Category: Rating

This one’s late. It’s late and I’m not particularly happy with it. Largely that comes from this being non-fiction and that not really being my cup of tea reviews wise. I broke my own rule and remembered why I had it. This one’s from the nice folks at First Second, here’s Brazen: Rebel Ladies Who Rocked the World. Enjoy!

Brazen cover

While I mostly enjoyed it, I am probably not the target audience for Penelope Bagieu’s Brazen: Rebel Ladies Who Rocked the World. That’s not a complaint. Brazen is a cool jumping off point for looking more into the women mentioned in it but, given that it is split into twenty-seven sections, there’s not a lot of deep going into any given story. It’s also a bit of a mixed bag on the women included. Several I understood completely, a few I didn’t quite get.

In large part, Brazen feels like it could be a really good source for a middle school history class to pull from. There’s enough information to catch interest in the women featured and enough to get started. I would have liked to have seen a bibliography or an index at the end. I feel like having the sources included could have made this even better in regards to finding out more.

The writing is simple and straight forward which works well with the short sections. The art has a nifty sketchy quality while also having a fair degree of detail. The overall effect is quite functional and makes for an enjoyable read.

That’s ultimately a big chunk of what decided it for me. I enjoyed reading Brazen and I know that a younger me would have enjoyed it more. Not citing her sources somewhere in the book does lose some points for me. So, I’m giving Brazen: Rebel Ladies Who Rocked the World a four out of five.


I’m late again. I dozed off after work and slept longer than I should have. But I’m fairly happy with how this turned out all the same. This book makes me think quite a bit of some of the old horror comics I grew up reading but more overtly funny. This one’s from netGalley, here’s Dead Jack and the Pandemonium Device. Enjoy!

Dead Jack and the Pandemonium Device cover

Dead Jack is the best zombie detective in ShadowShade, possibly all of Pandemonium. It doesn’t hurt that he’s the only one around. It also doesn’t hurt that he’ll do anything for fairy dust. No job is too big as long as the price is right, possibly right up to saving all of Pandemonium. That is, if he can survive leprechauns with a grudge, a mad bat-god, and his own ideas.

So, James Aquilone’s Dead Jack and the Pandemonium Device is kind of an odd critter of a book. I’m left feeling simultaneously like I have very little to say about it and just wanting to throw all the words possible at it. It’s a detective story with very little detective work. The protagonist is terrible but still likeable. The side characters don’t show up much but they work so well when they do. It’s pretty great.

Our protagonist, Dead Jack, is the embodiment of everything I tend to dislike about noir detective style protagonists. He’s a jerk, he can’t function without his addiction of choice, he stubbornly refuses to believe that his companions could accomplish anything without him around, he should be the worst. But it’s all played in this sort of humorous subversion of tropes way. He’s addicted to fairy dust, both for the high and as a means of suppressing his zombie hunger, and thinks about it pretty regularly. It is in fact the entire reason he takes the case, but it doesn’t become something he waxes on about for pages at a time. We’re given mentions of him wanting fairy dust or of noticing the effects of it on other characters, but it’s for the purpose of telling us about the scene or the world. Jack is terrible to his homunculus partner, Oswald, but Oswald gives as good as he gets and the story never tries to convince the reader that Jack is in the right when he’s being a jerk. That wins both the character and the writing a lot of points from me.

Tied into that, Jack seems to be the least competent character in the book. But we are seeing things from his ridiculous self-aggrandizing point of view in such a way that it’s funny rather than annoying. This is a character who actually thinks that he’s an amazing detective, but the story itself doesn’t agree so there’s a nice balance there.

There’s a lot of that actually. Dead Jack has a tragic back story somewhere along the lines, but he doesn’t seem to remember most of it. We get some bits of it that serve to rattle Jack and tease more, but nothing that takes pages at a time. The reader is sort of dropped into the middle of Pandemonium and expected to keep up. It’s a world very different from our own, but its Jack’s home so he doesn’t go much into the specific differences. That allows the reader to build their own conclusions on specifics while keeping the pace fairly quick.

Dead Jack and the Pandemonium Device is a very quick read but very tightly plotted for how short it is. There isn’t a ton of time taken to flesh out the world that isn’t also being used to move the story forward or introduce a near immediately important concept. It takes good advantage of slower scenes to set up ideas for later without grinding to a halt.

