Category: Five Star


I’m cutting it close on this one too, but I’ve been really excited to do my review of this issue. It might be my favorite yet. So, without further ado, here’s Ghostbusters: Answer the Call: What Dreams May Come issue 3. Enjoy!

Issue 3 What Dreams May Come cover

Knowing they would lose, the Ghostbusters fought the Schrechgespenst. They measured everything they had against him to try and save their city and the world. They fell short, were trapped in their own worst nightmares. When he’d had enough of their fear, he let them go. They weren’t even enough of a threat to keep trapped.

Three comics in and we’ve hit the point where our heroines start building back to fight the monster. It starts at as close to rock bottom as we’ve seen the team. They lost so completely that the bad guy just turned them loose and they’re still shaken from their personal nightmares. It’s expected at this point in the arc, but there’s a brilliance to the fact that it’s Erin trying to rally the other Ghostbusters. Erin, who’s terrified of being not enough, of being judged and found wanting, of so many things, is the one trying to get the rest of the team back into the fight. Likewise it works fantastically that Holtzmann, the one who couldn’t be kept down by putting a guy in a coma or her only prototype being run over by a train, is the most flattened by this.

I’m really enjoying the character work here. It feels like a good continuation of the characters from the movie without leaving them stagnant feeling.  They also don’t just get broken down to the nervous one, the mad scientist, the everywoman, and the true believer, which I appreciate greatly. Even Kevin is entertaining here.

Things of course are quickly worked out because it is way too soon to give up and the team gets back to it. Holtzmann has a gadget to work on. Abby, Patty, and Erin go back to researching Dr. Kreuger. It makes for really good set up as the What Dreams May Come arc heads into its second half. And it does that without ditching the humor that the last two comics have had.

The art has, of course stayed fantastic. Valentina Pinto’s work on the colors is especially good. Her work boosts the feel of both the action scenes and the creepy bits. Even if I wasn’t as into the story as I am, it would be worth the cover cost for the art.

So, yeah, volume three maintains the good bits of the arc so far while also promising more to come. I’m excited and super ready for the next issue. Ghostbusters: Answer the Call: What Dreams May Come issue three earns a five out of five. If you haven’t read it yet, this one’s worth tracking down.

Advertisements

Posting this later than I’d like, both in the day and in the month. But hey, January’s the door to a new year so it totally makes sense to post this as it closes. Right? Right. This one’s thanks to the folks at Tor.com, here’s Beneath the Sugar Sky. Enjoy!

Beneath the Sugar Sky cover

An impossible girl landed in the turtle pond outside of Eleanor West’s Home for Wayward Children. Rini came to Earth to find her mother, Sumi, and take her back home. The problem is, Sumi was killed long before she could have had Rini and logic is quick to realize that an impossible girl shouldn’t exist. With a world to save and her existence on the line, Rini will have to find a way to put her mother back together. Luckily for her the students of the Home for Wayward Children are used to quests and ready to help.

Seanan McGuire is quickly becoming one of my favorite writers and Beneath the Sugar Sky is a really good example of why. This is a solidly written story with great character work and really interesting stakes. It is something I enjoyed so much that it’s actually really hard to write about because I just want to fangirl about how much fun I had with it.

So let’s start with the characters. Unlike Down Among the Sticks and Bones, which focused on two particular wayward children and their trip through a door, Beneath the Sugar Sky widens that focus to a number of students both new and old. This was a thing that I wasn’t sure on before I started reading, because I haven’t gotten to read the first book yet, I didn’t know Kade or Christopher or Nadya. But McGuire does a fantastic job of introducing them here through Cora’s perspective. There’s a sort of easy familiarity here that works really well.

The setting is interesting on a number of levels. Baseline, I like the idea of so many disparate worlds that can be accessed by the right people. The storytelling potential of that is awesome and those same people winding up back on Earth looking for a way home is a fantastic story hook. McGuire uses both amazingly here, both showing us a couple of the worlds and the sheer longing the cast has when faced with something close to theirs. It makes for some really good moments and some really great world building exposition.

The flipside to that potential and the possibility of characters going back to their world is that I’m very used to protagonists being fairly set.  It took a little adjusting to this new cast and the idea that characters might drop in and out of the story because of the doors. I like it, but it did feel weird for a good chunk of the book. It also left me wanting to see similar stories done for other characters though, which is a definite plus.

