Category: Young Adult


I am so late posting this. So late. Like, I was planning on having this up Wednesday and then work was so much more tiring than usual in the lead up to the store renovation.  This one is courtesy of the author, Michael Okon, this is Monsterland. Enjoy!

Monsterland cover

With zombies, werewolves, and vampires Monsterland promises to be the scariest place on Earth. It might also be the perfect place for Wyatt Baldwin and his friends to finally solve their debate about which is the best monster. Even better, they’ll get a chance to see it all on opening night, with full VIP invites after Wyatt shared a burger with the owner of the park, Vincent Konrad. A park full of monsters, what could possibly go wrong?

Monsterland by Michael Okon reads very much like a first book. There are a lot of good ideas and the frame work is solid but then there are bits that move too quickly. It has some interesting characters and others that don’t quite make it. So, some things work some don’t. That’s every book, and I should clarify, so let’s clarify.

The story for Monsterland is kind of ambitious. We’re started with the werewolves and shown that they didn’t join Monsterland on their own, then we get introduced to our protagonist and the world. It stars a pattern in the story, there’s a monster chapter and then a protagonist chapter. That works really well for me to a point. There’s a weird jump from the monsters as sort of victims of the part and planning to escape to the monsters as monster antagonists. That happens without a lot of build up and feels pretty disjointed. Something similar happens with Wyatt and his friends, they go from super excited about going to the park to thinking it was a bad idea and questioning if it was actually a good thing. Similarly again, we get Vincent jumping from being presented as a force for good to throwing out massive bad guy signals. I would have liked much more build up on all of these things. A slow burn and build and then reveal it. As it stands, while the end isn’t a twist or anything, it also isn’t super satisfying and could have benefited from just a touch more work.

The characters similarly could have benefited from more work. As it stands, they’re more or less sketches of characters rather than being fully realized. Wyatt is interested in zombies and Jade, the cute girl from school, he’s super about Victor Konrad’s plan to save the world with this theme park. His friend Melvin is super into werewolves and messes up his turns of phrase. The other friend is always addressed by his full name and is super smart, he’s afraid of the girl who’s into him. Then there’s background characters, I would have liked a fair deal more with them. It feels like Mr. Okom had a few ideas of what he wanted to work with characters wise, but wasn’t a hundred percent on how he wanted to implement them in the story proper.

I’ve said a fair amount about this needing a touch more work. Thing is, the book is average as it stands, but it has a lot of solid ideas. I liked the one friend’s love interest, Keisha, she had some really interesting moments and I would have really liked to see her do more. Vincent as the villain could have been really good if he was a little more subtle, he just gets a little too cartoony at the end for my taste. The monsters revolting could be built up a little more, show the vampires trying to get in contact with the werewolves. It would have been a fair number of little things, but it could have taken the book from average to good.

That’s pretty well where I’m left with Monsterland, it isn’t bad and it was enjoyable, but it is fairly average. I would read Michael Okon’s next book, and think he’s going to keep improving as a writer. That said, I’m giving Monsterland a three out of five.

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Hey all. Got a review for you, this one’s from my library and is kind of a throwback to last year. Enjoy!

Places No One Knows cover

Waverly Camdenmar’s life is perfect academically, socially, even her extracurriculars. Her life is utterly perfect, except that she hasn’t slept in days and instead spends all night running to escape herself. Marshall Holt’s life has been falling apart for years. His family can’t stand each other. His friends are bellow the bottom of the social latter. He’s close to not graduating. But he doesn’t care, he drinks and smokes and utterly wrecks himself with how much he doesn’t care. He’d never be good enough for Waverly anyway. But then one night she dreams herself into his room, his life, and nothing can stay the same. She can change in her dreams, but is Marshall worth risking everything she’s built?

Places No One Knows, by Brenna Yovanoff, isn’t my standard fare by any means. I started it back when I worked at the book store and finished it because I’d started it. It is very much a teen romance, but one that’s got some other stuff going on. The other stuff is what kept me going and held my interest.

