Category: Teen

I am cutting it so, so close here. As it turns out I might not be as over being sick as I’d thought and I’ve been more than kind of exhausted all day. It’s all good though. I really want to talk about spoiler-y bits for this one, but this isn’t the place for it. So, here’s Five Nights at Freddy’s: The Twisted Ones. Enjoy!

FNaF The Twisted Ones cover

It’s been a year since they went back to Freddy Fazbear’s Pizzeria. It’s been a year since a serial killer in a rabbit suit nearly killed them all. Time has passed and Charlie’s friends have moved on with their lives. Her friends have, but recently a body has been found with disturbingly familiar injuries. Sometimes the past doesn’t want to stay buried. The restaurant has been closed for years but evil is open for business.

Starting out a year after The Silver Eyes, Five Nights at Freddy’s: The Twisted Ones gives us a lot of possibilities but has a tendency towards not following through on them. There’s some really cool set up for character study with Charlie taking robotics courses and working towards building what seems like a learning artificial intelligence. There were threads that could have easily taken that to showing our heroine as a mirror to both her father and also William Afton, the villain.  Or more could have been done with the connection she felt with her long lost, most likely long dead, twin Sammy. The murder plot could have done with more focus as long as the authors focused in on one thread for any length of time.

The Twisted Ones did a number of things that I had wanted from the first book. It maintains the cheesy horror movie feel of the first book while also feeling much less anchored to the games, both good things. The cast not knowing just what is causing these new animatronics to hunt people and needing to figure that out was a cool concept.  The cast is a lot smaller, so everyone gets more screen time. It’s a lot of possibilities that were improvements but could have been more.

More page time doesn’t necessarily mean more development. That might have actually taken a slide. We still focus mostly on Charlie and what’s going on with her now that she’s been back to Freddy’s and remembered her twin. She’s into robotics, which worries her friend and roommate Jessica, because she doesn’t want Charlie to fall down the same rabbit hole her father or Afton did. She might be into returning love interest John, but there’s also a missing twin and killer robots, so maybe not. John is definitely into her, but also there’s killer robots and she might be more interested in what’s going on with them than dating. Or class. Or really anything else at the moment. What I’m saying is that Charlie wound up a bit flat and, as a consequence, so did a lot of The Twisted Ones’ run time. I did appreciate the other characters’ reactions to Charlie’s actions throughout, those rang a lot more true.

The thing is, I didn’t dislike The Twisted Ones. It wasn’t the best book I’ve read recently and it was really easy to get tired of due to feeling really padded and monotonous. But the cheese was so real, it was like a B-movie when it’s all over. I’m left more interested in the third book in the series due to having ideas about how Scott Cawthon and Kira Breed-Wrisley are going to make it work. Plus, it had a really excellent final line.

So, all told, this isn’t a good book, but it was also entertaining enough that I’m interested in the next one. The characters are a little flat, particularly our heroine, but I’m invested enough to want to see what happens to them. So I’m giving Five Nights at Freddy’s: The Twisted Ones a three out of five.


One Was Lost

So, this turned out better than I’d hoped. This was one I’d picked up because it sounded interesting and a co-worker had mentioned enjoying it. I figured, “thriller, cool” and ran with it. So this is One Was Lost by Natalie D. Richards. Enjoy!

One Was Lost cover

Sera’s school requires its students to complete a Senior Life Experience Mission before they graduate. A big field trip that takes them some place new and away from their comfort zones. No problem, it’s a camping trip in the rain. Until it isn’t. Sera finds herself trapped with three other students and their very drugged teacher, a killer stalking the woods after them, and mysterious words lovingly written on their arms. The words are clues, maybe, maybe keys to their escape or a judgment. They’ll have to figure out what it all means if they want to survive.

Natalie D. Richards’ One Was Lost is a solid thriller in many ways. In many ways it also falls into standard teen novel pitfalls that damage the flow of the story. This leaves the book in a strange place writing wise, which is interesting for me. It has fantastic bones and a lot of ideas that I would love to see more of, but then tends to side track away from those ideas where it counts.

