Category: Young Adult


I’ve rewritten this at least three times. It was a lot of fun to think about and I kind of want to do a book vs series vs novella now, but I also didn’t want to just sit here comparing it to the web series. This one’s thanks to the awesome folks at Kids Can Press, via netGalley. Here’s Kim Turrisi’s adaptation of Carmilla. Enjoy!

Carmilla cover

When college freshman Laura Hollis’ roommate goes missing after a party she calls everyone she thinks might be able to help find her. Instead of help, she gets stuck with Carmilla, the roommate from hell, an aloof philosophy student who responds to seemingly everything with sarcasm. But the more Laura digs, the stranger things get. And the stranger things get, the more it seems like Carmilla knows much more than she lets on. The more it seems like Carmilla might be interested in her for less than nefarious purposes. What’s a girl to do with a mystery to solve, a very possibly vampiric roommate, and homework piling up by the day?

So, Kim Turrisi’s Carmilla is an adaptation of an adaptation, the Kinda TV web series of the same title started out in 2014 and has grown since. Being an adaptation can make things a little clunky at times, things that work well in video don’t always translate well to writing. But, it’s also not tied to a web cam anymore or just the initial script. The novel seems to tie in some things from parts of the web series’ setting that were introduced later as well as a few new scenes away from Laura’s updates regarding the missing girls mystery.

Not being tied to one web cam in one room is both a positive and a negative. The new scenes can be a lot of fun and add to the feeling of the setting and to Laura’s relationships with other characters. But, it can also feel like there’s just not quite enough to them or of them. The library scene stands out for me on this. We get Laura and La Fontaine and Carmilla breaking into the library and Carmilla knowing things that make getting where they need to be easier. That’s great, it adds to her as a character, it’s something new. Then they get into the library and things play out and are described nearly the same as they were in the web series. It didn’t feel as exciting as the characters being attacked by a flaming card catalogue should have been. It felt like I was being told what happened rather than seeing them experience it. There was a lot of room to expand or to fill things in a bit, and it feels like the author didn’t take it.

The exception to this feels like Laura’s crushes on both Danny, the TA for one of her classes, and of course Carmilla. Being in Laura’s head instead of just seeing her actress react, the reader gets a lot more details on how she feels about these two. Being into Danny because she’s sweet and straight forward in standing up for the missing girls and Laura herself. The attraction to Carmilla while still thinking she’s a terrible person and how that mellows into being into Carmilla the person. There’s a lot of internal stuff added here that makes it flow well.

There was kind of a weirdness about how some of the speech tags were done, especially when it comes to Carmilla. Maniacal laughter doesn’t really mesh with the whole disaffected philosophy student thing, or the whole aloof vampire thing, either way. Some things with Kirsch coming across as whiny, almost wimpy, in a way that feels odd given his whole friendly frat bro character. If I had to put my finger on it, I’d say that the tags that take me out of the narration feel too big for their moments or even their characters. It isn’t a huge issue, but it is a notable one.

It’s an interesting thing. I know that a lot of my enjoyment of the novel comes from my enjoyment of the web series. I know there were moments where I was left waiting for a particular bit or where something filled in a little bit more and it feeling better tied in for that. Turrisi’s adaptation does feel unfinished in places, possibly as a result of working from the script rather than the finished series, or maybe just as a result of things not translating well between one format and another. There are places where I felt thrown off by knowing there was more, and that does knock the book down a little for me. But I also want to see novels for the next two seasons and the movie as well. I’m left hoping that this is part of the lead up to something new coming, something more. I enjoyed Turrisi’s adaptation of Carmilla.

And that leaves the final score in a strange place. As a fan of the web series and knowing what they already managed, I would be inclined to give the novel a three out of five. But I also know that if I was just reading the novel on its own, knowing that the romancy aspect is a fair sized part of it, I would be more likely to bump it up to a four. So a four is where I’m going to leave it with the hope that, if there is a next book, it does all the things this one could have made this one fantastic.

Sort of a one more thing that I hope was a result of reading an ARC rather than the finished book. In the original season one of the web series La Fontaine isn’t specifically said to use they/them pronouns, it’s possible they aren’t entire out at that point, though they do go strictly by La Fontaine or Laf. As a result of this, she/her pronouns are used for them in the first season of the web series. The novel introduces them as gender queer, but still uses she/her pronouns for them in some places where the character speaking would know to not do that. It seems like the kind of thing that happened as a result of just transferring things over, but is also a sign that this could have been looked over again. That’s a big mistake to glance over.

