Category: series


I’m late! Sorry all, long day yesterday, I didn’t get as much done on this as I wanted to then. I’m really excited for this review though. Back when I was dealing with my being at a low point I kept putting off reading this because I adore Seanan McGuire’s writing and I didn’t want to start it only to find that I wasn’t enjoying it, like every other book I was picking up at the time. That I’ve finally read it and enjoyed it as much as I expected if not more so is a great thing for me. So, thanks to the awesome folks at Tor, here’s Down Among the Sticks and Bones. Enjoy!

Down Among the Sticks and Bones cover

Jack and Jill, sorry, Jacqueline and Jillian, were their parents’ perfect children. Jacqueline was her mother’s daughter, soft and well mannered and always dressed like a fairy princess, a pretty decoration for the society ladies to coo over. Jillian was her father’s sporty tomboy, fearless and brave and almost as good as the son he’d wanted, at least he could talk peewee sports with the guys at work. They learned early that adults couldn’t be trusted. They learned early that what’s said isn’t always what is. But they never learned to lean on each other. When they find an impossible staircase in the room their grandmother abandoned years ago what they’ve learned won’t be enough for the world they find at the bottom or the choices they’ll have to make once they’re there.

Seanan McGuire’s Down Among the Sticks and Bones is a deeply interesting thing to me. It feels like it’s nearly all character study, which I love to pieces. It’s a story about choices and at the same time a story about being shaped by circumstance. It’s a story about expectations and how being forced into them can break someone without them realizing it, but also about how jumping to escape those expectations can hurt just as much. It’s a story about sisters, twins, split by expectations and choice and circumstance.

A big thing I like about Down Among the Sticks and Bones is the way things echo down from the beginning. Jacqueline is constantly told as a young child not to get dirty, to keep her dress clean, it’s part of her mother shaping her into the perfect society daughter. Once she’s on the other side of the door Jack has a phobia of getting dirty, even after years of working with Dr. Bleak as a mad scientist’s apprentice, it still effects her. Their dad does his best to shape Jillian into the ultimate tomboy, to make up for not having a son, but kids are cruel and the boys she was friends with as a kid abandon her as expectations tell them that girls are gross and not fun. She gets to see people calling her sister the pretty one without being allowed to be anything but the tomboyish one, the trouble maker with the same face as the prettiest girl in class. So she has no support structure on our side of the door and thus, once in the Moors, Jill clings to the adult authority figure who promises her comfort and pampering. She clings to him and idolizes him even as it’s revealed that he’s not concerned with her well being. Old resentments grow into a gulf of frustrations with consequences of their own.

I do feel like, ultimately, Jack pushes the story a lot more than Jill does. It tends to happen in stories with sibling protagonists that one gets more focus than the other. That said though, that feels more like a feature than a bug here. Jack chooses to go with Dr. Bleak, so Jill is left with the Master. Jack was tired of being just pretty and so jumped at the chance to learn, while Jill was tired of feeling like second pick and decided to be whatever the Master wanted to convince him she’d chosen him. That this also gave her a chance to be the pretty one is, if not significant to the initial choice, a fantastic bonus. Jack does more in story because she chose to be Dr. Bleak’s apprentice and so works with more people. Jill is the Master’s pampered daughter and so has little she has to do, which leaves her to soak in more of how fantastic it is to be the town ruler’s child and so above it all. It can leave Jill hard to care as much about, since we see her less versus seeing Jack grow.

Another thing I want to talk about real quick is the setting. The book takes place in this sort of fairy tale world, but it’s more gothic literature than the Disney stuff most of us have grown up with. The sun is seldom out from behind the clouds and night comes far too early. The mountains are full of wolves and what lurks beneath the ever stormy sea must be placated. The Moors are a dangerous place, something that the reader is reminded of regularly, but the danger is a fact of life. People plan for it and work around it. The Master is terrifying and dangerous, but so are the things behind his city’s walls. It’s dark, but not oppressive. It’s dangerous, but not paralysingly so. It’s really well written.

I don’t have a lot of wrap up here. I adored this book. I enjoyed the characters. The setting was great. Even the stuff that bothers me works in terms of the story itself, and I’m totally going to go find the one that came before this one. It gets a five out of five and if you can find it you should give Down Among the Sticks and Bones a read.