The biggest pull for a thriller is the characters. Who are they? How does the situation affect them and how they view each other? So, character is important. There is a fair amount of good character work here. Unfortunately that character work gets overshadowed by the romance fairly often. I got really tired of Sera’s whole circular deal with how attracted she is to Lucas and how she doesn’t want to become her mother. It took up a lot of page space compared to Emily and Jude, the other half of the group being hunted.

I wanted to see so much more of Emily and Jude. To find out more about what made them Damaged and Deceptive respectively, and see how they started working better with our lead pair. I feel like that and the killer threat should have been the core of the story. Here are these kids, they’ve each been labeled by the killer in the woods, why? What’s the game here? How is the killer making this work, leading them through the woods and sneaking around so much? More build on any or all of those would have been great and done a lot for the plot.

Because the plot is sort of scattered, the killer seems to both have a specific timeline for their plot and is totally willing to just let the kids do whatever. It almost feels a bit like a Joker plot, everything the kids do plays into the killer’s plans somehow, but there shouldn’t have been a way for everything to work without the killer getting caught. This leads to a point where the red herring makes a lot more sense throughout the book than the actual killer. And that feels like a missed mark in the writing, where I feel like removing the red herring and letting the killer be this dangerous unknown could have been fantastic, especially if we had gotten more about some of the scary stories told on one of the earlier nights. Have more work put into the foreshadowing for the big reveal.

That’s where I land with a lot of One Was Lost, more work would have made the book so much better. It has good bones, solid ideas, and the potential for good characters. Then there are also points where it seems determined not to live up to any of its potential, the romance is an example of this. It’s frustrating like that. I did like the book and I would read more of Richards’ stuff in the future, but I would probably see what other people said first. I’m giving One Was Lost a three out of five.

Project Pandora

And I’m late again. Thanks for sticking with me folks. This one was kind of hard to get done, so that wasn’t fun. Right, so the review of the week is thanks to the nice folks at entangled teen. This is Project Pandora. Enjoy!

Project Pandora cover

Apollo switched back to Tyler in the middle of a job, something that shouldn’t have been possible. Tyler’s aware of his burner phone, though not its implications. He doesn’t know about the second life in the shadows of his everyday, not until it starts bleeding through. Not even when he realizes that the girl he’s crushing on has a phone just like his. They’ll have to learn quickly, find out what’s at the core of Project Pandora, before they’re tracked down and reprogrammed.

Aden Polydoros’ first novel, Project Pandora, is not a book that would find itself in my top or bottom ten for this year. This is one of those books that, it’s not bad but it also isn’t memorable. There are a lot of solid ideas here and I feel like the book could have been really good with a little more refining. In short, it feels very much like a solid first book.

The official blurb promises action and mystery, danger. While the book itself takes a very slow burn approach to its plot. That’s not in and of itself a bad thing and, in all fairness, in a more solidly plotted book could have been a fantastic way to flesh out the characters. Here it winds up dragging on and feeling like padding. We get these scenes of our characters going about their regular student lives and having their YA romance stuff going on, and it isn’t bad but it also winds up feeling disconnected from the plot really quickly. I feel like if more had been done with their programming breaking down earlier in the book it would have been better and could have lead to more of the mystery that was promised in the blurb. As it stands, the Project Pandora stuff is mostly carried by one character and, since he’s got no other life, it doesn’t really give use any build. That more wasn’t done with that side plot is really disappointing, that was one of the more promising ideas presented.

That’s where a lot of my apathy about Project Pandora comes from. There’s a lot of good ideas for the plot and characters both, but those ideas are fumbled in the writing itself. We have these two pairs of characters, the nice young folks who don’t realize they’re assassins and the beauty and the beast pair who have this instant attraction for each other. We follow all four of these characters, which winds up both killing any mystery that could have happened and leads to a lot of overlap in storytelling. There are so many ways this could have been taken and built upon, but what we got was a lot of teens pining after one another and stressing over high school stuff plus Hades’ issues. The ideas were there and so were the bones of a good story, but they weren’t fleshed out well.

I have very few feelings about this book beyond wishing that the author had done just a little more with it or refined it more. Part of this might be that Project Pandora suffers from being the first in a series, maybe some stuff was left out on purpose so it can be filled in later. Part of it might be that this is the author’s first book and he’ll improve with more practice. Either way it gets a three out of five. I might give Aden Polydoros’ next novel a shot, but this one didn’t impress me.