I knew less than half way through Beneath the Sugar Sky that it was a five out of five book. It made me want to jump to the first book and read the series again as soon as I finished it, so that I could see what came first and then re-see the second book and this one in that context. So, yeah, I had a lot of fun and really look forward to the next book in the series.

I’m back! A little down to the wire tonight but doing good and very reminded that I adore the Answer the Call Ghostbusters. Going to have to give that a rewatch sometime soon. Anyway, comic review, I’ve been looking forward to this for months. Enjoy!

Issue 2 What Dreams May Come cover

Everything is awful. Dr. Kruger has escaped his house, escaped the Ghostbusters, and is drawing ever more power from the people of New York. Things have never looked this grim. The Ghostbusters need a plan or, better yet, a weapon capable of stopping a rampaging class 7. All they have to fear is a spirit wielding fear itself. Sometimes though, sometimes, fear is enough.

Issue two of Ghostbusters: Answer the Call: What Dreams May Come is a fantastic follow up to issue one while still mostly being build up. That’s kind of to be expected though, this is the second of five issues so we’re going to see our characters hit a wall so that they can build to the triumphant finally. It works really well because this is where we’re shown just how powerful Dr. Kruger is.

This issue is the moment where we get the impact of how big a threat the villain, but it also gives us insight into our heroines. I have so, so many words about how much I love the nightmare sequences here. The sheer fact that we get these bits of how the Ghostbusters react to their fears and is a great thing for me, this is made even better by how the fears themselves are handled within the nightmares.

The art and colors here are expressive and fantastic, Corin Howell and Valentina Pinto do a great job. There’s this quality of not quite cartoony-ness to the art that results in a lot of nifty reactions without making the characters feel off model, for lack of a better term. Things are exaggerated when it fits the tone of a scene, most notably the nightmares, but otherwise is kept in the realm of regular human facial expressions. Dr. Kruger is a notable exception to this, being as he is a ghost and doesn’t have to follow physical rules. Even then though, the art for him does a great job of making him that much more threatening and other worldly while still maintaining a set form.

I am really excited to see where we go from here and how the rest of the What Dreams May Come storyline unfolds. I’ve read this comic something like seven times since picking it up earlier today and I’m still bouncing. This has been one of those reading experiences that I’ve enjoyed on all levels and am super ready for the next part, we’re getting into the meat of the story and I am ready. So, yeah, Ghostbusters: Answer the Call: What Dreams May Come issue two gets a five out of five. It was worth the wait.

Nanoshock

I’m back! This one’s given me a lot to chew on and I’m hoping to work on that in the near future. Courtesy of the awesome folks at Angry Robot, this is Nanoshock. Enjoy!

Nanoshock cover

Riko’s got no clue what she did wrong or what happened to her six months ago. She’s got no clue if she actually sold out Nanji like everyone says she did. Worse, that’s killed her cred and her reputation. With leads colder than diamond steel and nowhere to turn she’s going to have to break every rule she knows to get to the bottom of this. Riko’s in a tight spot. People are after her. Feel sorry for them.

K. C. Alexander’s Nanoshock is the follow up to Necrotech, a violent profane thrill ride of a book that I enjoyed quite a bit. Does it stand up to the previous book? Yes, very much yes. Nanoshock, being a second book, doesn’t have to take its time in the beginning to set up its world. This is very much to its benefit because it lets the story hit the ground running and flow a lot more naturally.

There’s this great sort of interplay of characters in this one. Riko’s not quite back with her old team, but some of them will work with her for Indigo’s sake. A new character, Muerte, plays off of Riko and the other Saints super well. She’s brightly cheerful, nearly playful, which helps lighten up the feel of the book. Indigo is still pretty dour, but we get to see this great dance of trust and distrust and friendship between him and Riko. Even Riko’s pet detective gets built into a more dynamic character. The character work here is awesome. While there are moments where Riko’s actions are impulsive to the point of actively hurting her chances at getting anywhere, those still kind of work. Riko isn’t really working at a hundred percent and has a habit of acting in a very shoot first, let someone else do the thinking way.