I’m late again. Not going to lie, this one was hard to write. LArgely because a lot of my issues with the book stemmed from spoilery things that were hard to write around and I didn’t want to do a spoiler filled review. This one’s from NetGalley. Enjoy!

Moonbreaker cover

Eddie Drood, former head of the Drood family and very secret agent, is a dead man. He was attacked and poisoned by Dr. DOA and cannot last much longer. To prevent anyone else getting hurt Eddie and Molly Metcalf, former magical terrorist turned ally and love interest, are going to do whatever it takes to stop Dr. DOA. If that means dealing with the Unforgiven God, fighting the Drood family’s past mistakes, or even going to the moon to prevent a world ending weapon from being used, well that’s just business as usual.

Moonbreaker is another book that is far into its series, leading to me having a number of issues with both the characters and story. That makes me worry a little about being fair to the story, especially given that I can’t help comparing it to books from Simon R. Green’s Nightside series which is set in the same world.

The characters, particularly Eddie himself, were a fair part of my issue here. Imagine that James Bond knew that he was kind of awful and was perfectly happy to explain that to his companion and, by extension, the reader. Also MI6 has not only hunted Bond in the past, but also has a habit of hording all the dangerous things and people they’ve managed to capture. Just in case. That’s the Eddie and the rest of the Drood family. For a first time series reader this makes Molly the reader’s view into the Drood family’s whole deal, and her horror with some of the things the family does just sort of gets brushed aside. It’s what and how they do things and it’s always been that way. That annoys me. I’m good with protagonists that aren’t golden heroes who do no wrong and help everyone, those guys get boring, this isn’t that. The Droods feel so married to the grey area that I just couldn’t get invested in them or Eddie.

My other problems is that the plot feels almost fractured. There are several conflicts that crop up that have little to do with stopping Dr. DOA or could have done better as the main conflict of another story. There are enough of those that by the time we get to the climax of the story there just isn’t any tension. Eddie’s presented as pretty boringly unstoppable for most of the book’s run due to his Drood armor, only being weakened by the poison in any meaningful way in the last quarter or so of the book, which doesn’t help with all the little conflicts feeling unimportant. Then the book was over and I could only be disappointed.

Molly was pretty awesome though. I kind of want to read a series about her. What didn’t work with Eddie being so, so over powered because of his armor, sort of worked in Molly’s favor. She’s also supposed to be super powerful but, because all the Droods have this ridiculous armor, she stands out more for holding her own despite being so much weaker by comparison. She’s also the one who wants to look for an antidote or something instead of just letting Eddie have his death. Trying to find a cure would have actually worked better for me as the B conflict that a lot of the other stuff and it could have hit a lot of the same beats the book did anyway.

Where does that leave Moonbreaker? Despite my best efforts, I know that my enjoyment of the older Nightside books leaves me more disappointed in this one than I would otherwise be. That’s not really fair to this book as a standalone and, again, it being later in the series doesn’t help things. I feel like there were a lot of good ideas here that wound up being used as padding instead of explored as well as they could have been. But it is rushed and disjointed, so it gets a two out of five. I would read Simon R. Green again, just not this series.

As promised, I’ve got a review for you all. This one comes from Bold Strokes Books via netGalley. Enjoy!

The Girl on the Edge of Summer cover

Micky Knight has taken on two cases, one to pay the bills and the other because she feels she has to. The first has a rich out of towner wanting her to solve a murder from a hundred years ago, research at the most. The other was brought to her by a grieving mother, looking for why her daughter killed herself. It doesn’t look like either case is going to have a happy ending, if she can find an ending at all. But secrets seldom keep and, as Mickey will find out, the lives of teens rarely simple.

The Girl on the Edge of Summer by J. M. Redmann is something of a cozy mystery, high on personal character drama and low on plot. The protagonist, Micky Knight, is mired in her feelings over her girlfriend leaving her and her friends all acting strange. The book doesn’t seem interested in the plot for the most part. None of this adds up to a particularly compelling read. I would also feel remiss in not mentioning that this is the ninth book in the series, and I do think that a lot of my issues with the book tie into that in one way or another.