Not much to blurb about today. It’s quiet in my neck of the woods and that’s pretty ok. I did wind up cutting several things from today’s review for spoilery reasons. So, if you all are cool with tagged spoilers in the reviews, let me know in the comments. Today’s book is courtesy of the nice folks at Scholastic. Here’s Frost. Enjoy!

Frost cover

At sixteen Frost has never been outside the apartment she grew up in, and with good reason, the world outside is a hunting ground for ravenous cannibals and robots gone rogue. It hasn’t been a safe place to live since before she can remember. She needs to leave though. Her pet, Romes, is dying and she can’t bear to see him in pain. Even as the memories of her father try to hold her back, to keep her in her safe prison with the family robot for company and protections, she knows she has to leave and save the only living thing left to her. She grew up on stories about the utopia at the other end of the city, the Battery, where all the science that’s been lost still exists. With Bunt’s help she might be able to make it.

So, M. P. Kozlowsky’s Frost is an odd book. I mean that in a lot of ways. Part of this comes from the fact that Frost feels very much like the first book in a series rather than a standalone novel. It builds slowly for a good two thirds of its page count, then crams in a ton of stuff that could be pay off but that also feels like set up for next time. This book is kind of a mish mash of ideas, so it can be a little difficult to separate them all out.

Let’s start there though. This book is a mess of ideas that could be really cool but then don’t really go anywhere. There’s too many separate threats and concepts for the time spent on any of them. We get a lot about Frost’s feelings and several imaginary flashbacks to before everything fell apart, but not a ton of world building. For example, the Days of Bedlam are the in world name for whatever happened to lead to the current world. It involved robots. That’s about all I know about it from reading the book. Building on that could have been a great way to show more of the world and to explain some of the other stuff. The cannibalistic Eaters, the Broot, the rogue robots, even the climate being messed up all seems to stem from this one set of events. How? It’s mostly waved away as people going too far and it blowing up in their faces, but that’s not satisfying and ,again, leads to this feeling like the start of a series.

There’s also not a lot going on here in the character department. Frost is our ingénue main character innocent, naïve, and just out to save her pet but she doesn’t really seem to change or grow in the course of the book. She’s out in the world for the first time in her life, finds out all this life changing stuff, deals with some seriously messed up situations, but then at the end she’s not a more mature character or more aware. She’s still desperately searching for the same thing she was at the beginning of the book and with not a lot of change in the tone of it.

But she inspires hope in people who meet her, that’s got to count for something, right? Not so much. The side characters she inspires hope in, Flynn and Barrow, are initially written as being hardened by the world they live in and the tragedies of their pasts. Then in comes this random girl, who is super sure that if she can just reach this mythical place she’ll be able to save her pet. She’s so sure of this thing that they both think is impossible at best that they both start believing in hope again. Flynn this could work with if it was done better. He’s the same age as Frost and, despite his tragic back story, is given several moments where he’s shown to want something to believe in. His father, Barrow, not so much. Barrow’s arc feels like it was cut short, which is unfortunate, it was a pretty standard “guy wants to protect his kid even if it means doing questionable things” but it felt more grounded than any of the other character arcs.

A lot of my issues boil down to being issues about character work or world building. There’s a lot of potential to Frost, lots of interesting ideas. In a few instances there’s a quality pay off to an idea established earlier, but there isn’t enough of that for the book as it stands. The book is also very simple both in how it deals with its characters and how the reader is fed how characters feel, almost to the point of it just being straight up telling. In a more solidly written book that wouldn’t have been as much of a problem, but here it goes back to feeling like the author had so many ideas that he didn’t have time to develop any of them.

That’s kind of where I ultimately land on Frost. It’s way too underdeveloped, if Kozlowsky had taken any one of the ideas he introduced here and focused on it the book could have been fantastic. Most of the other issues I had could have been forgiven if the story had been tighter. As it stands though everything is too scattered and underdone so what could have been a solid three to four book winds up being a two out of five, not because it offends me but because it needed so much more work. I might give Kozlowsky’s writing another shot down the road, but it would need to be a book that I’d heard good things about.