I am leaving Malik Reed out of the awesome character work. He isn’t poorly written, though I’m much less inclined to give him slack on his mistakes. He’s still very much my least favorite part of the story. This is a character who is set up as very in control of his world and his situation. He expects perfection from his people and obedience, both of which are things that he should have known better than to expect from Riko. He also seems to make a point of trying to keep Riko out of the loop while she’s working for him. That leads to what can feel like forced conflict between the two. Plus, I got tired of reading about how attractive he is.

Repetition is something of a mixed bag here. More often than not, it works really well to emphasize what’s going on with Riko’s emotions. She’s angry and scared and running on fumes. So a repetition of themes and phrases works really well to keep her human and to keep her actions in context. It can also get clunky though. Certain phrases get used that feel just a little too long for what’s going on. Referring to every “Tom, Dick, and Blow” works well in the context of keeping an eye out for trouble in a club, but less so in the middle of an active fight.

The action scenes were really well done, tense and drawn out where they needed to be and then fast and hard when that fit. The tense scenes contain chunks of character work. That play of feelings and expectations really works to feed into the situation without feeling over done. The scenes that are fast are razor sharp and hit like a punch to the gut. They feel dangerous, not just for side characters but also to Riko herself.

Nanoshock is violent and profane and super fun and I want more.  There’s a lot of stuff here that usually bothers me in books, but it works. Things are seeded very well and pay off in a way that’s super satisfying. Nanoshock gets a five out of five from me. If you can find it and Necrotech, read them.

I am in fact posting this a couple days late. The comic shop didn’t get their delivery until yesterday and then my car died and I kind of couldn’t write because stress. But that’s all cleared up now and I’ve got words for you all. Not a ton, because I’m still getting used to writing about comics, but words. This is part one of What Dreams May Come. Enjoy!

Issue 1 What Dreams May Come pt 1. cover

The ladies have saved the world, been to another dimension, and now they’re finally back home and ready to get back down to business. Unfortunately, while out on a routine bust something comes home with them. Something hungry and dangerous.

I’ve been waiting for this comic for literal months. This is the comic that I got a pull list again for. Does it stand up to my excitement? Yes, yes it does. But that is hardly a review and I really want to talk about this comic. So, here’s Ghostbusters: Answer the Call issue one.

Monthly comic books have always been somewhat difficult for me to review. Given that, by nature, they tend to be short and light on story content. That’s one of the points that issue one does really well for me, Kelly Thompson’s writing does a really good job of both capturing the characters and playing them off each other, something that a new reader or someone who hadn’t seen the movie would need. She also does a fantastic job of setting up the story, giving us plenty of build for our antagonist and an awesome lead in to the rest of the “What Dreams May Come” arc.

The writing is bolstered by Corin Howell’s art, which is emotive and fits the characters really well. There’s also some seriously great atmospheric bits that are improved greatly by Valentina Pinto’s work on the colors. This is seriously one of my favorite comics in a long time for visuals.

This comic leaves me bouncing with excitement, seriously literally bouncing. If you’re a fan of the 2016 movie, you’re going to enjoy this. If you aren’t a fan but enjoy comics, it’s definitely worth checking out. I’m giving it a five out of five, let’s see what next month brings.

The Housing Crisis

Coming in under the wire, I’m later than late, but it’s up today! This was one of a handful of book’s I’ve bought from Book Bub. It’s a pretty cool site that sends you e-book deals each day based on what genre’s you tell it you’re into. This is The Housing Crisis. Enjoy!

The Housing Crisis cover

Alyssa’s roommate ditched on her with no warning, leaving her desperate for a replacement before rent comes due. It has to be another girl, or her super Catholic mom would flip. Hannah just caught her girlfriend cheating on her, so that living arrangement doesn’t work anymore. Good thing a former co-worker told her about the roommate she just ditched on. New roommate is super cute. But Alyssa is straight, totally, maybe, and Hannah doesn’t want to go there again. Will they wind up together anyway or will both wind up looking for someone new?

The Housing Crisis by Kate McLay is very much a book that I wish was longer. The story is super cute. The characters are enjoyable. It makes me want more.

Which is actually a really good place to start. One of my only issues with the book is a side effect of it being as short as it is. The relationship is really sweet, but I would have loved to see it developed more. We’re more told that Hannah and Alyssa are increasingly attracted to each other, than allowed to see it develop. As always, I want the build, I want to see the relationship grow from friends to girlfriends. In the same vein, I would like to have seen more of Alyssa realizing that she’s totally into her roommate and not as straight as she thought. More of them dealing with Alyssa playing it straight in public and how that affects Hannah. More of Hannah wanting to fall for Alyssa but being held back by last time. I want to see the character struggles that lead to the triumphant ending.