A big part of jumping in on a later book in a series is that I’ve missed everything that came before this book. The entirety of Micky’s character development, the entirety of the relationship she’s mourning the loss of, I have none of that. So my first impression is of a character who is such a downer that it became a slog to get through the book at times. She just felt so sorry for herself and the book got mired in that. Plus, there was a lot of stuff that felt like early series character development stuff, stuff that’s important to shaping who Micky Knight is meant to be. But given the general downer vibe of the book and how often it was repeated, it just felt like Micky looking for more things to be sad about. She’s down on herself, on the women she meets online, on her friends, and even on the people who hired her. It gets tiring.

Was there anything in this book that I enjoyed? The parts where Micky actually does her job, particularly the parts with her doing research for the rich guy’s case, were pretty solid. The Micky Knight working in the library trying to find out what happened to this guy’s ancestor was almost a different character, one I’d be interested in reading more. She was invested in what she was doing and talking to people without the self pity from the rest of the book. I would have really liked to see more of this part. It might count as a mild spoiler but I also liked that, towards the end at least, Micky seemed to realize that she was being a downer and started trying to fix that. It’s not enough to save the book for me but I appreciate that it’s there.

So, wrap up time. I feel like I would have enjoyed this book a little bit more if I’d read the first eight books. Having not, the book is a slog with an unlikeable main character and a habit of not caring about its own story. This is one of the few books I’ve seriously considered just not finishing. Which is a shame, because when J. M. Redmann writes well she writes really well, unfortunately there wasn’t a lot of that in this one.  The Girl on the Edge of Summer gets a one out of five.

Early this week is kind of like late last week, right? I think that’s how that works anyway. I’ve got a review for you all thanks to the nice folks at First Second for sending me a review copy, it’s Spill Zone.

Spill Zone cover

Three years ago something happened in upstate New York. No one’s sure what it was or why it happened. It destroyed Addison’s hometown, leaving her alone to take care of her little sister. Armed only with a camera and her rules Addison dodges both the physics bending horrors within the Zone and the military blockade outside it. All for pictures. All to take care of her little sister.

Scott Westerfeld and Alex Puvilland’s Spill Zone fits pretty squarely in my wheelhouse as far as story concepts go. It isn’t quite fantasy or horror, more something between the two. The format is a bit iffy for me, this is the first volume of a graphic novel so it winds up being largely introduction to the world and characters. In a straight up novel that would be a massive deal breaker for me, it’s a little more forgivable here but does still hurt the story as it stands.

Let’s actually start with that. This is the first volume of Spill Zone rather than the full story all at once and I feel like there are two views that I could take on that. One is to look at it like one of the trade paperbacks of monthly comics, where I know I’m getting an arc and some connective tissue for the main story. That’s the more generous option. The second option is to look at it more like a book that builds to a sequel but has little substance on its own. In a lot of ways I lean towards the second one more. There’s a lot of interesting stuff introduced in Spill Zone volume one, and I do want to know more about what’s going on, but enough is introduced that nothing gets a real in depth going over. That’s where I run into problems with Spill Zone.

There’s a ton of interesting stuff that looks like it’s going to be expanded on in later volumes, but it isn’t expanded on enough in this volume for me to be super into it. Things like Addison’s little sister and her doll. Little sister doesn’t talk, except when she does, but she and the doll have what are apparently mental conversations. Sometimes Addison seems to hear them, sometimes she doesn’t. The doll, Vespertine, gains power from the Spill Zone and seems to rely on regular charges to maintain herself. I would love to see more of that and maybe the mysterious buyer for Addison’s art, Ms. Vandersloot, and have the other Spill Zone in North Korea and all the stuff related to that be introduced in a later volume. Because, as it stands, I feel like that was all just left hanging and could have been done better later.

So, that’s the story as it stands, what about the art? I like it. There’s this slightly sketchy quality to it that lends itself to the comic, especially its more surreal moments. I feel like the art did a lot of lifting to make up for the writing not being super. It’s emotive and atmospheric and, I feel, one of the best things about the book.

Which of course leaves the wrap up. I want to read more of Spill Zone but I’m also really disappointed at how little content it feels like this first volume has. So this is one that gets scored more on where I’m hoping it goes, and what looks like a lot of potential, than its own merits. I’m giving Spill Zone a three out of five.