This was a really enjoyable read and I am definitely going to be looking for the next one when it comes out. Dead Jack and the Pandemonium Device gets a five out of five from me. If you enjoy off beat detective stories or just need a way to spend a couple days, it’s worth giving a shot.

Thank you all for being patient with me this week. It’s been kind of a rough one, but I think I’ve got a hold on it again. This week’s book is from the folks at This is Myke Cole’s The Armored Saint. Enjoy!

The Armored Saint cover

The Writ teaches that wizardry is foul in the eyes of the Emperor, that it reaches to hell itself to give its user profane powers not meant for mortal man. The Writ teaches that a wizard must be stoned to prevent them tearing a portal open and allowing devils into the world once more. The Order is to be called if wizardry is suspected, to protect the people and knit the damage before it can be worsened. This, Heloise knows by heart. The Order demands obedience, subservience, a bended knee from the villagers who serve it more than it serves them. Heloise had never realized this until a brother of the Order abused her father’s tools and materials, wasting valuable paper just because he could. She had never had reason to question until the Order rounded up her village to help knit the neighboring town, a slaughter worse than any brigands could have visited. The Writ says that the Order is to be trusted and relied upon, they have proven that they cannot be.

Myke Cole’s The Armored Saint is a dark fantasy novella that, in a number of ways, I really wish had been expanded on more.  The world building is fairly solid, though I feel like it could have been worked in more. I largely enjoyed the characters and would have wanted to see more of them outside of the main story conflict.

So, let’s start with the world building. We get a fair amount about the religion of the setting and about the Order and how much of a threat they are, particularly to small out of the way villages like the one Heloise lives in. The Order as a threat and as corrupt is shown fantastically well right from the beginning. There’s enough on the day to day workings of the village and the expectations people live with under the Writ that the society feels functional if also very much like the fantasy novel version of things. Wizardry though, wizardry doesn’t get dug into much given that it is a dangerous forbidden thing and, at least theoretically, the entire reason the Order is hanging around. There are a number of reasons I’d have like to see more with it. It feels like wizardry should play a fairly large role in the rest of the trilogy and setting it up here would make sense. Wizardry also serves more as a thing that we are told more about than shown though, so I’m a little frustrated there. As a side note, more time could have been given to how Heloise’s actions affect other characters or other characters reactions to her going against the Order.

I have similar feelings with the characters. There’s this really well worked out little knot of people who get a fair amount of work and Heloise gets a good amount of development. But then we have the antagonist who exists to be antagonistic and does nothing to suggest he is anything but a flat villain. Since the antagonist is also our face character for the Order that means that the entire group is cast in a flat light of villainy. It wouldn’t be an easy fix, but having an eye towards what people outside of our little knot of characters thinks could have been great. The ranger could have been great for filling in more of the world and allowed the reader to see more of what people think regarding outsiders.

There is a really interesting thing in The Armored Saint, world building wise. While the Order is show as flatly antagonistic and more out to pursue their own wants than actually protecting the people the Writ itself is shown repeatedly as a source of comfort for a number of characters. It sort of keeps the whole thing from sliding into “religion is evil” territory by allowing the common folk to keep their faith in the face of an obviously corrupt and morally bankrupt church militia. It makes for an interesting sort of situational foil.

Related to a lot of this, I wasn’t a fan of the ending. It felt poorly supported and sort of out of nowhere. More page space as a generality would have been helpful leading up to it, particularly given that a lot of it could easily have been more lead into early on. This feels more than anything like a set up book with the ending tacked on because it needed one and the stakes needed to be higher for the next book. The set up itself is good, the world building generally works really well. I’m invested in finding out more about the setting and I want to see where this goes from here. But the end feels like it should have been done sometime during the next book and given time to percolate and build.

At the end of the day it does come down to the fact that I do really look forward to reading the second book. The Armored Saint was solid but ultimately affected by its nature as a novella instead of a full on novel. So, I feel like it earned a four out of five.

I’m cutting it close on this one too, but I’ve been really excited to do my review of this issue. It might be my favorite yet. So, without further ado, here’s Ghostbusters: Answer the Call: What Dreams May Come issue 3. Enjoy!

Issue 3 What Dreams May Come cover

Knowing they would lose, the Ghostbusters fought the Schrechgespenst. They measured everything they had against him to try and save their city and the world. They fell short, were trapped in their own worst nightmares. When he’d had enough of their fear, he let them go. They weren’t even enough of a threat to keep trapped.

