Category: Rating


So, I’m late again. We didn’t have water for most of the day today, old pipes and all, so most of the day was spend out and about to avoid dealing with that. That aside, I’ve got a review for you all. It’s a fun little comic courtesy of First Second, here’s the first volume of Cucumber Quest. Enjoy!

Cucumber Quest The Doughnut Kingdom

The peaceful Doughnut Kingdom has been conquered by the wicked Queen Cordelia and her minions as part of her plot to resurrect the Nightmare Knight. If she succeeds then the world will be helpless before her. The world needs a hero, a legendary hero at that. Luckily(?) nerdy wizard in training Cucumber’s weird pushy dad has decided that his son will be just the legendary hero that the world needs. So, teamed up with his much more heroic younger sister, Cucumber’s stuck on an epic quest to stop a tyrant and save the day.

Gigi D.C.’s Cucumber Quest: The Doughnut Kingdom, is an utterly cute comic that gets very tongue in cheek about standard fantasy conventions. Cucumber is told repeatedly that he has to be the legendary hero instead of his sister, because younger sisters are never the hero. The Oracle protector of Dreamside had to look through the window while Cucumber read a letter from his dad to know that he was the right guy. What I’m saying is that it’s great fun to read.

Cucumber Quest reminds me of Saturday morning cartoons in a lot of ways, not a specific one mind but that nostalgic concept. The art is, as previously mentioned, cute as well as being very emotive. Color gets used a lot for impact. I feel like that might be overdone in some places, but it’s also something that didn’t really bother me until I’d already read the comic several times, so there’s that.

The villains manage to walk the line between feeling like an actual threat with Queen Cordelia and being bumbling morons with the BLT Trio. That matches our reluctant hero and the Saturday morning cartoon feel. As does the younger sister character, Almond, the knight in training. She who totally wants to do this adventure thing and fight the villain and be the hero. Part of me wants to compare her to Scrappy Doo, dragging Cucumber along on his adventure because she wants to be there. But she’s more than that. While she does do some bone headed stuff, Almond is basically the driving force of the story because Cucumber wouldn’t do the quest if he was left to his own devices.

Really all I’m left with now is scoring it. Cucumber Quest: The Doughnut Kingdom gets a five. It’s a quick read and a fun one and I very much look forward to volume two when it comes out.

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Hey all. Got a review for you, this one’s from my library and is kind of a throwback to last year. Enjoy!

Places No One Knows cover

Waverly Camdenmar’s life is perfect academically, socially, even her extracurriculars. Her life is utterly perfect, except that she hasn’t slept in days and instead spends all night running to escape herself. Marshall Holt’s life has been falling apart for years. His family can’t stand each other. His friends are bellow the bottom of the social latter. He’s close to not graduating. But he doesn’t care, he drinks and smokes and utterly wrecks himself with how much he doesn’t care. He’d never be good enough for Waverly anyway. But then one night she dreams herself into his room, his life, and nothing can stay the same. She can change in her dreams, but is Marshall worth risking everything she’s built?

Places No One Knows, by Brenna Yovanoff, isn’t my standard fare by any means. I started it back when I worked at the book store and finished it because I’d started it. It is very much a teen romance, but one that’s got some other stuff going on. The other stuff is what kept me going and held my interest.

See, both of our leads have pretty serious issues that they either can’t talk about or just don’t want to acknowledge. Marshall’s home life is terrible and he feels like a failure because he can’t not be bothered by it, so he self medicates. That leads to him being an academic failure and everything cycles back around. He has feelings and wants to help people, but doesn’t know where to start or how to help himself.  The flipside to Marshall is Waverly, the popular girl with the fantastic grades and the best times on the track team. Waverly who isn’t good at social cues or actually dealing with people despite being able to read them like it’s nothing. Who feels robotic and memorizes all manner of trivia to distract herself from her own faults. Waverly who runs until her feet bleed and she can’t think anymore to escape her own mind and the concerns that her life isn’t what it should be. These two I find interesting because they don’t feel standard, but I wish Waverly’s issues had been gone into a little more deeply. She feels like she didn’t get a full character arc and, while this would usually be a positive, the book leaves a lot of room for her to back slide massively and let everything fall to pieces.