See, both of our leads have pretty serious issues that they either can’t talk about or just don’t want to acknowledge. Marshall’s home life is terrible and he feels like a failure because he can’t not be bothered by it, so he self medicates. That leads to him being an academic failure and everything cycles back around. He has feelings and wants to help people, but doesn’t know where to start or how to help himself.  The flipside to Marshall is Waverly, the popular girl with the fantastic grades and the best times on the track team. Waverly who isn’t good at social cues or actually dealing with people despite being able to read them like it’s nothing. Who feels robotic and memorizes all manner of trivia to distract herself from her own faults. Waverly who runs until her feet bleed and she can’t think anymore to escape her own mind and the concerns that her life isn’t what it should be. These two I find interesting because they don’t feel standard, but I wish Waverly’s issues had been gone into a little more deeply. She feels like she didn’t get a full character arc and, while this would usually be a positive, the book leaves a lot of room for her to back slide massively and let everything fall to pieces.

In light of both the sheer amount of character stuff going on, and my own lack of interest in romance plots, I would have liked to seen less of the romance and more of Marshall and Waverly figuring their stuff out. Marshall gets a fair amount of this and we see him making efforts to pull himself out of his issues. Not so much with Waverly, she stays pretty entrenched in her belief that she’s somehow broken until the book’s climax. But that doesn’t feel right for her as a character, she moves by inches throughout the book unwilling to admit that she needs anything and unable to meet most people at an emotional level, but then all the sudden there’s this big character moment and things are fixed? It doesn’t fit for me.

I also find myself wishing that there was more with the minor characters. Waverly and her social group have this whole Mean Girls thing going on with a strict hierarchy and unspoken rules. But then along comes Autumn, the social outsider, to shake things up because she’s bored. I would have liked to have seen more of the fallout from that, instead of it being fast forwarded through for magic candle romance stuff.

Ultimately Places No One Knows isn’t a book for me. It has some really interesting character stuff, but then also a romance that feels unnecessary and forced. There’s fantastic ideas, but subpar follow trough. It’s the kind of book that I finished and shrugged, because it ended the way it had too but without resolving a lot of character issues. I didn’t dislike it, but I also wouldn’t read it again, so it winds up with a three out of five.

Project Pandora

And I’m late again. Thanks for sticking with me folks. This one was kind of hard to get done, so that wasn’t fun. Right, so the review of the week is thanks to the nice folks at entangled teen. This is Project Pandora. Enjoy!

Project Pandora cover

Apollo switched back to Tyler in the middle of a job, something that shouldn’t have been possible. Tyler’s aware of his burner phone, though not its implications. He doesn’t know about the second life in the shadows of his everyday, not until it starts bleeding through. Not even when he realizes that the girl he’s crushing on has a phone just like his. They’ll have to learn quickly, find out what’s at the core of Project Pandora, before they’re tracked down and reprogrammed.

Aden Polydoros’ first novel, Project Pandora, is not a book that would find itself in my top or bottom ten for this year. This is one of those books that, it’s not bad but it also isn’t memorable. There are a lot of solid ideas here and I feel like the book could have been really good with a little more refining. In short, it feels very much like a solid first book.

The official blurb promises action and mystery, danger. While the book itself takes a very slow burn approach to its plot. That’s not in and of itself a bad thing and, in all fairness, in a more solidly plotted book could have been a fantastic way to flesh out the characters. Here it winds up dragging on and feeling like padding. We get these scenes of our characters going about their regular student lives and having their YA romance stuff going on, and it isn’t bad but it also winds up feeling disconnected from the plot really quickly. I feel like if more had been done with their programming breaking down earlier in the book it would have been better and could have lead to more of the mystery that was promised in the blurb. As it stands, the Project Pandora stuff is mostly carried by one character and, since he’s got no other life, it doesn’t really give use any build. That more wasn’t done with that side plot is really disappointing, that was one of the more promising ideas presented.

That’s where a lot of my apathy about Project Pandora comes from. There’s a lot of good ideas for the plot and characters both, but those ideas are fumbled in the writing itself. We have these two pairs of characters, the nice young folks who don’t realize they’re assassins and the beauty and the beast pair who have this instant attraction for each other. We follow all four of these characters, which winds up both killing any mystery that could have happened and leads to a lot of overlap in storytelling. There are so many ways this could have been taken and built upon, but what we got was a lot of teens pining after one another and stressing over high school stuff plus Hades’ issues. The ideas were there and so were the bones of a good story, but they weren’t fleshed out well.

I have very few feelings about this book beyond wishing that the author had done just a little more with it or refined it more. Part of this might be that Project Pandora suffers from being the first in a series, maybe some stuff was left out on purpose so it can be filled in later. Part of it might be that this is the author’s first book and he’ll improve with more practice. Either way it gets a three out of five. I might give Aden Polydoros’ next novel a shot, but this one didn’t impress me.