Three comics in and we’ve hit the point where our heroines start building back to fight the monster. It starts at as close to rock bottom as we’ve seen the team. They lost so completely that the bad guy just turned them loose and they’re still shaken from their personal nightmares. It’s expected at this point in the arc, but there’s a brilliance to the fact that it’s Erin trying to rally the other Ghostbusters. Erin, who’s terrified of being not enough, of being judged and found wanting, of so many things, is the one trying to get the rest of the team back into the fight. Likewise it works fantastically that Holtzmann, the one who couldn’t be kept down by putting a guy in a coma or her only prototype being run over by a train, is the most flattened by this.

I’m really enjoying the character work here. It feels like a good continuation of the characters from the movie without leaving them stagnant feeling.  They also don’t just get broken down to the nervous one, the mad scientist, the everywoman, and the true believer, which I appreciate greatly. Even Kevin is entertaining here.

Things of course are quickly worked out because it is way too soon to give up and the team gets back to it. Holtzmann has a gadget to work on. Abby, Patty, and Erin go back to researching Dr. Kreuger. It makes for really good set up as the What Dreams May Come arc heads into its second half. And it does that without ditching the humor that the last two comics have had.

The art has, of course stayed fantastic. Valentina Pinto’s work on the colors is especially good. Her work boosts the feel of both the action scenes and the creepy bits. Even if I wasn’t as into the story as I am, it would be worth the cover cost for the art.

So, yeah, volume three maintains the good bits of the arc so far while also promising more to come. I’m excited and super ready for the next issue. Ghostbusters: Answer the Call: What Dreams May Come issue three earns a five out of five. If you haven’t read it yet, this one’s worth tracking down.

I am cutting it so, so close here. As it turns out I might not be as over being sick as I’d thought and I’ve been more than kind of exhausted all day. It’s all good though. I really want to talk about spoiler-y bits for this one, but this isn’t the place for it. So, here’s Five Nights at Freddy’s: The Twisted Ones. Enjoy!

FNaF The Twisted Ones cover

It’s been a year since they went back to Freddy Fazbear’s Pizzeria. It’s been a year since a serial killer in a rabbit suit nearly killed them all. Time has passed and Charlie’s friends have moved on with their lives. Her friends have, but recently a body has been found with disturbingly familiar injuries. Sometimes the past doesn’t want to stay buried. The restaurant has been closed for years but evil is open for business.

Starting out a year after The Silver Eyes, Five Nights at Freddy’s: The Twisted Ones gives us a lot of possibilities but has a tendency towards not following through on them. There’s some really cool set up for character study with Charlie taking robotics courses and working towards building what seems like a learning artificial intelligence. There were threads that could have easily taken that to showing our heroine as a mirror to both her father and also William Afton, the villain.  Or more could have been done with the connection she felt with her long lost, most likely long dead, twin Sammy. The murder plot could have done with more focus as long as the authors focused in on one thread for any length of time.

The Twisted Ones did a number of things that I had wanted from the first book. It maintains the cheesy horror movie feel of the first book while also feeling much less anchored to the games, both good things. The cast not knowing just what is causing these new animatronics to hunt people and needing to figure that out was a cool concept.  The cast is a lot smaller, so everyone gets more screen time. It’s a lot of possibilities that were improvements but could have been more.

More page time doesn’t necessarily mean more development. That might have actually taken a slide. We still focus mostly on Charlie and what’s going on with her now that she’s been back to Freddy’s and remembered her twin. She’s into robotics, which worries her friend and roommate Jessica, because she doesn’t want Charlie to fall down the same rabbit hole her father or Afton did. She might be into returning love interest John, but there’s also a missing twin and killer robots, so maybe not. John is definitely into her, but also there’s killer robots and she might be more interested in what’s going on with them than dating. Or class. Or really anything else at the moment. What I’m saying is that Charlie wound up a bit flat and, as a consequence, so did a lot of The Twisted Ones’ run time. I did appreciate the other characters’ reactions to Charlie’s actions throughout, those rang a lot more true.

The thing is, I didn’t dislike The Twisted Ones. It wasn’t the best book I’ve read recently and it was really easy to get tired of due to feeling really padded and monotonous. But the cheese was so real, it was like a B-movie when it’s all over. I’m left more interested in the third book in the series due to having ideas about how Scott Cawthon and Kira Breed-Wrisley are going to make it work. Plus, it had a really excellent final line.