Advertisements

I’m later than I wanted to be on this. No excuses there, I just didn’t get it done on time. That aside, this one is thanks to Entangled Teen. Here is A. M. Rose’s Breakout. Enjoy!

Breakout cover

Lezah doesn’t know what landed her in prison, or really much of anything else about herself. With six days left before her execution the only chance she has to find out is to escape. And her only chance of escaping requires relying on strangers, possibly dangerous ones, and her former school rival. Can she trust anyone long enough to get out or will they all fall prey to the prison’s formidable defenses?

A. M. Rose’s Breakout is a book that I bounced around on how I felt about it, especially early on in reading it. But once it hit its stride, it worked really well.

The start was a little rough, with what’s nearly a new world entirely in the form of a California that’s been separated from the rest of the US by earthquakes. Special standouts on that were the WALTERS or Walking Computers, essentially robots that are meant to have free will, and the SOULS that everyone is supposed to have that are ID and phone and personal entertainment all rolled into one. SOULS do everything from let their users keep in contact to changing their appearances pretty drastically to being the main way the government kept tabs on citizens. It was all fed to the reader pretty bluntly at the start, which was necessary to a degree but also felt incredibly clunky.

I had a bit of a similar issue when the male characters, Trip and Seph, were introduced.  It quickly became clear that Seph was our designated love interest, with his history with Lezah and his sad sad eyes and super competence. The build up to that felt like it took away from the immediacy of escaping the prison for a good bit. It felt like there were big neon signs telling me that this was going to be a huge part of the experience.

Here’s the thing though, both the rough bits from the start and Seph and Lezah’s whole thing, both worked out. The blunt early explanations felt weird because it was stuff that Lezah knew and wouldn’t have had much reason to explain to, essentially, herself but that smoothed out later once the characters were more in the action and things felt more focused. As to Lezah’s crushing on Seph? It wound up feeding character stuff for both of them as well as feeding in some bits of Lezah’s missing memories. The book hit a point in the action where the mystery and the full cast were more important than just those two characters, so it made the moments between Lezah and Seph feel more impactful. It wasn’t just the two of them and a world of card board cutouts.

This all said, the thing that made the book for me more than anything else was one of the antagonists. They were written in so well that I was genuinely caught off guard at the reveal. It was built in really well and makes me want to see how Rose handles other antagonists.

That’s about it. While I’m left wanting to see where things go for Lezah and company from the book’s ending on, it was still a satisfying ending that worked for the story. The things that didn’t work did well by the things I enjoyed. And, at the end of the day, I even wound up appreciating the romancey bits. So, Breakout earns a four out of five from me. I’m interested in seeing what A. M. Rose does in the future.

Not much to say here this time. It was really hard to write this without including spoilers and I have enough left that I want to talk about that I might do an “And Another Thing” post about it some time. That said, this one is thanks to the nice folks at Entagled Teen. Here is Rachel Rust’s 8 Souls. Enjoy!

8 Souls cover

Villisca, Iowa is known for murder. For the deaths of eight people in 1912. For the Ax Muder house.  The house that seventeen year old Chessie has been dreaming about her entire life, sometimes new and lived in, sometimes as it is now slowly falling in on itself across the street from her grandparents’ house. Across the street from where she’ll be spending the entire summer while her parents work out the details of their divorce. Amid nightmares and ghostly voices, Chessie finds herself stuck trying to figure out her connection to the Ax Murder house and David, the mysterious boy who knows more than he lets on and so, so many secrets.

So, I make no secret of the fact that I love haunted house stories and horror in general. The promise of a small town with dark secrets and a house that can’t forget pulled me to Rachel Rust’s 8 Souls. It’s a book that was pretty good for what it is and than just misses the mark for what I wanted it to be. Notable differences there.

This being a book published by Entangled Teen, I knew to expect a fairly large romance side plot. That’s just what they do as a publisher. The mysterious boy is mentioned in the blurb. It’s something that I was going to have to roll with. My issue, of course, comes not from the existence of this romance plot but from how much feels underdone in the face of and about it.