Frost

Not much to blurb about today. It’s quiet in my neck of the woods and that’s pretty ok. I did wind up cutting several things from today’s review for spoilery reasons. So, if you all are cool with tagged spoilers in the reviews, let me know in the comments. Today’s book is courtesy of the nice folks at Scholastic. Here’s Frost. Enjoy!

Frost cover

At sixteen Frost has never been outside the apartment she grew up in, and with good reason, the world outside is a hunting ground for ravenous cannibals and robots gone rogue. It hasn’t been a safe place to live since before she can remember. She needs to leave though. Her pet, Romes, is dying and she can’t bear to see him in pain. Even as the memories of her father try to hold her back, to keep her in her safe prison with the family robot for company and protections, she knows she has to leave and save the only living thing left to her. She grew up on stories about the utopia at the other end of the city, the Battery, where all the science that’s been lost still exists. With Bunt’s help she might be able to make it.

So, M. P. Kozlowsky’s Frost is an odd book. I mean that in a lot of ways. Part of this comes from the fact that Frost feels very much like the first book in a series rather than a standalone novel. It builds slowly for a good two thirds of its page count, then crams in a ton of stuff that could be pay off but that also feels like set up for next time. This book is kind of a mish mash of ideas, so it can be a little difficult to separate them all out.

Let’s start there though. This book is a mess of ideas that could be really cool but then don’t really go anywhere. There’s too many separate threats and concepts for the time spent on any of them. We get a lot about Frost’s feelings and several imaginary flashbacks to before everything fell apart, but not a ton of world building. For example, the Days of Bedlam are the in world name for whatever happened to lead to the current world. It involved robots. That’s about all I know about it from reading the book. Building on that could have been a great way to show more of the world and to explain some of the other stuff. The cannibalistic Eaters, the Broot, the rogue robots, even the climate being messed up all seems to stem from this one set of events. How? It’s mostly waved away as people going too far and it blowing up in their faces, but that’s not satisfying and ,again, leads to this feeling like the start of a series.

There’s also not a lot going on here in the character department. Frost is our ingénue main character innocent, naïve, and just out to save her pet but she doesn’t really seem to change or grow in the course of the book. She’s out in the world for the first time in her life, finds out all this life changing stuff, deals with some seriously messed up situations, but then at the end she’s not a more mature character or more aware. She’s still desperately searching for the same thing she was at the beginning of the book and with not a lot of change in the tone of it.

But she inspires hope in people who meet her, that’s got to count for something, right? Not so much. The side characters she inspires hope in, Flynn and Barrow, are initially written as being hardened by the world they live in and the tragedies of their pasts. Then in comes this random girl, who is super sure that if she can just reach this mythical place she’ll be able to save her pet. She’s so sure of this thing that they both think is impossible at best that they both start believing in hope again. Flynn this could work with if it was done better. He’s the same age as Frost and, despite his tragic back story, is given several moments where he’s shown to want something to believe in. His father, Barrow, not so much. Barrow’s arc feels like it was cut short, which is unfortunate, it was a pretty standard “guy wants to protect his kid even if it means doing questionable things” but it felt more grounded than any of the other character arcs.

A lot of my issues boil down to being issues about character work or world building. There’s a lot of potential to Frost, lots of interesting ideas. In a few instances there’s a quality pay off to an idea established earlier, but there isn’t enough of that for the book as it stands. The book is also very simple both in how it deals with its characters and how the reader is fed how characters feel, almost to the point of it just being straight up telling. In a more solidly written book that wouldn’t have been as much of a problem, but here it goes back to feeling like the author had so many ideas that he didn’t have time to develop any of them.

That’s kind of where I ultimately land on Frost. It’s way too underdeveloped, if Kozlowsky had taken any one of the ideas he introduced here and focused on it the book could have been fantastic. Most of the other issues I had could have been forgiven if the story had been tighter. As it stands though everything is too scattered and underdone so what could have been a solid three to four book winds up being a two out of five, not because it offends me but because it needed so much more work. I might give Kozlowsky’s writing another shot down the road, but it would need to be a book that I’d heard good things about.

Alright everyone, I’ve got something awesome for you today. It’s a guest post from Leslie Hauser, author of Chasing Eveline! Enjoy!