So, house keeping post is coming up later in the week. I’ve been falling behind lately and want to address that. Switching over from that, I do have a review for you all today. Thanks to the folks at Tor, who provided me a review copy, here’s The Empty Ones. Enjoy!

The Empty Ones cover

You’ve seen them before. You’ve even seem the charming strangers with nothing behind their eyes. Carey’s been fighting them since the seventies. Kaitlyn just found out about them a couple weeks ago. To being hunted endlessly by the empty one that nearly killed them, they’ll have to track him down first. Meanwhile a blast from Carey’s past turns up and she doesn’t seem interested in helping save the day.

Robert Brockway’s The Empty Ones is a decent follow up to The Unnoticeables and a solid book in its own right. It’s definitely a middle book, though one that has the courtesy of tying up its own story before jumping for the next book.

It being a middle book is sort of where my big complaint comes from. With The Unnoticeables there was an awareness that there had to be more creepies than just what the protagonists were dealing with, but it was pretty well all small scale stuff. It was local, almost personal, to the protagonists so it felt huge and each thing they stumbled into built it up more and reinforced how out of their depths they were. This book doesn’t have that. It physically takes the protagonists out of their usual haunts and has them chasing the monsters. Having that makes the whole plot feel smaller, or less, even as the stakes are higher this time around.

Part of what makes this an issue is the difference between what the reader knows from the 2013 sections and what the reader learns from the 1978 sections of the book. In the first book, the split timelines worked really well because it allowed the reader to see something in action and then learn about it or vice versa. The parallels aren’t nearly as clean in The Empty Ones, so we get a lot of new information in the past that doesn’t really seem to inform the present or the previous book. It can feel  awkward even when it does land right, making scenes feel off kilter and characters feel not like themselves.

That’s a big part of what I meant when I said it’s solid in its own right but only a decent follow up. On its own, The Empty Ones has a lot of the same energy and punch as The Unnoticeables. The characters are still easy to care about. The monsters are still that extra spark of creepy. Even the new things that don’t totally work in context of the previous book are really cool if taken as part of a standalone novel. Reading it as a sequel though leads to comparisons and little rough spots throughout. The wonderful bittersweet ending to The Unnoticeables is suddenly fractured because we don’t have to wonder how Carey got from there to being nearly alone. Sammy Six’s story matters a whole lot less now because of new details. What’s lost is a lot of character stuff, and not necessarily little stuff at that.

On its own this is a really fun book. The antagonists are far stronger than the heroes, so the heroes have to be clever or just runaway. The characters feel very human or that perfect degree of just slightly wrong. The tone is by and large spot on. Emotive scenes hit the right chords, generally at the right times. And ultimately, while I like it better on its own than as a sequel, it makes me want to keep reading. I want to see where everything goes.

So, where does this leave The Empty Ones? As a standalone book it would be nearly a five out of five. The issue is that it follows a book that I would more than happily give a five to and, while it does well on its own, it doesn’t stack up to the book it follows. So that earns The Empty Ones a four out of five.

Gauntlet

So that was a week without a review. Fun. Today though, I have something for you. Thanks to the awesome folks at Ace, here’s Gauntlet. Enjoy!

Gauntlet cover

A year ago Kali Ling was the first female captain in the Virtual Gaming League’s history. Now she’s the youngest ever team owner. With a new tournament starting up, pitting the best gamers in the world against each other, Defiance is definitely on board. But, between the new pods that constantly adapt to players actions and all her new responsibility as team owner, can Kali stick to her convictions or will she wind up being just as bad as the rest of the VGL when the chips are down?

I have issues reviewing this book. That’s one thing I absolutely need to mention first off, because what’s good can be really good. Unfortunately that’s balanced by the fact that what’s bad tends to be really bad. So, let’s get going.

One of the big things with Gauntlet, much like the book before it Arena, is that Holly Jennings tends to do really well with her character stuff. When Kali is interacting with her team there’s this great flow, these are characters who care about and support each other. They work through their issues by talking, and it’s made clear that communication is part of why they work as a team. I love this aspect of the book. I adore that problems get worked through because friendship and communication. But then that’s kind of why I can’t stand the romance between Kali and one of her teammates, Rooke.