So, all told, this isn’t a good book, but it was also entertaining enough that I’m interested in the next one. The characters are a little flat, particularly our heroine, but I’m invested enough to want to see what happens to them. So I’m giving Five Nights at Freddy’s: The Twisted Ones a three out of five.


I am sorry to be late with this one, I had a tremendous headache yesterday and was just completely out for most of the day. Today was better, but busy. This one actually came out last year, it’s provided by the awesome folks at Ace. This is Cherie Priest’s Brimstone. Enjoy!

Brimstone cover

Tomas Cordero’s life is burning down. From his time in the trenches operating the truly devastating flame projector, to the fever that took his wife while he was gone, to the fires cropping up around him everything seems to be going up in flames. If this continues, no one around him will be safe. Meanwhile, Alice Dartle dreams of a man who sprays flames like some kind of reverse fireman, a sad man weighed down by his past and personal tragedies. A man haunted by something hungry and hateful.

Cherie Priest’s Brimstone is somewhat different than what I usually read. It’s sort of a historical urban fantasy novel, which is an interesting concept and makes for some fantastic flavor to the background of the story. That same somewhat different is probably part of why I’ve had so much trouble with this one.

There was a lot of build up here, lots of character building and setting development, and it was well written but it served to slow the book to a crawl. There are all these bits of character work for both Tomas and Alice but they don’t feel terribly like they’re building to anything. It takes until past the half way point for our protagonists to meet and then it just sort of hovers until the climax happens. It made the book very easy to put down and very hard to care about.

That difficulty is unfortunate, because the writing is solid enough and I’m interested in the town of Cassadaga and its inhabitants. I want to know more about the villain and Tomas’ time during the war and about the various seminars offered in Cassadaga. But that’s not where the story went and it wasn’t really paced to allow for any of that. The world could feel solid and like someplace that could be visited. The background characters were solidly written and could have been so much more.

It feels like a lot of my problem here could have been solved by starting the book later in its story and casting all the bits leading up to Tomas leaving for Cassadaga into background details or things he has to share with Alice on their way to figuring out what the cause of all the fires is and how to stop it. Doing more with the side characters, particularly from Alice’s side of things, sooner would have also been a solid thing. There were a lot more characters in Cassadaga itself so spending more time seeing those folks would have helped build up the community and informed more about Alice’s habits with her classes and seminars rather than having her tell us about it.

This one has been somewhat difficult to write about. This mostly comes from a balance of the Brimstone being technically well written but also very slow. It isn’t something that’s going to stop me from reading Priest again, not by a long shot. But it does make me if her other novels balance closer to this or to The Family Plot. I’m giving this one a three out of five. It was slow but it also looks like there might be more story to this world and that has me curious.

Posting this later than I’d like, both in the day and in the month. But hey, January’s the door to a new year so it totally makes sense to post this as it closes. Right? Right. This one’s thanks to the folks at, here’s Beneath the Sugar Sky. Enjoy!

Beneath the Sugar Sky cover

An impossible girl landed in the turtle pond outside of Eleanor West’s Home for Wayward Children. Rini came to Earth to find her mother, Sumi, and take her back home. The problem is, Sumi was killed long before she could have had Rini and logic is quick to realize that an impossible girl shouldn’t exist. With a world to save and her existence on the line, Rini will have to find a way to put her mother back together. Luckily for her the students of the Home for Wayward Children are used to quests and ready to help.

Seanan McGuire is quickly becoming one of my favorite writers and Beneath the Sugar Sky is a really good example of why. This is a solidly written story with great character work and really interesting stakes. It is something I enjoyed so much that it’s actually really hard to write about because I just want to fangirl about how much fun I had with it.

So let’s start with the characters. Unlike Down Among the Sticks and Bones, which focused on two particular wayward children and their trip through a door, Beneath the Sugar Sky widens that focus to a number of students both new and old. This was a thing that I wasn’t sure on before I started reading, because I haven’t gotten to read the first book yet, I didn’t know Kade or Christopher or Nadya. But McGuire does a fantastic job of introducing them here through Cora’s perspective. There’s a sort of easy familiarity here that works really well.

The setting is interesting on a number of levels. Baseline, I like the idea of so many disparate worlds that can be accessed by the right people. The storytelling potential of that is awesome and those same people winding up back on Earth looking for a way home is a fantastic story hook. McGuire uses both amazingly here, both showing us a couple of the worlds and the sheer longing the cast has when faced with something close to theirs. It makes for some really good moments and some really great world building exposition.