Chasing Eveline cover

A lot of the focus of Chasing Eveline has been on the musical aspect. But when I was writing it, an equally important idea I wanted to develop was that of fading memories. How does one cope with loss and then with the fact that after while, our memories begin to lose some of their shine. It’s like a double loss.

 

Last summer marked the ten-year anniversary of my aunt’s death. I’ll never forget the last time I saw her alive. My parents and I just finished a round of golf with my uncle. My aunt didn’t play golf, but on this particular afternoon, she met us at a restaurant near the course for drinks after the round. She sparkled. That’s what I remember. Her blond hair was especially golden that day, and her bright blue eyes danced in step with her laughter, accentuated by the bright blue paisley shirt she wore. Or was it a blue-checkered shirt? No, I think maybe it had a blue floral design.

 

You see, I can’t remember anymore.

 

I thought I’d never forget that day, but it’s happening little by little. As the years pass, the photo in my memory is dissolving, and details that were once so clear are fuzzy and even lost completely.  And that scares me. What if someday I lose that memory of my aunt entirely?

 

It’s this idea of how our memories fade that I wanted to explore with Ivy in Chasing Eveline .We are often so sure of ourselves, saying I’ll never forget this moment. But we have no control over that clarity. Time is ultimately in charge. Ivy’s mom has left her, and all she has are her memories. But after two years, the details in Ivy’s mental slideshow aren’t so sharp anymore, and it scares her. It’s frightening to feel ourselves losing that tight grip on pictures and people who were once so clear in our minds. And it’s especially scary when these people are family members.

 

For so many years, my aunt was part of our family gatherings and holiday celebrations. She colored the events with all of her quirks. She stuck her finger right through the center of the creamed corn dish every Christmas to see if it was hot enough to put on the table. Her sighs of “Oh, Leslie…” to me or “Oh Natalie…” to my cousin or “Oh Barry…” to my dad were part of the soundtrack to every gathering. And she always showed up with a girdlebuster pie for dessert.

 

Since she’s passed away, we still all gather for holidays and celebrations, but it’s not quite the same. The scene is a little less colorful. There’s laughter, but it sounds different. There is still a girdlebuster pie on the table, but it looks different. I put my finger in the creamed corn to test its readiness, but it’s not as funny. Everything just feels different without her there.

 

When a family member leaves—whether it’s death or disappearance—there’s a void that can’t be filled. You can try to substitute, but it’s never the same. The dynamic is irrevocably changed, and you’re forced to forge a new path. But how do you move on in this new direction yet still try to keep the past alive in your mind? It’s tough, and I think it’s one of the most difficult things about losing someone, particularly a family member. It’s definitely what Ivy is struggling with.

 

Luckily for Ivy, she has music—a passion she gained from her mom. Music helps Ivy latch on to the best parts of her mom while giving her a positive outlet for the pain that could so easily overwhelm her. It’s a much needed life vest for her as she navigates the murky waters of loss.

 

So even though Ivy and I may forget what shirts our loved ones wore in our memory snapshots and we may never feel completely at ease in our new worlds absent of those we love, we know the sparkle that emanated from them can never be taken by Time. And it’s that remembrance that helps us find enjoyment in the new paths in front of us.

Leslie Hauser author picture

Author Bio:

Leslie Hauser teaches middle school English and history. She is a Midwesterner at heart—born in Cincinnati, Ohio—but currently resides in Los Angeles, California, with her dog Mr. Darcy. She loves cupcakes, coffee, and most of all—music. Her debut YA novel CHASING EVELINE released July 11, 2017. Visit Leslie at www.lesliehauser.com or on Twitter at @lhauser27.

I’m back, and I never left. But this is still a bit late, more things coming up this week. Progress is slow fixing that. I’m a little worried, but it’s workable. Also, there’s a review! Enjoy all.

FNaF The Silver Eyes cover

Ten years ago several children disappeared from Freddy Fazbear’s Pizzeria. Their bodies were never found. The restaurant closed and it’s owner committed suicide, seemingly from his inability to deal with his guilt. On the anniversary of one of the children’s death Charlie and several of her friends return to her home town to attend a memorial in his honor. Nostalgia turns to terror when she and her friends find the old pizzeria buried in an abandoned shopping mall and decide to investigate. Sometimes the past should stay forgotten. Some things never die.

So, Scott Cawthon and Kira Breed-Wrisley’s Five Nights at Freddy’s: The Silver Eyes is a bit of an interesting thing just as a concept. It’s a video game tie in novel, that isn’t canon to the games it ties into while still relying pretty heavily on the reader being familiar with the source material. The first part of that doesn’t hurt it for me, the second bit does though. In a lot of ways it’s like a cheesy horror movie in book form.