Back in Arena, Rooke was brought in to replace one of their other teammates. He was new and hot and kind of a jerk, so obviously he’s the love interest. It felt under developed then. In this book though we start off with the relationship reset, Rooke has cut Kali out and left the team with no explanation. He did it for her own good, so he says, which immediately loses my interest. It feels like a lot of the Kali and Rooke working things out got cut in an earlier draft and was only left in so that she would be as off balance as possible at the beginning of the book. There was a lot of really self pitying stuff from Kali regarding how she’d been just as bad to him last year that just didn’t really pan. I could have done with a lot less of it, especially since the whole Kali and Rooke thing feels like Jennings was told she had to have a love interest in there somewhere.

Gauntlet can also feel very scattered. At first the deal is that Rooke fell off the wagon and what if he can’t sort things out. Add to that Kali not being able to balance leading the team and doing her job as the team owner. Add to that the tournament itself and something being off about it. Add to that the team being attacked in the tabloids. Add to that Kali still wants to fight corruption in the VGL and do what’s best for her teammates. It can alternate between feeling like there are three different plots that never really go anywhere and feeling like everything is happening at once. A lot of that could have been cleaned up by removing repetition and focusing more on the tournament itself and any single one of the other problems. There was a lot of repetition, mostly things that the reader really shouldn’t have needed to be reminded of like Kali worrying about doing what’s best for the team.

I would have personally loved to see more of the tournament itself. Jennings does a great job with her action scenes and, with the core idea the book is being sold on being a massive tournament, I feel like going more into the game itself would have been an excellent choice. It’s hard to overstate how much I like the fight scenes here. They feel visceral and epic. They’re the place where the characters are in both the most and least amount of danger and that lends them an interesting weight that a lot of the rest of the book lacks. The fights feel a lot like a well done boss fight. They feel like Defiance is up against the wall.

When we finally get the big fight scenes it’s, of course, near the climax of the book. So, it’s actually kind of fitting that my last issue with Gauntlet is with its ending. There were a couple of places where it would have felt really natural to end Gauntlet. They would have been solid and left it open for the next book without feeling like an ad for it. The author went past both of those and just went ahead and set up book three. My issue with this is twofold. One, it gives up a more solid satisfying ending for a much weaker one. Two, it makes the rest of the book feel like less. Suddenly it feels like reaching the end of a game and finding out that the ending it paid DLC. It feels like there is less point to Gauntlet because here’s this cliffhanger that steals this book’s resolution for another book’s beginning.

So, where’s that leave Gauntlet? A big part of my issue with reviewing Gauntlet is that the stuff I didn’t enjoy made me dislike that I enjoyed the stuff I did. For every time there was a scene of Defiance being a great team and friends and just really jiving well together, I remembered that Kali and Rooke didn’t have that for their scenes as a couple. For every awesome fight, there were a bunch of other scenes that felt like repetition for the sake of padding. For all that I really enjoyed the bulk of the book, the ending left me feeling like I just discovered that my Little Orphan Annie decoder ring was an ad this whole time.

It’s a decent enough read, and a good sophomore novel. There’re definitely bits that need work. Jennings could certainly tighten up her writing some, get rid of some repetitiveness. But at the end of the day, even with its issues, Gauntlet is a fun read. Frustrating because of the bigger problems, but fun. It’s definitely a three out of five, but I think with a little more time and a couple more books Jennings could be a five star writer.

I’m late, it’s tomorrow already! Sorry everyone. Though I suppose it’s a good thing I’m reviewing the comic for a blast from the past. This is, again, a book that I received through NetGalley for review. Enjoy!

The Flintstones Vol 1 Cover

Meet the Flintstones, they’re the modern stone age family. You’re familiar with them. We all are. So let’s go back to Bedrock and see what a modern look at a stone age family looks like.

The Flintstones is something of a slice of life comic centering on, of course, the Flintstone family as well as the Rubbles and Bedrock itself. It’s anachronistic in a way that feels totally true to the old cartoon, while also turning a sharp eye on modern life, and also being a ton of fun. It also goes back to the cartoon’s sitcom roots, being aimed at an older audience. It feels weirdly subversive to see the concept for an old show turned to, more or less, current concerns. I like that quite a bit.