The flipside to that potential and the possibility of characters going back to their world is that I’m very used to protagonists being fairly set.  It took a little adjusting to this new cast and the idea that characters might drop in and out of the story because of the doors. I like it, but it did feel weird for a good chunk of the book. It also left me wanting to see similar stories done for other characters though, which is a definite plus.

I knew less than half way through Beneath the Sugar Sky that it was a five out of five book. It made me want to jump to the first book and read the series again as soon as I finished it, so that I could see what came first and then re-see the second book and this one in that context. So, yeah, I had a lot of fun and really look forward to the next book in the series.

I had this written last week I was ahead, and then I opened the file and wasn’t really happy with what I’d written. I did a rewrite and still feel like I could do better if only I’d ever seen the original Ghostbusters movie, but that’s a thing for later. Anyway, here’s the trade paperback of Ghostbusters 101: Everyone Answers the Call. Enjoy!

Ghostbusters 101 Everyone Answers the Call cover

The Ghostbusters are kicking off an internship program and, in addition to that, a day camp program. Why not, it’ll help them make a little money and find promising new recruits? It seems like a perfectly reasonable plan until their interns cause an accident that starts merging their New York with the New York of another universe. With another universe come more Ghostbusters ready to answer the call and help prevent reality from collapsing in on itself.

In concept I really like Ghostbusters 101: Everyone Answers the Call. I like the idea of the Answer the Call Ghostbusters and the classic Ghostbusters meeting up and working together. I like the idea of the contrast between the teams and seeing how their tech compares. This mini-series wasn’t exactly that though. While there was some fun interactions and nifty ideas this felt more interested in the classic Ghostbusters and setting up later comics in the shared universe than in the Answer the Call Ghostbusters. I don’t think this was something the team planned on so much as they were more used to and comfortable with the classic Ghostbusters and so tended to use them more out of habit. That isn’t a knock against the comic in and of itself, I just have no attachment to the classic Ghostbusters and that effected my enjoyment of the comic.

The stage is set when an intern sticks his hand through a dimension door and gets grabbed by a ghost leading to that ghost trying and pull itself back together, thus merging the dimensions. The effects of that dimensional merge aren’t really felt until the third chapter/issue and then the cast gets to know each other. In a longer graphic novel this approach could have worked well and built to the teams working together and learning from each other. This was six issues though, so we get some bits of the teams working together but fast tracked. Classic Ghostbusters have been at this longer and so have more of a grasp on busting ghosts, Answer the Call Ghostbusters are by turns interested in this and bothered by it.

This is where the thing I mentioned earlier comes in. I feel like the team on Ghostbusters 101 wasn’t much interested in the Answer the Call Ghostbusters or didn’t know much about them while writing this. So the Answer the Call Ghostbusters have a tendency towards feeling really flat, kind of like the writer was given a two sentence description of each and just went with that. I know that isn’t entirely fair to Erik Burnam, since he was juggling a pretty huge cast and these are fairly new characters. It still stands that the Answer the Call Ghostbusters can feel like parodies of themselves while the classic Ghostbusters feel a lot more rounded. Holtzmann, I think, probably gets it the worst with teasing from the movie having become a tendency towards out right rudeness and needling people until they’re desperate to get rid of her. Conversely, Patty had her historian aspect ramped up and gets a couple of nice moments related to knowing about the places they visit, so that was pretty cool.

The art here is interesting, it’s very stylized. There’s a level of cartoony-ness here that works in some places, like with the more monstrous ghosts, but then not in others, a lot of the expression work is strange. The character design as a whole is a little odd. There’s a fantastic array of different body types even in crowd clusters, but then there’s something about the faces that I can’t quite put my finger on. The backgrounds tend to be pretty awesome, with really cool detail work. The backgrounds add a lot to the feel of a scene, which is something I’m not entirely used to but appreciate.

There was a bit at the end that was pretty great, showing different possible worlds and iterations of events. I would have liked more stuff like that. Over all though, I’m a little cool on Ghostbusters 101: Everyone Answers the Call as a finished series. It isn’t bad, just not what I was looking for. It gets a three out of five, mostly for being one of those things that I would have probably enjoyed more if I had just happened across it rather than having spent a few months looking forward to it.