This isn’t a book that’s heavy on plot or character development, both things that I think really should have been worked on more. The plot is mostly an excuse to get our characters into the old Freddy Fazbear’s and is kind of a regurgitation of the third game’s story components. It doesn’t really do much to go into the murders themselves or the animatronics being haunted, that’s where I feel the meat of the story would have and should have been. Give me the characters having their nostalgia time and then trying to figure things out while dodging haunted robots. They could have also tightened up the ending to tie it in better.

That brings up the characters. Remember that comparison to a horror movie? That comes in big time with the cast. We get a lot of characters here, but only Charlie really matters for the vast bulk of the book. That leads to none of the cast getting a ton of development, which works in a movie with a dwindling cast but not so much here. It also leads to a couple of moments that feel out of nowhere because the characters involved weren’t acting like themselves, if the book had gone more into the supernatural stuff and used that as an explanation it could have worked, as it stands it really doesn’t.

That said, and bringing up that I read it because the games interest me, I did have fun reading this book. Part of that is that while the characters don’t work when it’s all of them together, because they kind of run together, the smaller scenes with just one or two characters really work at times. I enjoyed Charlie going back to her childhood home and seeing how things hadn’t changed in the house itself. That bit had really good character work and built tension well. The characters’ excitement over maybe seeing the old pizzeria again was great and could have worked into the horror really well.

So, where does this all leave Five Nights at Freddy’s: The Silver Eyes? While I had fun reading it, the book could have done a lot more with its material and its characters. Could have, but didn’t, and that’s really my big problem with it. I’d have liked to have seen a smaller, more developed cast and for the plot to show up faster and more coherently. For all that, I’m still giving it a three out of five. It could have done a lot more, but I still enjoyed it.

The Sitter

Hey, guess who’s reviewing a fourteen year old book! This gal! So, yeah, there might be some spoilers here. I tried to avoid them, but this was surprisingly hard to talk about without getting into what, specifically, made my reactions happen. I got really hung up on one thing, guess what it was. That’s pretty well it though. I’ll have another post up probably tomorrow or Friday. For now, enjoy!

the-sitter-cover

Ellie Saks is at the end of her lease, the end of her temp job, and the end of her patience with her mother and her ex-boyfriend turned stalker Clay. So, she jumps at the opportunity to leave the city behind for a trip to the Hamptons for a summer of fun away from it all. A stroke of luck even lands her a babysitting job and place to stay. That luck turns sour though when someone starts sending her threatening notes and disturbing gifts. With a disturbed child to care for, a stalker on the loose, and a ghost story unfolding with her in the middle of it can Ellie figure out what’s going on or even survive her summer as the sitter?

Not going to lie, I didn’t enjoy The Sitter. This is one of those books that feels so, so like a lot of the books I have tremendous nostalgia for but with all the nostalgia stripped away and a painful attempt at retargeting its readership. See, R. L. Stine does a great job with teen horror, particularly cheesy teen horror. His books can be very formula and very like a B horror movie, but they tend to be fun and quick and you know what you’re getting in to when you pick one up. That’s sort of the case here and with a few changes this could have been a pretty standard Fear Street book. That’s part of the problem though, with The Sitter Stine tries too hard to make his book “adult” and it feels very forced. There’s a fair amount of profanity, some drinking, a really gross sex scene, drug use is mentioned, but it all feels like someone reminded Stine that he was writing for grownups after the book was already finished, so he just threw that all in.

So, that said, what made me dislike this book other than the audience related weirdness? There are a lot of things that get a pass in teen novels that shouldn’t and don’t in adult novels, this book for example had terrible foreshadowing. Early on, we find out about Ellie’s cat, he’s sweet and trusting and she misses him so because she couldn’t have him in her apartment. Yeah, he didn’t make it to the end of the book. The problem with that is twofold. Stine’s used killing the beloved family pet to gain a quick cheep hit to the feels before, several times actually, so as soon as the cat gets mentioned you know what’s going to happen. It’s a similar thing with the big twist at the end. It also ties into my next big issue.