It’s also interesting to see what Mark Russell did with the characters. Fred and Wilma are more communicative, which is awesome in so many ways. The club Fred and Barney belonged to in the cartoon is a veterans’ society now, which ties into just how bedrock came about. Pebbles and Bam Bam are probably the most changed, being teenagers here rather than babies. They often provide a B-plot that reflects the main story in miniature. That’s more than kind of cool. I do sort of wish we’d seen more of Betty. Since she’s Wilma’s friend rather than Fred’s and most of Wilma’s screen time is with her husband, Betty gets pretty left out. I feel like I want the next book to focus more on Betty and Wilma, I want to see more of what’s going on with them especially after the response to Wilma’s art at the museum.

On to the art! Steve Pugh does a really cool job here. Characters from the original are, for the most part, immediately recognizable while also having dropped a lot of the cartoonyness from before. The random background characters have distinct looks. The coloring, done by Chris Chuckry, is vibrant and conveys mood well. My only issue with the art at all is that it does tend to combine massive beefy dudes with comparatively small women.  That honestly feels like it could be a throwback though given that the main characters are fairly set design wise and, as the comic goes, we get more body diversity in the background characters.

So, final thoughts. When I first saw that this was going to be a thing months ago I didn’t expect it to be much, mostly due to cherry picked panels and not really knowing what to expect beyond the old cartoon. I’m more than pleasantly surprised to be proven wrong. The writing is solid, the art is good, and while it can be serious there’s always a thread of humor. I like the anachronistic stuff, especially all the little background stuff like store names, it fits and it feels like The Flintstones. So that’s a five out of five from me.

Hey look! It’s that review I’ve been talking about for months. It’s here before Christmas even. For real though, sorry about falling off the world like that. Enjoy!

arcanum-unbounded

I’m kind of skipping the blurb this time, since this is a collection of short stories.

So, Brandon Sanderson’s The Arcanum Unbounded is an interesting book both as it is written and for what it is. Unfortunately it also relies pretty heavily on the reader not only being a fan of Sanderson’s work but also having read all of his previous works. That more than kind of cools me on the book, though it is more or less exactly what’s on the label. This is going to be a bit of a weird one.

There are two big issues that I have with Arcanum Unbounded. The reliance on the reader having read everything in Sanderson’s Cosmere is the lesser of the two. The more major issue I have is his habit of including an afterword on the stories, on its own it wouldn’t be too bad but as part of this particular book it clashes terribly with the framing device introduced at the beginning and make the book very easy to put down. A pretty easy fix for this would have been removing either the framing device, which ties the book together as a concept, or the afterwords, which feel a little like reading the author’s blog rather than a book. I’m much more interested in the framing device, that someone has collected these story bits from all over the Cosmere, because it ties in. But I’m also a “death of the author” kind of reader and feel like if the author has to explain something outside of the story itself, then it isn’t written well enough. Obvious biases are, in fact, obvious.

The issue of it feeling like everything else prior to this is required reading bounces around a bit. The first story is by far my favorite and feels like a whole entity unto itself, I don’t feel lost for details and could enjoy myself freely. It’s immediately followed by a short story set towards the end of Elantris that, having not read that novel, I was completely lost on which made it feel super long and just draining to get through. It’s not bad in most of the stories but, combined with the afterwords, can feel tiresome.

That said, the stylistic choices made were interesting and in several stories it felt like the author was having fun with the writing. The novella about the Survivor was great once I got into it and it started feeling like its own thing instead of a spin on something else. So this is ultimately a pretty mixed bag for me. The writing is solid throughout, but then the plotting is overly referential. The stories that stand alone are a ton of fun, but then others feel like fragments of something bigger.

At the end of the day, I give Arcanum Unbounded a three out of five. If you’re a big fan of Sanderson’s you’ll probably enjoy it immensely. If not, maybe check it out from the library first or give one of his other books a shot.

Not a ton to say here. Thanks to the nice folks at Crown Books, I’ve got a review of the final book in the Thrones and Bones trilogy for you. Enjoy!

thrones-and-bones-skyborn-cover

Thianna and Karn have lost the Horn of Osius, key to controlling the wyvern and all dragon kind. To keep its power from being misused they’ll have to journey to Thica, the country Thianna’s mother fled years ago, and face down an entire empire. They won’t be alone though. A battle is brewing that will determine the very fate of the empire and, possibly, our heroes as well.

