’s all very forced feeling, things need to happen so that the plot can exist, but they can’t be gone into deeply enough to feel solid because reasons. I really feels like the author was trying to fit two or three books worth of information and ideas into half a plot.

Daughters of Forgotten Light is a book that I really, really wanted to like. I was excited to start it despite the baby thing in the blurb. I mean, really, space motorcycle gangs and a plot from Earth to wipe them out, that falls right in my wheel house. It just didn’t have nearly enough substance to it, everything felt half done and under baked with a rush to the end that leaves neither a satisfying conclusion nor the possibility of a next time. There were a lot of cool ideas. But then they felt wasted when nothing came of them. I finished the book not caring if anything changed for the better, if anything changed at all. I feel like Sean Grigsby could be a really decent author with a couple more books under his belt and a better feel for character and flow. After this, I’m not likely to be there for it though. Daughters of Forgotten Light gets a one out of five.

Going up a little late, not terrible though. I admit, I spent most of the day in line at the book store and hunting down a novel I’ve been massively looking forward to. That’s for later though. This time I’ve got Leander Watts’ Meet Me in the Strange for you, courtesy of netGalley. Enjoy!

Meet Me in the Strange cover

Davi’s life is comfortable, if uneventful. Uneventful, at least until that Django Conn show and Anna Z. Uneventful, until the gorgeous girl and all her talk talk talking about the alien drift and other dimensions. Uneventful, until Anna Z.’s brother comes hunting for her and they make a run for it, following Django Conn and all the glister and glam that follows the man and his music.

There is a level of oddity I expect from a book titled Meet Me in the Strange. Even more so when it features a rock star/ possible otherworldly being as a major part of the story. Leander Watts presents something a bit beyond the expected level of odd, though enjoyable so.

This is a book that thrives on its setting and the interactions between Davi and Anna Z., or rather how taken with Anna Z. Davi is. She does most of the talking between the two of them, and it paints these fantastic jumbles of ideas and thoughts. Frankenstein’s monsters and souls from the way way out there, the evolution and change of humanity and a sort of mutation of the soul, it’s got this fantastic patter to it that dances along to an almost hypnotizing beat. She’s out there and disconnected, but then it works.

Then there’s the setting. There’s this whole retro-future deal where they’re talking about recent space visits and Davi’s buying music on records, but then instead of feeling set in the past it feels like the future as seen by the 80’s. The Angelus hotel is stately and elegant and a historic throwback that draws in all manner of fancy visitors. Anna Z. talks about classic horror movies and old stories in relation to Homo Lux and the alien drift. But then there’s this bright energy with the glam-boys and glister-girls and the teen speak used. It’s unfamiliar, but feels right from a words perspective. Like, I really enjoyed the slang as part of the world building because even when I didn’t get it, it felt right.

If I have an issue with the book though, it’s that the plot is really not present for most of the run of the book. The antagonist takes awhile to show up and we’re told how much of a threat he is and shown how scared of him Anna Z. is and then not a lot happens with him. When I said that the book thrives on its setting and character interactions, that’s almost all it has. This wasn’t a major problem for me because of how much I enjoyed everything else. But it is the weakest part of the book.

So, in a lot of ways Meet Me in the Strange makes me think of Ziggy Stardust era David Bowie, just with the way it feels. It’s spacey and odd and a ton of fun. It says, at times, quite a lot but also very little. The chapters are short and it feels a bit like eating chips, you just want to keep going. I actually really want to listen to some of the music from the book’s world, to catch the kind of wild brilliance that Davi and Anna Z. hear. It gets a four out of five from me. The weakness of the plot is the only thing keeping it from getting the full five.

Free Chocolate

Sorry about taking so long on this one. I had a lot to say but not a great way of saying any of it without spoiling the last third of the book badly. I feel like there’s a lot here that I want to flesh out elsewhere, since that would entail spoilers. In any case, this one’s courtesy of netGalley. Here’s Free Chocolate. Enjoy!

Free Chocolate cover

After the alien Krom made first contact Earth was left with one unique commodity, chocolate. Everyone in the galaxy adores the stuff and will do whatever it takes to get their hand equivalents on it. To protect itself Earth has closed its doors to the greater universe, no aliens allowed. In light of that and recent pirate attacks resulting in the accidental destruction of a civilian ship by and HGB pilot, culinary student Bodacious Benitez is summoned back to Earth to serve as the face of HGB, the Princess of Chocolate. Face of the company or not Bo has long disagreed with HGB’s methods and, with her Krom boyfriend’s help, is going to do everything she can to break HGB’s monopoly and bring chocolate to the universe.