I’m back, and I never left. But this is still a bit late, more things coming up this week. Progress is slow fixing that. I’m a little worried, but it’s workable. Also, there’s a review! Enjoy all.

FNaF The Silver Eyes cover

Ten years ago several children disappeared from Freddy Fazbear’s Pizzeria. Their bodies were never found. The restaurant closed and it’s owner committed suicide, seemingly from his inability to deal with his guilt. On the anniversary of one of the children’s death Charlie and several of her friends return to her home town to attend a memorial in his honor. Nostalgia turns to terror when she and her friends find the old pizzeria buried in an abandoned shopping mall and decide to investigate. Sometimes the past should stay forgotten. Some things never die.

So, Scott Cawthon and Kira Breed-Wrisley’s Five Nights at Freddy’s: The Silver Eyes is a bit of an interesting thing just as a concept. It’s a video game tie in novel, that isn’t canon to the games it ties into while still relying pretty heavily on the reader being familiar with the source material. The first part of that doesn’t hurt it for me, the second bit does though. In a lot of ways it’s like a cheesy horror movie in book form.

This isn’t a book that’s heavy on plot or character development, both things that I think really should have been worked on more. The plot is mostly an excuse to get our characters into the old Freddy Fazbear’s and is kind of a regurgitation of the third game’s story components. It doesn’t really do much to go into the murders themselves or the animatronics being haunted, that’s where I feel the meat of the story would have and should have been. Give me the characters having their nostalgia time and then trying to figure things out while dodging haunted robots. They could have also tightened up the ending to tie it in better.

That brings up the characters. Remember that comparison to a horror movie? That comes in big time with the cast. We get a lot of characters here, but only Charlie really matters for the vast bulk of the book. That leads to none of the cast getting a ton of development, which works in a movie with a dwindling cast but not so much here. It also leads to a couple of moments that feel out of nowhere because the characters involved weren’t acting like themselves, if the book had gone more into the supernatural stuff and used that as an explanation it could have worked, as it stands it really doesn’t.

That said, and bringing up that I read it because the games interest me, I did have fun reading this book. Part of that is that while the characters don’t work when it’s all of them together, because they kind of run together, the smaller scenes with just one or two characters really work at times. I enjoyed Charlie going back to her childhood home and seeing how things hadn’t changed in the house itself. That bit had really good character work and built tension well. The characters’ excitement over maybe seeing the old pizzeria again was great and could have worked into the horror really well.

So, where does this all leave Five Nights at Freddy’s: The Silver Eyes? While I had fun reading it, the book could have done a lot more with its material and its characters. Could have, but didn’t, and that’s really my big problem with it. I’d have liked to have seen a smaller, more developed cast and for the plot to show up faster and more coherently. For all that, I’m still giving it a three out of five. It could have done a lot more, but I still enjoyed it.

Trapped in Wonderland

So this is late by a couple hours. Better than days or weeks, but still. I was sent a copy of Trapped in Wonderland by the author, Dani Hoots, for an honest review as part of a blog tour. She’s been great to work with and I hope you all enjoyed her guest post earlier today. Enjoy!

The first time Alice visited Wonderland she had been shoved in a locker. The second time she had to be rescued from the White Rabbit. Now she’s trapped in a world like a dream with four boys from her school who are, it turns out, characters from the story. But dreams are dying and it will be up to Alice to save both Wonderland and her own world from the Cirque de Reves and their mysterious leader.

Dani Hoots’ Trapped in Wonderland is something of a new spin on an old classic. The Alice here is not the original Alice who told her story to Lewis Carroll. Wonderland is different, being ruled by the Kingdom of Dreams and sectioned into Zones. Also the Mad Hatter, Cheshire Cat, Doormouse, and March Hare are all cute boys. It’s different from the original, but still feels very familiar on a lot of levels.

I admit, this book frustrates me and I think a lot of that comes down to it feeling very like young. It has a lot of new writer problems like stilted dialogue and a lot of unnecessary details that could have been removed to improve the pacing. Most of the little details, like what manga Alice was reading, could have gone while keeping bigger things, like her getting up early to fix her own lunch because she wants to have a bento box. The book sort of waffles between things that build Alice’s character and things that just fill space on the page. There’s also a lot of repetitiveness and contradiction when it comes to certain things. The reader keeps being reminded both that Alice does ballet but is still super clumsy, or that she’s pretty sure that Wonderland is just a dream. It leads to the book feeling like it was originally posted as each chapter was finished rather than as a whole.