This is my single big complaint about the book, it’s so short that the ideas behind the story don’t get expanded much if at all. We go from Alyssa being so straight arrows are jealous to being told that she’s been struggling with dealing with her attraction to Hannah for weeks and, never mind struggling, going for it. It goes similarly for Hannah, we’re told that she doesn’t want to fall for another straight girl because the last one broke her heart, but we don’t see her worrying much about it past them hooking up. We see a fair amount of Alyssa’s boss, Martha, but I feel like there should have been more with her. Like she could have been much more developed and contributed a lot more to the story.

So that’s my issue with the book. What else was there to it that I wanted it more developed because of? Friends, this book was adorable and sweet and just a bite of cuteness. I have been trained by pop culture and other novels not to accept when a book aimed at adults is being sweet and fluffy and this was a really nice break from that. I didn’t find a character in the book proper that I disliked. The few scenes that were uncomfortable were meant to be. Most of the bits that we iffy were things that expanding on character and situations could have handled easily.

It was a book that just made me happy, which isn’t a thing I’ve had a lot of lately. It was fun for the sake of itself, a happy little romance story that chooses to be positive. For all that I spent two paragraphs talking about it needing to be expanded on, I keep bringing this up because I want more stories like this. I want more of this story, like a follow up of Alyssa and Hannah and what happens after the end of this one.

So, yeah, this gets a five out of five. I would read Kate McLay again and very much hope that she has a successful career writing.

So, I’m late again. We didn’t have water for most of the day today, old pipes and all, so most of the day was spend out and about to avoid dealing with that. That aside, I’ve got a review for you all. It’s a fun little comic courtesy of First Second, here’s the first volume of Cucumber Quest. Enjoy!

Cucumber Quest The Doughnut Kingdom

The peaceful Doughnut Kingdom has been conquered by the wicked Queen Cordelia and her minions as part of her plot to resurrect the Nightmare Knight. If she succeeds then the world will be helpless before her. The world needs a hero, a legendary hero at that. Luckily(?) nerdy wizard in training Cucumber’s weird pushy dad has decided that his son will be just the legendary hero that the world needs. So, teamed up with his much more heroic younger sister, Cucumber’s stuck on an epic quest to stop a tyrant and save the day.

Gigi D.C.’s Cucumber Quest: The Doughnut Kingdom, is an utterly cute comic that gets very tongue in cheek about standard fantasy conventions. Cucumber is told repeatedly that he has to be the legendary hero instead of his sister, because younger sisters are never the hero. The Oracle protector of Dreamside had to look through the window while Cucumber read a letter from his dad to know that he was the right guy. What I’m saying is that it’s great fun to read.

Cucumber Quest reminds me of Saturday morning cartoons in a lot of ways, not a specific one mind but that nostalgic concept. The art is, as previously mentioned, cute as well as being very emotive. Color gets used a lot for impact. I feel like that might be overdone in some places, but it’s also something that didn’t really bother me until I’d already read the comic several times, so there’s that.

The villains manage to walk the line between feeling like an actual threat with Queen Cordelia and being bumbling morons with the BLT Trio. That matches our reluctant hero and the Saturday morning cartoon feel. As does the younger sister character, Almond, the knight in training. She who totally wants to do this adventure thing and fight the villain and be the hero. Part of me wants to compare her to Scrappy Doo, dragging Cucumber along on his adventure because she wants to be there. But she’s more than that. While she does do some bone headed stuff, Almond is basically the driving force of the story because Cucumber wouldn’t do the quest if he was left to his own devices.

Really all I’m left with now is scoring it. Cucumber Quest: The Doughnut Kingdom gets a five. It’s a quick read and a fun one and I very much look forward to volume two when it comes out.

I have an actual reason it’s late this week! I messed up and left my laptop charger in Opelika after visiting for Labor Day, so I can’t get to the original file for this because the battery is dead. So, I’m rewriting it all in one go here because my gaming rig lacks word. This’ll be fun. This one is thanks to the nice folks at First Second publishing, this is Mighty Jack and the Goblin King. Enjoy!