I have a lot of thoughts on Amber Royer’s Free Chocolate. There was a lot of stuff that I feel like could have been fun and some stuff that I feel like needed more focus to work at all. More than anything, I feel like the book lacks focus. There are a number of places in Free Chocolate where it feels like Royer had three or four ideas for a book but not enough for any single one of them, so she kind of stitched them together. Things happen and don’t seem to have any consequences. There’s some stuff that gets talked about not at all, but then both Bo and the reader are expected to just roll with it. It feels disjointed.

A lot of this is down to how the book deals with its timeline. It takes ages for Bo to actually get into space and on the run from Tyson, the space cop, and then it seems like the action is constantly interrupted. There’s the corporate assassin who calls Bo repeatedly to remind her that there’s only so long until he has to hurt her family. There’s cooking for aliens while on the run and being terrified of said aliens. It slows things to a crawl and makes the book super easy to put down

There is also a linguistic thing that I feel slows Free Chocolate down as well, it also contributed to it being pretty easy to put down. There’s a number of alien languages mentioned as being spoken and a handful of words used when Bo doesn’t know them. It’s just sort of tagged and let go. But then Bo is a native Spanish speaker so, while I would expect some Spanish to be used, it’s done largely in a way that feels like the author is reminding the reader of that rather than as a natural part of how she talks. It’s this sort of immersion breaking thing that Bo never says but or head, it’s always pero or cabeza, or she’ll use a phrase and then immediately provide the translation. This wouldn’t be so bad if it weren’t for the fact that a lot of this happens in Bo’s internal monologue, so she winds up translating for an audience she shouldn’t be aware of. I feel like leaving the phrases without the extra translation could have worked well. Bo referring to Brill using various terms of endearment worked really well, I thought. It just sort of feels strange that we get more translating for the existent Earth language than the handful of alien languages.

All of that boils down to it being kind of hard to care about the characters and what’s happening to them. Bo is on the run from a massive corporation with an assassin threatening her family and a venomous space cop on her tail. She’s stuck surrounded by aliens that could easily eat her if she messes up while her boyfriend may have been playing her this whole time. All of that, with all the interruptions and characters dropping in and out in an attempt to keep the drama level high, and I really just could have cared less. Like, the pilot who’s accident kicked off the plot, he’s given this level of importance within Bo’s story that is usually saved for major side characters, love interests or best friends. But after she leaves Earth, he takes a background spot for the vast majority of the story. This is the guy she’s essentially willing to trade her life for, they knew each other for two or three days, tops. Brill, the alien boyfriend, swaps between being super loving and sketchy to no end. It’s like the story couldn’t make up its mind about if he was one of the antagonists, just using Bo to get a hold of the cacao beans, or if he legitimately cares about her and is doing something at least sort of heroic. That leaves the reader to decide about him right up until the end, but then there’s this attempt at explaining his behavior in context of Krom society, but he had not wanted to talk to Bo about Krom society so neither she nor the reader knows anything about it until then. It just doesn’t work for me. I’d have liked to have seen more of the space cop, especially the post Bo stowing away version of him, and Chestla, the cat girl TA, though. They were pretty entertaining.

The galley crew on the Zantite ship were also interesting and I found myself enjoying the cooking segments. Talking about cooking and food were the parts where Royer’s writing shines best. If this had been more of a science fiction cozy mystery thing and focused more on the food and cooking I think it could have worked better, those scenes are just that enjoyable.

That’s where I land on Free Chocolate I think. There are a lot of first novel issues here, largely in the character work and how scattered the overall plot can feel. There are the bones of something good here, but it exists in the small moments where Bo is allowed to be a chef and interact with other characters on that level. I could see Royer handling the grander scale, galactic conflict stuff after she’s written more fiction. That said, this is a book that I found incredibly easy to put down in favor of doing any number of other things. So, I’m giving Free Chocolate a two out of five with the note that, while I’m not likely to read the inevitable sequel, I might check out another one of Royer’s books later on in her writing career.