There were a lot of ideas that could have been fantastic if they’d been given more room or if they’d been introduced earlier. Most of the stuff about the haunting and David’s whole deal could have worked fantastically if they’d been worked in earlier and given more page space. Make that a thing alongside Chessie thinking that David and Mateo were pranking her with the whole ghost hunting deal. Spend more time with Chessie trying to figure out what’s going on instead of avoiding David and watching Netflix instead of looking into the thing haunting her. Even the romance itself felt rushed along once Chessie decided that she could trust what David was saying.

The antagonist gets hit with this harder than most other details. There’s a thread throughout the book about these little girls having gone missing and that there’s more disappearances and strange deaths in Villisca than most cities its size. But there isn’t much done with that until right at the end. It was almost to the point that I’d forgotten about it in a couple of places. There were a couple of characters who might have been antagonists or, in a more horror focused book, solid red herrings. But nothing came of them and the antagonist was left feeling like they’d been brought in out of left field. A last minute, one more thing, secret that David hadn’t bothered to mention yet. It was an idea that got introduced and used within pages so the story could rush on to the climax. That was frustrating for me, because the antagonist and the climax both could have been so, so good with a little tweaking and a little more page space.

That’s pretty well where I land on 8 Souls. Rust did a good job with the setting, a small town that’s losing people as time goes on. The real world Villisca, Iowa was actually the scene of an ax murder of eight people, so that’s something that could be interesting to look more into after reading this. But it is very much a book that wants for a little more. A little more to the horror, and the characters, and the buildup. As a YA romance with supernatural elements, it’s functional. With more time to percolate it could have been fantastic, and for that I give it a three out of five. I would be willing to read Rachel Rust again, but I also want to see what she would do in another genre.

This feels like way more of an accomplishment than it really should. But, for this week at least, I’m back to book reviewing! This one’s courtesy of the nice folks at Entangled Teen. Here is T.H. Hernandez and Jennifer DiGiovanni’s Prom-Wrecked. Enjoy!

Prom Wrecked cover

Prom wasn’t supposed to end in a jail cell. Riley Hart is the co-chair, the vice president, the planner for more clubs and student organizations than anyone cares to count. But when senior prom is cancelled due to lack of interest and funding, she has to step up for the first time in her high school career. With the help of her gaming buddy, the utterly off limits Owen Locklear, she’s going to make prom memorable for everyone involved. Missing deposits, elderly musicians, uncertain community donors, missing deposits, or even venue destroying acts of nature or not there will be prom.

T.H, Hernandez and Jennifer DiGiovanni did a number of nifty things with Prom-Wrecked. The split point of view between advertised protagonist Riley and her former best friend Catherine showing the reader different aspects of prom planning and the various characters is used fantastically. Add on to that, both points of view feel like very different coming of age stories that complement each other well. It was a really fun read.

One thing that I think worked to the book’s favor was the bit at the beginning where the reader is shown how prom ended. All the major characters are in jail, a number of them are roughed up, and the reader knows nothing about how a high school prom went so wrong that it ended up like this. Roll back to the day that prom’s cancelation is announced and read every bit of everything going wrong and the kids in the jail cell trying to make it work anyway. It simultaneously takes away the worry about Riley and company failing while also promising ridiculous events on the way there.

The two separate coming of age stories thing that I mentioned earlier is also worth noting. Both Riley and Catherine are sort of stuck in their respective social niches. Riley is in everything but avoids leading anything until the prom committee, while Catherine is one of the popular girls but stuck with friends she isn’t really friends with and trapped by her mother’s expectations. One has to learn to lead and deal with other people’s expectations, the other has to learn to embrace what she enjoys despite expectations. It works. More so, it works while still feeling like a single cohesive  story rather than two partial stories stitched together.

Extra special bonus points to the Catherine chapters. As the former best friend who dumped the protagonist to hang out with the popular girls, she could have easily been a one note mean girl character. Having her be the deuteragonist neatly avoids that, gives the story a character who’s invested in prom happening and has the connections to attempt things that Riley couldn’t, and makes the love story bits more interesting and satisfying. She might actually be my favorite character.