Mighty Jack and the Goblin King cover

Jack’s sister Maddy was taken by an ogre. He was supposed to be keeping an eye on her, but she was taken anyway. Now it’s up to Jack and his friend Lilly to save Maddy before she’s fed to something known as the beast. But stories are never that simple and the goblin king in the kingdom below is as mighty as Jack and might be the ally he needs to save his sister and get home.

Ben Hatke’s Mighty Jack and the Goblin King is the second part of his Mighty Jack duology, so I am missing a bit of the story. That isn’t a huge problem though, the story does a good job of standing on its own and most of the references to the previous book can be hand waved as semi-standard fairy tale ingredients. Magic plants definitely fit a Jack story after all.

This is a very quick read, not a bad thing, but the story is enjoyable and I liked the characters. I would have actually liked to have seen more of them together, but I feel like that’s a side effect of missing the first book. Just a reason to try and find it.

Lilly gets separated from Jack fairly early on so, while he’s trying to plan how to save Maddy from the giants, she’s dealing with the goblins and their king. It kind of leaves the scenes with Jack feeling like they’re holding time until the goblin king comes to help save the day. That’s not really a complaint though, even as short a time as we saw the goblins’ hide out was cool and I like the idea of there being trash from every world in the under relm of a multiversal nexus. It’s a nifty idea.

The story is fairly straightforward and the art complements that. It’s fairly simple and a bit cartoony, but nicely emotive and it does a good job expressing what’s going on without feeling choppy. Again, the goblins are my favorite because they don’t seem to have any kind of uniform features while also being immediately identifiable as goblins. The colors are vibrant, the creature designs are fun and remind me a bit of Labyrinth, I very much enjoyed the art here.

So, what’s the verdict? I had fun with this comic from page one to the end and, while I have a few issues with the very end that’re probably more to do with having not read the first one, I don’t have any major  complaints. I’m giving Mighty Jack and the Goblin King a five out of five. It’s good and I’m likely to jump at the chance to review Hatke’s work again if I get the chance.

I’m late! Sorry all, long day yesterday, I didn’t get as much done on this as I wanted to then. I’m really excited for this review though. Back when I was dealing with my being at a low point I kept putting off reading this because I adore Seanan McGuire’s writing and I didn’t want to start it only to find that I wasn’t enjoying it, like every other book I was picking up at the time. That I’ve finally read it and enjoyed it as much as I expected if not more so is a great thing for me. So, thanks to the awesome folks at Tor, here’s Down Among the Sticks and Bones. Enjoy!

Down Among the Sticks and Bones cover

Jack and Jill, sorry, Jacqueline and Jillian, were their parents’ perfect children. Jacqueline was her mother’s daughter, soft and well mannered and always dressed like a fairy princess, a pretty decoration for the society ladies to coo over. Jillian was her father’s sporty tomboy, fearless and brave and almost as good as the son he’d wanted, at least he could talk peewee sports with the guys at work. They learned early that adults couldn’t be trusted. They learned early that what’s said isn’t always what is. But they never learned to lean on each other. When they find an impossible staircase in the room their grandmother abandoned years ago what they’ve learned won’t be enough for the world they find at the bottom or the choices they’ll have to make once they’re there.

Seanan McGuire’s Down Among the Sticks and Bones is a deeply interesting thing to me. It feels like it’s nearly all character study, which I love to pieces. It’s a story about choices and at the same time a story about being shaped by circumstance. It’s a story about expectations and how being forced into them can break someone without them realizing it, but also about how jumping to escape those expectations can hurt just as much. It’s a story about sisters, twins, split by expectations and choice and circumstance.

A big thing I like about Down Among the Sticks and Bones is the way things echo down from the beginning. Jacqueline is constantly told as a young child not to get dirty, to keep her dress clean, it’s part of her mother shaping her into the perfect society daughter. Once she’s on the other side of the door Jack has a phobia of getting dirty, even after years of working with Dr. Bleak as a mad scientist’s apprentice, it still effects her. Their dad does his best to shape Jillian into the ultimate tomboy, to make up for not having a son, but kids are cruel and the boys she was friends with as a kid abandon her as expectations tell them that girls are gross and not fun. She gets to see people calling her sister the pretty one without being allowed to be anything but the tomboyish one, the trouble maker with the same face as the prettiest girl in class. So she has no support structure on our side of the door and thus, once in the Moors, Jill clings to the adult authority figure who promises her comfort and pampering. She clings to him and idolizes him even as it’s revealed that he’s not concerned with her well being. Old resentments grow into a gulf of frustrations with consequences of their own.