Thrones and Bones: Skyborn by Lou Anders is definitely an interesting read, and a fun one as well. It builds on the previous books well. It has higher stakes, as benefits the last book in the series. It still keeps its balance between Thianna and Karn really well while expanding the cast as well.

So, with the first two books in the trilogy I had a lot of the problems I tend to with most kids or young readers’ books I review. The first one was very black and white in its morality, the heroes were good because they were the heroes and the villains were evil because they were the villains. The second book did better, but still projected its eleventh hour new hero pretty hard. That’s standard in kids’ fantasy, but it does get old, which is something this one does a fairly mixed job on. We have an empire that’s crushing other city-states and forcing them to do its bidding, that’s how it’s done and how it has been for as long as anyone can remember. We have the city-states not wanting to work together because of old grudges. Both are kind of a wash early because it is a ton of new stuff all at once, but then we get into it more and it works.

We also have some party friction from the last book that gets worked though, I really appreciate that bit. As well as I feel Karn and Thianna work as a team, seeing them having to work with new characters and deal with new situations is one of the strong points of the book. The expanded cast did take some getting used to, mostly just because it split the story more than the first books did, but that helps give the story a greater feeling of scope.

The added cast does have one big downside that I can think of. While it’s great for adding scope to the story, it also has the effect of leaving what should have been important character moments out for more minor characters. A little more focus on what was going on with the big villains would have been great. It also has the effect of introducing and then completely leaving out representative characters for the city-states that didn’t get involved in the plot. That feels like a missed opportunity more than anything.

So, where do I sit on Thrones and Bones: Skyborn? It solved a lot of the standard kids’ book problems the first two had, though it still has a few. Those are mostly pacing related, and nothing really big at that. I would have liked to have seen more build to the final confrontation; it was pretty standard for the series on that front. As evidenced by the rest of the review though, I enjoyed the read. This is one of the few series that I not only enjoyed myself, I’m also getting the first one for my younger cousin. So, again, where do I sit on this one? I think it earned a four out of five.

The Burning

Happy Halloween everyone! I’m wrapping up the weekend’s festivities with the last Fear Street Saga novel today. This is actually the one I wimped out on last time. I admit the last thing I’d remembered from it was a lot earlier in the book than I’d thought. Bonus, the Jonesy cat seems to like Oxenfree and has been cuddling her whenever I’m in the room with both of them. It’s cute. Anyway, on to the review!

 

Over a hundred years ago Benjamin Fier framed an innocent girl for witchcraft and burned her at the stake. Over a hundred years since his brother Matthew robbed the girl’s grieving father. Over a hundred years since everything began, but just two since the curse was reawakened and Franks Goode murdered the Fier family in cold blood. Only two years since Simon Fear changed his family name and forswore good. The chain is completed, and the end is beginning.

The Burning is the third and final book in the original Fear Street Saga by R. L. Stine; it’s also the first of the three to give us a villain protagonist. That’s actually a thing that I appreciate about the book. Having Simon as both our starting protagonist and, ultimately, the antagonist of the book ties things up nicely in a way that the previous two books didn’t. The reader has known that the Fear Mansion was going to burn down at the end, leaving Nora Goode all alone; it’s just been a matter of getting there.

The big down side here is that I feel like the first half of the book was really rushed. Pacing has been a problem throughout the trilogy, so it isn’t a huge out of nowhere thing. It’s more another example of needing to get things in place for what comes next and not having the room for much build up. There’s some out of nowhere stuff that I would have liked to have seen more support for, but it’s par for the course at this point.

I can’t say that The Burning is the strongest of the three books, which probably still goes to The Betrayal, but it does pretty well for itself. While rushed in a lot of ways, I feel like a lot of the things that are rushed could or would probably be hand waved with the curse if the extra space had been taken to go further in.

There’s really not a lot for me to say here. The Burning has its points that work, and work well, but it also shares the same weak points that the rest of the series has. It also has an unfortunate side effect, since the reader knows about how it ends and that Fear Street is ultimately still cursed, of not having a really satisfying ending. It’s just kind of done. So, at the end of the day I think it earned a three out of five. If any single part of it had been a touch better it would have been a four.