The romance aspect that generally is something that elicits an eye roll and a fair amount of disinterest in both YA and contemporary novels is present here. And it did initially get an eye roll. But then something happened. Riley kept a lid on her crush on Owen and was as good a friend as she could be, supporting his relationship with Catherine and joking around with him, listening to his ideas for Morp and spinning them into something workable. It’s a lot of fun and leaves him the one pining for what can’t be. More even than that, on Catherine’s side of things we have her realizing that her relationship with Owen isn’t what either of them really wants. The lack of an antagonist within the romance narrative works for me really well, as does the way Riley and Owen and Owen and Catherine feel like friends who care about each other instead of points on a triangle.

If I have one quibble, it’s with a bit towards the end where better communication could have avoided a lot of stress for a number of characters. But that feels both in character and like it paid off pretty well, so it’s kind of a nothing issue. If I have a second one, it’s that some of the music references felt kind of forced. That might have just been because I’d only heard of a third or so of the artists referenced though.

So, Hernandez and DiGiovanni’s Prom-Wrecked is very much not my usual cup of tea, being a YA contemporary romantic tragicomedy about the rise and fall of a canceled senior prom. It’s not the kind of book I would usually pick up or, really, give much thought. But it was absolutely the book I needed to break myself out of my reading slump. Prom-Wrecked was just fun and I’m ready to look for other things either author has written. Five out of five.

Check it out all, a new blog tour’s starting up and you’re truly is hosting one of the stops. Links to all the stops below, check it out!

Gemenicia Schedule

Continue reading

So, I’m late getting this posted, but it is still technically Wednesday. I’ve written and rewritten this at least four times. I think this one is as close to something I’m happy with as this is going to get. This series was one that I really enjoyed and I’m hoping to see more from Roberts in the future. This one is thanks to Curiosity Quills Press, here’s Richard Roberts’ Please Don’t Tell My Parents You Believe Her. Enjoy!

Please Dont Tell My Parents You Believe Her cover

As part of the Inscrutable Machine Penny Akk, Bad Penny, has faced heroes and villains and threats from the very moons of Jupiter. She’s faced enemies turned friends and friends turned enemies. But when she was ready to face the thing she feared the most, telling her parents about being Bad Penny, she found herself trapped in a robot body by her own power. With her friends away and her parents believing the fake Penny her powers built instead of her, Penny will have to find new allies and pull off the biggest heist of her whole career. Bad Penny is going to have to steal her own life back. A super villain’s work is never done.

As would be expected of the last book in a series that I really enjoyed, I have thoughts on Richard Roberts’ Please Don’t Tell My Parents You Believe Her. A number of them in fact. This is a book that was split between opening up the world it’s set in for later stories, giving the reader more on some of the side characters and how things work, and also tying up Penelope Akk’s story. That’s where I get a little bit frustrated.

Please Don’t Tell My Parents You Believe Her is the book it needs to be more than the book I would have hoped it would be. It’s the tie up novel. The place where Penny finally gets to shed Bad Penny for a chance to be a hero. But first she has to beat the most dangerous super villain she’s ever faced, herself. And yet, even with the stakes as high as they are for Penny, I found myself more interested in what was going on with Ampexia or Cassie or what was going on with the other Penny at the Akk household.

That’s actually something that I would have really liked to have seen with how far the other Penny takes things. How did Penny’s parents react to that? We see the Audit reject Bad Penny early on because she defaults to believing the flesh and blood Penny over robotic Bad Penny. Never mind that the Machine stubbornly sticks to Bad Penny. This drove me up the walls, because it feels like it should have been a bigger thing all around. Like, we get the letters from super villain camp that Penny writes to cope with what’s going on but I wanted to see more of the parents being worried of if they made the right choice. Which is an odd stand out, because we see her friends trying to split time between the Pennys.

But then there’s all the support Penny gets early on from, mostly new, side characters who deal with robots. She gets to team up with the mascot from her childhood favorite pizza place, Gerty Goat. Ampexia shows back up as a team mate and makes for some really enjoyable scenes of Penny getting to know  her and learning to take a chill between bouts of villainy.

There’s a lot of early on heist stuff, since Penny’s lost most of her gear. Between that and the bits with other characters that feel like they could have been expanded, kind of makes me wish that this had been split between two books. One with Penny adjusting to her robot body and gathering her allies and a second with the heists and the build up to the big fight with other Penny. It could make the expansion of characters and the whole robot deal feel like it had more room to breath while also allowing more space for Penny to deal with and question her current state of being. But, I also say that as someone who enjoyed the series and would really like to read more of it.