I do feel like, ultimately, Jack pushes the story a lot more than Jill does. It tends to happen in stories with sibling protagonists that one gets more focus than the other. That said though, that feels more like a feature than a bug here. Jack chooses to go with Dr. Bleak, so Jill is left with the Master. Jack was tired of being just pretty and so jumped at the chance to learn, while Jill was tired of feeling like second pick and decided to be whatever the Master wanted to convince him she’d chosen him. That this also gave her a chance to be the pretty one is, if not significant to the initial choice, a fantastic bonus. Jack does more in story because she chose to be Dr. Bleak’s apprentice and so works with more people. Jill is the Master’s pampered daughter and so has little she has to do, which leaves her to soak in more of how fantastic it is to be the town ruler’s child and so above it all. It can leave Jill hard to care as much about, since we see her less versus seeing Jack grow.

Another thing I want to talk about real quick is the setting. The book takes place in this sort of fairy tale world, but it’s more gothic literature than the Disney stuff most of us have grown up with. The sun is seldom out from behind the clouds and night comes far too early. The mountains are full of wolves and what lurks beneath the ever stormy sea must be placated. The Moors are a dangerous place, something that the reader is reminded of regularly, but the danger is a fact of life. People plan for it and work around it. The Master is terrifying and dangerous, but so are the things behind his city’s walls. It’s dark, but not oppressive. It’s dangerous, but not paralysingly so. It’s really well written.

I don’t have a lot of wrap up here. I adored this book. I enjoyed the characters. The setting was great. Even the stuff that bothers me works in terms of the story itself, and I’m totally going to go find the one that came before this one. It gets a five out of five and if you can find it you should give Down Among the Sticks and Bones a read.

I’m late, it’s tomorrow already! Sorry everyone. Though I suppose it’s a good thing I’m reviewing the comic for a blast from the past. This is, again, a book that I received through NetGalley for review. Enjoy!

The Flintstones Vol 1 Cover

Meet the Flintstones, they’re the modern stone age family. You’re familiar with them. We all are. So let’s go back to Bedrock and see what a modern look at a stone age family looks like.

The Flintstones is something of a slice of life comic centering on, of course, the Flintstone family as well as the Rubbles and Bedrock itself. It’s anachronistic in a way that feels totally true to the old cartoon, while also turning a sharp eye on modern life, and also being a ton of fun. It also goes back to the cartoon’s sitcom roots, being aimed at an older audience. It feels weirdly subversive to see the concept for an old show turned to, more or less, current concerns. I like that quite a bit.

It’s also interesting to see what Mark Russell did with the characters. Fred and Wilma are more communicative, which is awesome in so many ways. The club Fred and Barney belonged to in the cartoon is a veterans’ society now, which ties into just how bedrock came about. Pebbles and Bam Bam are probably the most changed, being teenagers here rather than babies. They often provide a B-plot that reflects the main story in miniature. That’s more than kind of cool. I do sort of wish we’d seen more of Betty. Since she’s Wilma’s friend rather than Fred’s and most of Wilma’s screen time is with her husband, Betty gets pretty left out. I feel like I want the next book to focus more on Betty and Wilma, I want to see more of what’s going on with them especially after the response to Wilma’s art at the museum.

On to the art! Steve Pugh does a really cool job here. Characters from the original are, for the most part, immediately recognizable while also having dropped a lot of the cartoonyness from before. The random background characters have distinct looks. The coloring, done by Chris Chuckry, is vibrant and conveys mood well. My only issue with the art at all is that it does tend to combine massive beefy dudes with comparatively small women.  That honestly feels like it could be a throwback though given that the main characters are fairly set design wise and, as the comic goes, we get more body diversity in the background characters.

So, final thoughts. When I first saw that this was going to be a thing months ago I didn’t expect it to be much, mostly due to cherry picked panels and not really knowing what to expect beyond the old cartoon. I’m more than pleasantly surprised to be proven wrong. The writing is solid, the art is good, and while it can be serious there’s always a thread of humor. I like the anachronistic stuff, especially all the little background stuff like store names, it fits and it feels like The Flintstones. So that’s a five out of five from me.