In light of both the sheer amount of character stuff going on, and my own lack of interest in romance plots, I would have liked to seen less of the romance and more of Marshall and Waverly figuring their stuff out. Marshall gets a fair amount of this and we see him making efforts to pull himself out of his issues. Not so much with Waverly, she stays pretty entrenched in her belief that she’s somehow broken until the book’s climax. But that doesn’t feel right for her as a character, she moves by inches throughout the book unwilling to admit that she needs anything and unable to meet most people at an emotional level, but then all the sudden there’s this big character moment and things are fixed? It doesn’t fit for me.

I also find myself wishing that there was more with the minor characters. Waverly and her social group have this whole Mean Girls thing going on with a strict hierarchy and unspoken rules. But then along comes Autumn, the social outsider, to shake things up because she’s bored. I would have liked to have seen more of the fallout from that, instead of it being fast forwarded through for magic candle romance stuff.

Ultimately Places No One Knows isn’t a book for me. It has some really interesting character stuff, but then also a romance that feels unnecessary and forced. There’s fantastic ideas, but subpar follow trough. It’s the kind of book that I finished and shrugged, because it ended the way it had too but without resolving a lot of character issues. I didn’t dislike it, but I also wouldn’t read it again, so it winds up with a three out of five.

Project Pandora

And I’m late again. Thanks for sticking with me folks. This one was kind of hard to get done, so that wasn’t fun. Right, so the review of the week is thanks to the nice folks at entangled teen. This is Project Pandora. Enjoy!

Project Pandora cover

Apollo switched back to Tyler in the middle of a job, something that shouldn’t have been possible. Tyler’s aware of his burner phone, though not its implications. He doesn’t know about the second life in the shadows of his everyday, not until it starts bleeding through. Not even when he realizes that the girl he’s crushing on has a phone just like his. They’ll have to learn quickly, find out what’s at the core of Project Pandora, before they’re tracked down and reprogrammed.

Aden Polydoros’ first novel, Project Pandora, is not a book that would find itself in my top or bottom ten for this year. This is one of those books that, it’s not bad but it also isn’t memorable. There are a lot of solid ideas here and I feel like the book could have been really good with a little more refining. In short, it feels very much like a solid first book.

The official blurb promises action and mystery, danger. While the book itself takes a very slow burn approach to its plot. That’s not in and of itself a bad thing and, in all fairness, in a more solidly plotted book could have been a fantastic way to flesh out the characters. Here it winds up dragging on and feeling like padding. We get these scenes of our characters going about their regular student lives and having their YA romance stuff going on, and it isn’t bad but it also winds up feeling disconnected from the plot really quickly. I feel like if more had been done with their programming breaking down earlier in the book it would have been better and could have lead to more of the mystery that was promised in the blurb. As it stands, the Project Pandora stuff is mostly carried by one character and, since he’s got no other life, it doesn’t really give use any build. That more wasn’t done with that side plot is really disappointing, that was one of the more promising ideas presented.

That’s where a lot of my apathy about Project Pandora comes from. There’s a lot of good ideas for the plot and characters both, but those ideas are fumbled in the writing itself. We have these two pairs of characters, the nice young folks who don’t realize they’re assassins and the beauty and the beast pair who have this instant attraction for each other. We follow all four of these characters, which winds up both killing any mystery that could have happened and leads to a lot of overlap in storytelling. There are so many ways this could have been taken and built upon, but what we got was a lot of teens pining after one another and stressing over high school stuff plus Hades’ issues. The ideas were there and so were the bones of a good story, but they weren’t fleshed out well.

I have very few feelings about this book beyond wishing that the author had done just a little more with it or refined it more. Part of this might be that Project Pandora suffers from being the first in a series, maybe some stuff was left out on purpose so it can be filled in later. Part of it might be that this is the author’s first book and he’ll improve with more practice. Either way it gets a three out of five. I might give Aden Polydoros’ next novel a shot, but this one didn’t impress me.