There’s this weird sort of conflict of character with regard to Alice and her family as well. It’s sort of a tie in to the plot itself. Her older sisters are both smart and successful, one is a med student and the other is studying physics. Her parents are both CPAs. None of them care about Alice’s art or her dancing or her interests. These things are, according to Alice at least, treated as pointless hobbies or something to be taken away from her if her grades drop. They want her to give up her dreams and become like them, but then these same parents who don’t seem to care about any of her interests also seem to be paying for all those interests. She’s going to ballet classes, has adequate supplies for her art, and has the food around to make her bento boxes. It feels like something written by a fairly young writer venting about their own life. It could be a really good real world tie in to the main plot if more was done with it or if her family was written more sympathetically, but as is it doesn’t work.

My feelings on this book ultimately wind up being fairly meta. The writing itself does feel very fan fic-ish or, again, like it was written by someone either very young or just not used to writing. There are a ton of references to pop culture, particularly anime and manga, that can get really distracting and make the book feel weirdly dated. There’s some issues with the editing that could have used a second going over. There’s a lot of potential here and, with Mrs. Hoots having written several other books, I’d definitely give one of her other books a go. Plus a couple of the characters were a lot of fun if a little stock and I completely love a couple of the concepts used.

So, where does that leave me? While I’ve had a lot of issues with the book it didn’t leave me feeling like I’d wasted the time reading it. It isn’t good, but it shows a lot of potential and leaves me hoping it’s an older project that’s just not getting its turn or a genre the author isn’t entirely comfortable with. That all taken into consideration, I’m giving Trapped in Wonderland a two out of five with the note that it could be a solid three with more editing and some cuts.

Guest Post Dani Hoots

Alright everyone, I’ve got a guest post for you today from Dani Hoots, author of Trapped in Wonderland. Review for that will be up a little later today. Enjoy!

Thank you Lauren for letting me write a post about what drew me to the theme of Wonderland. I am very grateful to be here and hope that you and your followers enjoy my post.


I decided to write a piece based on Alice’s Adventures in Wonderland because of my love for everything “mad”. Wonderland, to me, is a place where the misfits, the outcasts in society, those who are deemed “crazy” can be themselves. I grew up being bullied for being different and loving nerdy things, strange things, and I found myself always escaping to a different world in my mind. To me, Wonderland is a place just like that, so I found myself quoting and loving everything Wonderland.


Not only is it somewhere for us “mad” people, it is also a place where we aren’t expect to know where we are going. A lot of people don’t know what the future holds, and as the Cheshire Cat says, “If you don’t know where you are going, any road will get you there”. I think this is a great quote to think about if you find yourself stuck. Just keep moving, keep pushing forward no matter where you are going. Sometimes we start to lose confidence and that is okay. Just keep fighting to fight that is life and you can find your way. 


These two themes that are present in Wonderland and are the main reasons I am so drawn to it. I also fell in love with the manga “Alice in the Country of Hearts”, which is based off of a Japanese love sim game (I’m a sucker for love sims, go ahead and judge me). A lot of ideas were inspired by that series and I definitely recommend it if you like manga or anything Wonderland-themed.


My favorite characters in Alice’s Adventure’s in Wonderland are the Cheshire Cat and the Mad Hatter, which when you read the novel you will definitely see. The ironic and interesting thing is I found out after marrying my husband and started doing research of his ancestry, that his original name from Germany wasn’t “Hoots” but was in fact “Huth” which means “hat” in German. Their coat of arms is a white background with a black top hat and a big red heart on top of it. I literally married the Mad Hatter and I think that is wonderful.


I also think that all of us have a little Alice in us. I love adventure, and love to question everything. We just need to remember to keep our curiosity as we grow older. I think it is hard in today’s society, but it is really important. Curiosity definitely drives me to research and write, so I hope you all keep a little curiosity in whatever you do throughout life. 


So I hope you all enjoy my post and my novel Trapped in Wonderland. If you have any questions of comments, feel free to visit me on my Facebook page or my website.