A ton of terrible stuff happens between Lucky’s introduction and Lucky’s plot appointed death, but Ellie doesn’t seem to take that into account. The book’s plot was almost entirely reliant on the protagonist making stupid choices. Again, a lot of those choices would have made more sense in a book with a teenaged protagonist rather than one in her twenties both because relative youth and because a teen protagonist could be stuck being the sitter rather than it being a summer job. This bit is really hard to go into without spoilers, but our protagonist gets death threats and vile stuff mailed to her. She stays, doesn’t even talk to the police after like the second thing. Not for the threats, or her cat getting killed, or her stalker ex showing up and threatening her. Most of the tension in the book relies on the reader having never read R. L. Stine before and Ellie being an idiot.

Add to that, The Sitter has a ton of stuff going on that doesn’t seem to go anywhere until the end. There are chapters from the antagonist’s view point. They could have been cut entirely. There was a side plot about some curse on the guest house. That could have been cut. Clay probably should have been cut, he doesn’t really add much to the story and is basically made of cringe. The cat could have been cut, he was a completely pointless inclusion. Any of that could have been removed to tighten up the main plot and work the twist in better.

Those are my big issues with the book, everything else kind of spins off of those. It had a twist ending, but that was completely unsupported by the rest of the book. The only reason I didn’t see it coming was that it was so completely out of left field it came from another game entirely. It’s silly in the grand scheme of things, but this book made me angry. There were so many places where Stine could have done better, could have not done the blatantly obvious thing, could have shored up the writing instead of going into another side plot. This book gets a one, as much for what it could have been as for what it is.

Trapped in Wonderland

So this is late by a couple hours. Better than days or weeks, but still. I was sent a copy of Trapped in Wonderland by the author, Dani Hoots, for an honest review as part of a blog tour. She’s been great to work with and I hope you all enjoyed her guest post earlier today. Enjoy!

The first time Alice visited Wonderland she had been shoved in a locker. The second time she had to be rescued from the White Rabbit. Now she’s trapped in a world like a dream with four boys from her school who are, it turns out, characters from the story. But dreams are dying and it will be up to Alice to save both Wonderland and her own world from the Cirque de Reves and their mysterious leader.

Dani Hoots’ Trapped in Wonderland is something of a new spin on an old classic. The Alice here is not the original Alice who told her story to Lewis Carroll. Wonderland is different, being ruled by the Kingdom of Dreams and sectioned into Zones. Also the Mad Hatter, Cheshire Cat, Doormouse, and March Hare are all cute boys. It’s different from the original, but still feels very familiar on a lot of levels.

I admit, this book frustrates me and I think a lot of that comes down to it feeling very like young. It has a lot of new writer problems like stilted dialogue and a lot of unnecessary details that could have been removed to improve the pacing. Most of the little details, like what manga Alice was reading, could have gone while keeping bigger things, like her getting up early to fix her own lunch because she wants to have a bento box. The book sort of waffles between things that build Alice’s character and things that just fill space on the page. There’s also a lot of repetitiveness and contradiction when it comes to certain things. The reader keeps being reminded both that Alice does ballet but is still super clumsy, or that she’s pretty sure that Wonderland is just a dream. It leads to the book feeling like it was originally posted as each chapter was finished rather than as a whole.

There’s this weird sort of conflict of character with regard to Alice and her family as well. It’s sort of a tie in to the plot itself. Her older sisters are both smart and successful, one is a med student and the other is studying physics. Her parents are both CPAs. None of them care about Alice’s art or her dancing or her interests. These things are, according to Alice at least, treated as pointless hobbies or something to be taken away from her if her grades drop. They want her to give up her dreams and become like them, but then these same parents who don’t seem to care about any of her interests also seem to be paying for all those interests. She’s going to ballet classes, has adequate supplies for her art, and has the food around to make her bento boxes. It feels like something written by a fairly young writer venting about their own life. It could be a really good real world tie in to the main plot if more was done with it or if her family was written more sympathetically, but as is it doesn’t work.

My feelings on this book ultimately wind up being fairly meta. The writing itself does feel very fan fic-ish or, again, like it was written by someone either very young or just not used to writing. There are a ton of references to pop culture, particularly anime and manga, that can get really distracting and make the book feel weirdly dated. There’s some issues with the editing that could have used a second going over. There’s a lot of potential here and, with Mrs. Hoots having written several other books, I’d definitely give one of her other books a go. Plus a couple of the characters were a lot of fun if a little stock and I completely love a couple of the concepts used.