That’s really where I come down on this I think. It was an enjoyable book and it tied up the series exactly the way the series needed to be tied up for character stuff. But it also leaves room for more stories and showed a lot of characters who’s stories I’m really interested in reading. It’s the book that it needed to be, but that also leaves me wanting more from this setting. So, Please Don’t Tell My Parents You Believe Her gets a four out of five from me. I’m going to go find the prequel.

I return! This is one of the books from Odd Voice Out’s Kickstarter back in December and I was lucky enough to be invited to review it. So with a big thanks to the awesome folks at Odd Voice Out publishing, here is K. C. Finn’s Fallow Heart. Enjoy!

FHcover2

Lorelai Blake was on the way to work when she was attacked by the creature with the massive antlers and breath that stank of rotting meat. She should have died. With something demonic growing within her and a murderer on the loose Lori will have to learn everything she can about what’s happened to her. Will she decide if she can trust the organization that supposedly treats conditions like hers, the DC, or if she should follow Kasabian, the mysterious fellow who seems to have escaped his demon? Something is stalking Lori, waiting to harvest her. Can she control her burgeoning demonic powers in time to find out what’s going on? Can she escape it?

K. C. Finn’s Fallow Heart is a solid supernatural story with some really nifty ideas. The concept of people being infected by demons, like it’s a cousin to lycanthropy, is particularly cool. Plus I like the idea of the various groups that are trying to deal with the demon problem.

That said, Fallow Heart is very focused in on its protagonist, so let’s talk about Lori.  A lot of the early stuff in the book involves Lori being bothered by the fact that she’s over weight, it affects her self esteem deeply.  She thinks of herself as being ugly a number of times. This is, in fact, something that one of the murder victims uses when he’s bullying her. It’s something mentioned in the blurb and I admit that I was concerned that it would be over used, but Finn did a really good job with it. It isn’t a constant thing, but does crop up when Lori is already second guessing herself. It isn’t the sole non-demon issue Lori has, and it doesn’t eclipse the other issues. It does make the bits where she’s clever and resourceful or confident, feel more solid. The balance makes Lori feel more real.

The flip side of the focus on our protagonist is that since Lori is out of her depth things can feel confusing or disjointed. We’re introduced to everything from Lori’s point of view and follow things with her biases. So if she isn’t interested in or can’t follow up on something, that’s not going to be explored. I’m hoping that a lot of what was introduced here will be built on in later books.

There’s some really good horror elements here. Finn does an excellent job with atmosphere. There’s this really good emotional feel for some of the places, a low creeping fear. I’m hoping for more of that too.

Honestly, the only thing I have an issue with is the ending. I’m not going to go into spoilers. It was just something that’s fairly common to stories that are billed similarly to Fallow Heart that I really hoped wasn’t going to be the end point. A thoroughly expected disappointment if you will.

So overall, I’m left with a really positive experience with Fallow Heart. I’m definitely looking forward to the next book in the series and reading K. C. Finn again. It does lose a little for the ending just because I feel like more could have been done there within the theme. That leaves Fallow Heart with a four out of five. Check it out if you get the chance.

It’s been awhile since I’ve done a review, hasn’t it? With any luck it won’t be another long skip before the next one. I’ve really enjoyed these books though, so it’s a little odd that I haven’t been talking about them super animatedly. In any case, this one’s thanks to the folks at Curiosity Quills Press. Here’s Richard Roberts’ Please Don’t Tell My Parents I Have a Nemesis. Enjoy!

Please Dont Tell My Parents I Have A Nemesis cover

After dealing with heroes and villains and upper level math it’s summer time for Penny Akk and the Inscrutable Machine. Well, maybe, she’s still got homework thanks to her parents finally giving in and showing her the super hero ropes. Too much of that and they’ll catch up before she can shed her Bad Penny persona and confess. Add to that an angry Jovian, a sniveling villain wanna be, and a ghost seeking a future and things get a little complicated. Penny has a lot of threads to tie up before she can go full hero but where there’s a will, and a body swapper, there’s a way.

The penultimate book in the Please Don’t Tell My Parents series is a pretty solid setup to the finally and generally does a good job of tying up loose ends. We get the return of previous characters and wrap up for their stories. Things that have been hinted at are coming to fruition. It works.