Vanishing Girls

Just like me, I’m late posting this, only a day this time though. This is kind of an older book I’m reviewing today, sent to me by the publisher for an honest review. It took me forever to get done because I wasn’t having any time of it getting my words down. All that said, enjoy and have a happy Thanksgiving!


Nick and her younger sister Dara used to be best friends, completely inseparable. That was then, before Dara kissed Parker. Before the accident. Nick hasn’t seen her sister since last summer and, if Dara has her way, it looks like it’ll be longer still before she does. But she’s got a job at the local amusement park to deal with and a friendship with Parker to try and patch up. It would be better if her sister would talk to her, but she’ll have to make do.

Vanishing Girls is the first Lauren Oliver book I’ve read, though I had heard of her before. I’m honestly not entirely sure how I feel about it, so this may go a little long. This is also going to be really spoilery because of the way the book and its official description have next to nothing to do with each other, also that talking about the twist is impossible without spoilers. So spoiler alert.

Our protagonists here are Nick, who’s been gone for a year living with her father, and Dara, her younger sister who used to be beautiful but is now horribly scarred by the car accident they were both in last summer. She blames Nick and refuses to so much as be in the same room with her. Nick gets most of the screen time here while Dara gets a few chapters to foreshadow the big twist and show the reader what a bad girl she is.

I lost interest in Nick pretty quickly, she has some promising moments, but the friendship with Parker felt super cringe worthy and they danced around their mutual attraction way too much. Dara wasn’t much better, the rebellious sister to Nick’s perfect daughter, the bad girl who got into partying with much older guys and wound up doing porn as a result. The side characters, particularly Alice, were much better written in a lot of ways and tended to feel more three dimensional. That might have been a less is more thing though, none of them got a lot of screen time.

The big twist, and the scenes immediately preceding it, is where the book lost me though. The plot doesn’t really start until past the half way mark, probably closer to the two thirds mark, so when it hits it feels really rushed. Kind of like the author was reaching her page count and needed to tie it all together so she could spring her big twist and reveal all. That just doesn’t work for me. We get that Dara is the trouble sister, that she acts out to get attention because she feels left out, but then we get this child porn ring plot nearly out of nowhere and Nick rushes off to save her sister from the thing. The possibility of this plot was only mentioned in some of the mini chapters that were formatted to read like an internet comments section in relation to the little missing girl sub plot that the book really didn’t seem to care about. It just doesn’t work. Then of course, we get to the twist and it’s just anti-climactic and weak.

This is the cornerstone of the whole book, the thing that this entire novel is written in service to. The twist hits at the height of the action and just kills all the momentum. So, spoiler alert again, but this whole time Dara’s been dead and Nick has trauma induced dissociative identity disorder and has been alternating between being herself and being Dara throughout the novel. Reading Vanishing Girls the first time through the foreshadowing for the reveal just wasn’t there. It took sitting around after finishing the book to start seeing hints. That combined with the momentum halting way the twist was introduced made it feel very, “surprise, she’s crazy!” To my mind at least, that means the twist was just not worth it. Better lead up would have helped, as it stands it feels very tacked on despite being the central key to the entire novel.

So, all that said, where does Vanishing Girls land? The book has good bones, they just weren’t filled in very well and it reads like a couple of them were shoved back in at the last moment. Some of the side characters are fantastic, which only serves to make the main characters that much more lack luster. I also take issue with the big twist being that the main character isn’t sane, that feels like a really outdated thing to use as the big twist and, again, it wasn’t pulled off well enough to justify itself. That said, I actually kind of enjoyed my initial reading of the book, kind of a turn off your brain thing. So, while I don’t know that it earns it, I’m giving it a three out of five.

The Burning

Happy Halloween everyone! I’m wrapping up the weekend’s festivities with the last Fear Street Saga novel today. This is actually the one I wimped out on last time. I admit the last thing I’d remembered from it was a lot earlier in the book than I’d thought. Bonus, the Jonesy cat seems to like Oxenfree and has been cuddling her whenever I’m in the room with both of them. It’s cute. Anyway, on to the review!