This one is for kind of an older book. I’d actually originally stumbled across this back when I worked at the bookstore. I was hoping to find stuff featuring Batwoman and then here was this. It popped up on my BookBub suggestions not too long ago and I finally had a chance to give it a read. So here’s Alexis Hall’s Iron and Velvet. Enjoy!

Iron and Velvet cover

Private Investigator Kate Kane should know better than to take a job from a vampire, much less a vampire prince. She should know, but bills need paying and jobs are a little thing since her partner died. She’s got a dead werewolf outside a vampire’s nightclub, some kind of horrific ooze, and not a lot of clues to go on. Stepping wrong on this case could lead to a war or, worse, her dead but at least she’s got scotch.

I am mostly happy with Alexis Hall’s Iron and Velvet. The main character is by turns enjoyable and frustrating with an implied back story that I really want to find out more about. The back story elements made for awesome character building without devolving into an angst fest. The parts that did get angsty felt tone appropriate and were generally balanced out with a thread of humor.

There were a couple of rough spots early on, with the cast being introduced, where the writing went off the rails a bit. The initial descriptions for our hedonist vampire prince and lingerie model alpha werewolf got kind of male gaze-y and uncomfortable. That said, the resident incubus got similar treatment and this did improve later on. I did find myself much more into the book after the introductions were past and I got into the meat of the story.

The mystery itself unwinds slowly with a couple of false starts and room to get to know the major players while still holding enough back that it’s still a solid mystery. There’s build to a solution but then there’s more. Kate finds herself trying to solve the problem without making any more problems or setting off a supernatural war. Things get a little fiddly there and while I liked the issues it brought up I feel like more could have been done with it. I would probably say that regardless though, I have a tendency of wanting more out of tense situations where the protagonist is out of their league.

That actually leads me to a big positive I had with this book. Kate was noteably out of her depth at various points and, instead of hard headedly going for it anyway, went for help. She had contacts from her previous P.I. work that she could ask for details and she goes to them when she realizes she needs help. It was super refreshing and I would really like to see more of that.

So, that’s kind of where I’m left with this one. There was some stuff I was iffy on at the start, but then the book rolls on and got really fun. There’s a ton of implied back story that I’m really interested in, possibly more so because it isn’t just spelled out for me. Iron and Velvet gets a four out of five from me. I’m definitely going to go find the second one in the future.

I’m back! A little down to the wire tonight but doing good and very reminded that I adore the Answer the Call Ghostbusters. Going to have to give that a rewatch sometime soon. Anyway, comic review, I’ve been looking forward to this for months. Enjoy!

Issue 2 What Dreams May Come cover

Everything is awful. Dr. Kruger has escaped his house, escaped the Ghostbusters, and is drawing ever more power from the people of New York. Things have never looked this grim. The Ghostbusters need a plan or, better yet, a weapon capable of stopping a rampaging class 7. All they have to fear is a spirit wielding fear itself. Sometimes though, sometimes, fear is enough.

Issue two of Ghostbusters: Answer the Call: What Dreams May Come is a fantastic follow up to issue one while still mostly being build up. That’s kind of to be expected though, this is the second of five issues so we’re going to see our characters hit a wall so that they can build to the triumphant finally. It works really well because this is where we’re shown just how powerful Dr. Kruger is.

This issue is the moment where we get the impact of how big a threat the villain, but it also gives us insight into our heroines. I have so, so many words about how much I love the nightmare sequences here. The sheer fact that we get these bits of how the Ghostbusters react to their fears and is a great thing for me, this is made even better by how the fears themselves are handled within the nightmares.

The art and colors here are expressive and fantastic, Corin Howell and Valentina Pinto do a great job. There’s this quality of not quite cartoony-ness to the art that results in a lot of nifty reactions without making the characters feel off model, for lack of a better term. Things are exaggerated when it fits the tone of a scene, most notably the nightmares, but otherwise is kept in the realm of regular human facial expressions. Dr. Kruger is a notable exception to this, being as he is a ghost and doesn’t have to follow physical rules. Even then though, the art for him does a great job of making him that much more threatening and other worldly while still maintaining a set form.

I am really excited to see where we go from here and how the rest of the What Dreams May Come storyline unfolds. I’ve read this comic something like seven times since picking it up earlier today and I’m still bouncing. This has been one of those reading experiences that I’ve enjoyed on all levels and am super ready for the next part, we’re getting into the meat of the story and I am ready. So, yeah, Ghostbusters: Answer the Call: What Dreams May Come issue two gets a five out of five. It was worth the wait.