A lot of this comes from the fake Bad Penny plot line getting dealt with and the return of the Apparition. This one ties into Penny’s need for emotional growth and more attention to empathy. She wants to do the right thing, but can get really wrapped up in the things she wants to do or being given attention for her power. Our favorite tiny mechanic from beyond the asteroid belt, Remy, has followed Penny and company back to Earth to deal with their villainy once and for all. She can’t trust Penny due to their friendship being broken, but she also really wants to trust the friend she nearly had. The Apparition wants a full life again, to go back to being Polly Icarus and experience the world properly again. It’s a good moment seeing Penny try to step up for both of them even as she fumbles some to do so.

I do feel like Penny’s solution to her Bad Penny problem and all its odd complications are a reflection of the same sort of emotional immaturity that Remy’s issues with her come from. Just, deciding that literally fighting herself would be easier than telling them is such a fantastic young protagonist thing. She’s so nervous about how her parents would react and what they’d think that that is the easier solution. It drags a little in places, but it’s a fantastic character note. Bonus, when her robot double shows some of the same issues she does while also feeling like she’s the more good Penny.

Heart of Gold is really interesting to me because of how very not Penny she can be. She’s like this paladin of heroism, detached from human worries and conflicts, just this force driven to do good regardless of her own safety. More conflict between Penny and Heart of Gold could have been awesome, give time and space to build things up to their big fight. Let Heart of Gold’s conflict show more.

That’s sort of a thing with the series, conflict doesn’t tend to feel like it’s quite simmered long enough so things can feel like they’re coming out of nowhere. It’s usually in service to the plot, but it can feel like a mini in medias res moment. The other character knows where they’re coming from but neither Penny nor the audience has caught it. The flip side to this is that the reveal for the book is fantastically built up. It isn’t something I would have expected, but it worked and was well supported. I do feel like the mechanism for it is a little iffy though. Again, a sort of weak spot in service to a really good plot point.

I continue to enjoy this series and really want to see what comes next. There are bits I wish were a little more ironed out. Penny’s weirdness over Cassie’s crush on her is something I could do without. Little things mostly, things that are understandable from a character stand point but not something I’m here for. Nothing that would make me not want to keep reading. I really want to see some of the side characters expanded on, possibly getting their own series. The world seems big enough for it. Overall, Please Don’t Tell My Parents I Have a Nemesis does a good job gathering things together for the finally and tying away the bits that have reached their conclusion. It gets a four out of five.

I’ve been meaning to talk about this for ages. Ages. Like as soon as I found it.

oddvoice_twitter

So, what’s my interest in this particular Kickstarter?

I’ve probably mentioned it before, but my Mom is a teacher. Has been for as long as I can remember. She and my Dad encouraged me to read as much as I wanted as a kid, with a handful of exceptions they figured I was too young for, but it was a thing growing up. Then, a bit over a decade ago, the school Mom teaches at had her develop a new class. Something to get students into a science elective they were excited for. The Forensic Science class. At first it was her and another teacher, but she wound up running it solo pretty quickly when that teacher got the chance to cover another class she enjoyed teaching.

My Mom is a nerd friends.

A nerd who found a way to get her students to think critically about the components of the books they read for class with a really cool project. See, early on she found an internet post featuring Barbie cleaning up  after apparently murdering Ken. She loved the idea and, a bit of research later, found a lot of nifty Barbie boxes that were based on scenes from movies or books. So she started putting together a list of mystery novels she liked, stuff she had read and could reasonably judge if it was forensic class friendly and if her students were paying attention when they made their boxes.

More importantly, she picked things that were solid writing so the kids would want to read them. My Mom had students come into her class who would only begrudgingly do class reading, but who would leave her class looking forward to continuing the series they picked from for their project. I don’t know if these kids stayed interested in reading, but I do know it was something they had found a love for at that time because Mom had the right books for the right project for the right class. She had something that made the chore of school reading fun rather than a slog to put off as long as possible.

Given that at the time I was suffering through Literature classes, it was mind blowing. It became something that I really wanted for other students, other classes, other schools. The whole deal.

I’m looking forward to what Odd Voice Out does with their school outreach work and, being entirely honest, I hope it results in something like this.

I’m hoping that their focus on non-typical main characters and diverse voices will grab readers’ attention and do for them what that list of mysteries and crime novels did for my Mom’s students and more.