Over a hundred years ago Benjamin Fier framed an innocent girl for witchcraft and burned her at the stake. Over a hundred years since his brother Matthew robbed the girl’s grieving father. Over a hundred years since everything began, but just two since the curse was reawakened and Franks Goode murdered the Fier family in cold blood. Only two years since Simon Fear changed his family name and forswore good. The chain is completed, and the end is beginning.

The Burning is the third and final book in the original Fear Street Saga by R. L. Stine; it’s also the first of the three to give us a villain protagonist. That’s actually a thing that I appreciate about the book. Having Simon as both our starting protagonist and, ultimately, the antagonist of the book ties things up nicely in a way that the previous two books didn’t. The reader has known that the Fear Mansion was going to burn down at the end, leaving Nora Goode all alone; it’s just been a matter of getting there.

The big down side here is that I feel like the first half of the book was really rushed. Pacing has been a problem throughout the trilogy, so it isn’t a huge out of nowhere thing. It’s more another example of needing to get things in place for what comes next and not having the room for much build up. There’s some out of nowhere stuff that I would have liked to have seen more support for, but it’s par for the course at this point.

I can’t say that The Burning is the strongest of the three books, which probably still goes to The Betrayal, but it does pretty well for itself. While rushed in a lot of ways, I feel like a lot of the things that are rushed could or would probably be hand waved with the curse if the extra space had been taken to go further in.

There’s really not a lot for me to say here. The Burning has its points that work, and work well, but it also shares the same weak points that the rest of the series has. It also has an unfortunate side effect, since the reader knows about how it ends and that Fear Street is ultimately still cursed, of not having a really satisfying ending. It’s just kind of done. So, at the end of the day I think it earned a three out of five. If any single part of it had been a touch better it would have been a four.

The Killing Jar

Is this really what it looks like? I’ve posted a review after all this time and it’s not even a holiday. Speaking of, I know what I’m gonna do for Halloween. More on that in a bit, for now, enjoy!

The Earth is wrecked.  Staying outside without a respirator is certain death and most of humanity lives in domed cities while scientists on the moon colony search for an acceptable new home world. Unfortunately something keeps killing them.

The Killing Jar by R. S. McCoy is an interesting piece of apocalyptic sci-fi in part because most of its individual parts should be bog standard by now, but they are combined into something quite entertaining. That’s largely because of the characters but also because each subplot has a sense of weight to it, like it’s going somewhere big.

This is one of those books that was really hard for me to review, largely because most of the issues I have with it are things that could have been dropped without a ton of change to the book proper. A big example of this was the, essentially, caste system that this society runs on. It wasn’t much of a bother to me until later in the book as I was thinking back on things. There was also some relationship stuff that really irked me, I’ll get to that later though.

So, there’re three tiers of society, plus a garbage level for people who don’t fit their caste or run off for whatever reason. Scientists get a bunch of genetic modifications to be tall and smart, they get the best pay, and they’re generally the most respected, but they don’t get to fall in love and they don’t get art or music. Craftsmen don’t get the genetic modifications, don’t seem to get paid much, and do most of the work building and maintaining everything, but they seem to get more personal choices than scientists. Then there’s artists, they don’t really seem to have a place in this world. Artists legitimately seem to exist in the plot for the male lead to get angsty over having to give up music and so his best friend can abandon him and science for his boyfriend. That’s probably a writing oversight thing, the book doesn’t really go into any caste except the scientists.  But if the author was going to use this particular convention, complete with mandatory selection day when you come of age, I really wish she’d done more with it.

My second big thing, as mentioned, was some of the relationship stuff.  Most of the relationships are painfully surface level and, much like the social striation could have been cut pretty easily. There’s a couple of exceptions that I feel like were done pretty well, but they were the exception rather than the rule. It’s not like the ones that weren’t done well were a huge part of their respective plots, it’s just that I feel like they either could have been done a lot better or came out of left field.

Now, all that said, I really enjoyed the book for the most part. It had a few more side plots than I would have liked, but they felt like they were going places instead of just being there as filler. The characters didn’t communicate well, but half of them are teenaged and the other half have hidden agendas. I definitely appreciated how much each character was gone into, especially given the number of side plots going on. The ending leaves me, instead of disappointed, curious to see where everything goes from here and how it all ties together.

So, all that said, R.S. McCoy’s The Killing Jar gets a four out of five.