So, where does that leave me? While I’ve had a lot of issues with the book it didn’t leave me feeling like I’d wasted the time reading it. It isn’t good, but it shows a lot of potential and leaves me hoping it’s an older project that’s just not getting its turn or a genre the author isn’t entirely comfortable with. That all taken into consideration, I’m giving Trapped in Wonderland a two out of five with the note that it could be a solid three with more editing and some cuts.

Guest Post Dani Hoots

Alright everyone, I’ve got a guest post for you today from Dani Hoots, author of Trapped in Wonderland. Review for that will be up a little later today. Enjoy!

Thank you Lauren for letting me write a post about what drew me to the theme of Wonderland. I am very grateful to be here and hope that you and your followers enjoy my post.

 

I decided to write a piece based on Alice’s Adventures in Wonderland because of my love for everything “mad”. Wonderland, to me, is a place where the misfits, the outcasts in society, those who are deemed “crazy” can be themselves. I grew up being bullied for being different and loving nerdy things, strange things, and I found myself always escaping to a different world in my mind. To me, Wonderland is a place just like that, so I found myself quoting and loving everything Wonderland.

 

Not only is it somewhere for us “mad” people, it is also a place where we aren’t expect to know where we are going. A lot of people don’t know what the future holds, and as the Cheshire Cat says, “If you don’t know where you are going, any road will get you there”. I think this is a great quote to think about if you find yourself stuck. Just keep moving, keep pushing forward no matter where you are going. Sometimes we start to lose confidence and that is okay. Just keep fighting to fight that is life and you can find your way. 

 

These two themes that are present in Wonderland and are the main reasons I am so drawn to it. I also fell in love with the manga “Alice in the Country of Hearts”, which is based off of a Japanese love sim game (I’m a sucker for love sims, go ahead and judge me). A lot of ideas were inspired by that series and I definitely recommend it if you like manga or anything Wonderland-themed.

 

My favorite characters in Alice’s Adventure’s in Wonderland are the Cheshire Cat and the Mad Hatter, which when you read the novel you will definitely see. The ironic and interesting thing is I found out after marrying my husband and started doing research of his ancestry, that his original name from Germany wasn’t “Hoots” but was in fact “Huth” which means “hat” in German. Their coat of arms is a white background with a black top hat and a big red heart on top of it. I literally married the Mad Hatter and I think that is wonderful.

 

I also think that all of us have a little Alice in us. I love adventure, and love to question everything. We just need to remember to keep our curiosity as we grow older. I think it is hard in today’s society, but it is really important. Curiosity definitely drives me to research and write, so I hope you all keep a little curiosity in whatever you do throughout life. 

 

So I hope you all enjoy my post and my novel Trapped in Wonderland. If you have any questions of comments, feel free to visit me on my Facebook page or my website.

 

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Hello everyone. I’ve got a guest post or from the author of The Bad Boy Bargain. This is actually part of a blog tour, so if you’re interested, check out the other blogs on the tour. Enjoy!

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How a Song Launched an Entire Book

 

I find inspiration for books in a lot of places, but The Bad Boy Bargain was probably the most unusual. Last year, when she heard “Please” by Sawyer Fredericks (from The Voice), my editor, Heather Howland, had an idea for a new YA romance. She posted her thoughts on Twitter—shy guy with a tough shell—and said she wished someone would write it. When I asked when she wanted the manuscript, teasing but also dead serious, we started plotting.

 

“Please” tells the story of a young man who’s found a near-perfect girl, one he thinks he loves, but he’s lying to her at the same time. He’s scared to tell this near-perfect girl the truth about himself because he’s worried she’ll let him go. It’s a song about love and fear, giving and selfishness, longing and despair. All those themes show up in The Bad Boy Bargain, which lends some extra complexity to Kyle beyond the typical bad boy. He’s a guy full of secrets, pain, and shame, but he reallywants someone to see through all of that and love the true Kyle. The working title of the book was called Keeping Faith—because he wants to keep Faith, but needs more faith in himself.

 

As for Faith herself, she’s been mistreated by one guy and has some reservations about being hurt again. The difference between Faith and Kyle is that she’s willing to continue to look for The One even though she’s been burned. She believes in true love, acting with kindness, and being her real self. She suffers from a lack of confidence and self doubt, and Kyle helps her get past that, especially when she struggles with a dance partner who refuses to do his part. Having him in her life restores her faith in love, and in herself.

 

Overall, this story is about two people finding each other and connecting in a way that allows them to be true with each other.