As a fun bonus, Odd Voice Out was kind enough to send me a bit from one of their authors about why the Kickstarter is important to both the publisher and her.

“We want to begin 2019 with a mission to bring diversity in teen fiction to a much wider audience, and this Kickstarter campaign enables just that. With funding and pledges of as little as $1, we can engage with high schools and youth groups on the subject of representation in fiction, encourage their young creative minds to make a difference in the world, and send our press to YALC, the largest UK Young Adult literature convention. This is the place where thousands of influential readers, writers and industry executives take notice of new movements in fiction, a place where our Odd Voices can be heard on a global stage.”
– K.C. Finn, multi-award winning author of Fallow Heart
kick1

So, if you’re interested in what Odd Voice Out is doing, they’ve met their goal on Kickstarter and with three days left you can help support not only their first two novels but also the next two and future authors and possible school visits and a whole rush of other fun things. Definitely give it a look!

Full disclosure, after asking if they would be cool with me posting about this approximately an eternity and a half ago, I was invited to review both books featured in the Kickstarter. That has no effect on my coverage here, nor will it affect my reviews when they go live.

I return! I’m pretty happy with this one, hopefully I’ll be just as happy with the next one. This one’s thanks to Curiosity Quills Press, here is Richard Roberts’ Please Don’t Tell My Parents I’ve Got Henchmen. Enjoy!

Please Dont Tell My Parents Ive Got Henchmen cover

Teen super villain Penny Akk has bested adult heroes and villains, been to Jupiter, and caused a super hero to start heroing just to stop her. She’s super successful at villainy. But it isn’t what she wants. When she takes up a classmate’s challenge in an attempt to solidify herself as a hero she fails but opens the doors for her classmates to reveal their own powers. Suddenly it seems that every super powered kid wants to join the club Penny and her friends started to cover for their Inscrutable Machine activities or fight her, sometimes both. With a ton of kids suddenly looking up to here, a wanna be rival sparking for a fight, and a relationship building it’s going to be an odd semester.

Please Don’t Tell My Parents I’ve Got Henchmen returns to the familiar world a super hero inhabited Earth and to the closer setting of the characters’ middle school. This works massively to the book’s advantage though as it gives a good basis for the characters to know each other and interact, putting the new characters on a solid footing right from the start. It also brings things back to the level of Penny worrying about her parents discovering her secret identity while trying to work out a way to ditch Bad Penny for good.

That’s a bit of a double sided thing here. It feels in a lot of ways like the Audit, Penny’s mom and retired hero, is either willfully deluding herself or not nearly as perceptive as she’s meant to be. But it’s still fun to see Penny interacting more with her parents again after not seeing them for most of the last book. Plus it sort of feeds into this family aspect that’s started off early on with the Inscrutable Machine being called on to help convince a retired villain to rejoin his family and be the father he wants to be.

A lot of things sort of echo down in this one and let the reader in on more of Penny figuring out who she wants to be. Her parents forbid super activity early on, leading to her also being unable to do things as Bad Penny, which slows things down a little. It also gives us this fun space for development though. We see Clair getting more into her cat burglar thing, following in her mother’s footsteps, and Ray is working out what he wants to do with himself and his powers.

There’s also this fantastic thing with the other super powered kids, they want what it seems like Penny has. They want to be able to practice with their powers and not to have to hide them. So, suddenly the club that our protagonists started to hide their super villainous exploits is full of all these kids who have seen what they’ve done and want to learn. That gives us room for all these scenes with these characters first seeing things like the Chinatown super villain weekends or even just meeting some of the various supers for the first time. It’s a nice reminder of how awestruck Clair and Ray were back in the first book as well as being a cool way to introduce some of these new characters’ personalities and abilities.

That said, there are a few weird characterization moments where it sort of feels like this one character wasn’t meant to be antagonistic but then part way through just sort of remembered that she really didn’t like Penny. It’s a little jarring. There was also this bit towards the beginning regarding super villains Rage and Ruin’s relationship that felt super awkward and unnecessary, it didn’t add anything or do much for the scene.

Those bits were really the only things that took away from my enjoyment of the book though. I really enjoyed the new characters and want to see more done with them in future books. And it left me excited to see what’s going to happen next. So, that earns Please Don’t Tell My Parents I’ve Got Henchmen with a four out of five.