I have an actual reason it’s late this week! I messed up and left my laptop charger in Opelika after visiting for Labor Day, so I can’t get to the original file for this because the battery is dead. So, I’m rewriting it all in one go here because my gaming rig lacks word. This’ll be fun. This one is thanks to the nice folks at First Second publishing, this is Mighty Jack and the Goblin King. Enjoy!

Mighty Jack and the Goblin King cover

Jack’s sister Maddy was taken by an ogre. He was supposed to be keeping an eye on her, but she was taken anyway. Now it’s up to Jack and his friend Lilly to save Maddy before she’s fed to something known as the beast. But stories are never that simple and the goblin king in the kingdom below is as mighty as Jack and might be the ally he needs to save his sister and get home.

Ben Hatke’s Mighty Jack and the Goblin King is the second part of his Mighty Jack duology, so I am missing a bit of the story. That isn’t a huge problem though, the story does a good job of standing on its own and most of the references to the previous book can be hand waved as semi-standard fairy tale ingredients. Magic plants definitely fit a Jack story after all.

This is a very quick read, not a bad thing, but the story is enjoyable and I liked the characters. I would have actually liked to have seen more of them together, but I feel like that’s a side effect of missing the first book. Just a reason to try and find it.

Lilly gets separated from Jack fairly early on so, while he’s trying to plan how to save Maddy from the giants, she’s dealing with the goblins and their king. It kind of leaves the scenes with Jack feeling like they’re holding time until the goblin king comes to help save the day. That’s not really a complaint though, even as short a time as we saw the goblins’ hide out was cool and I like the idea of there being trash from every world in the under relm of a multiversal nexus. It’s a nifty idea.

The story is fairly straightforward and the art complements that. It’s fairly simple and a bit cartoony, but nicely emotive and it does a good job expressing what’s going on without feeling choppy. Again, the goblins are my favorite because they don’t seem to have any kind of uniform features while also being immediately identifiable as goblins. The colors are vibrant, the creature designs are fun and remind me a bit of Labyrinth, I very much enjoyed the art here.

So, what’s the verdict? I had fun with this comic from page one to the end and, while I have a few issues with the very end that’re probably more to do with having not read the first one, I don’t have any major  complaints. I’m giving Mighty Jack and the Goblin King a five out of five. It’s good and I’m likely to jump at the chance to review Hatke’s work again if I get the chance.

Frost

Not much to blurb about today. It’s quiet in my neck of the woods and that’s pretty ok. I did wind up cutting several things from today’s review for spoilery reasons. So, if you all are cool with tagged spoilers in the reviews, let me know in the comments. Today’s book is courtesy of the nice folks at Scholastic. Here’s Frost. Enjoy!

Frost cover

At sixteen Frost has never been outside the apartment she grew up in, and with good reason, the world outside is a hunting ground for ravenous cannibals and robots gone rogue. It hasn’t been a safe place to live since before she can remember. She needs to leave though. Her pet, Romes, is dying and she can’t bear to see him in pain. Even as the memories of her father try to hold her back, to keep her in her safe prison with the family robot for company and protections, she knows she has to leave and save the only living thing left to her. She grew up on stories about the utopia at the other end of the city, the Battery, where all the science that’s been lost still exists. With Bunt’s help she might be able to make it.

So, M. P. Kozlowsky’s Frost is an odd book. I mean that in a lot of ways. Part of this comes from the fact that Frost feels very much like the first book in a series rather than a standalone novel. It builds slowly for a good two thirds of its page count, then crams in a ton of stuff that could be pay off but that also feels like set up for next time. This book is kind of a mish mash of ideas, so it can be a little difficult to separate them all out.

Let’s start there though. This book is a mess of ideas that could be really cool but then don’t really go anywhere. There’s too many separate threats and concepts for the time spent on any of them. We get a lot about Frost’s feelings and several imaginary flashbacks to before everything fell apart, but not a ton of world building. For example, the Days of Bedlam are the in world name for whatever happened to lead to the current world. It involved robots. That’s about all I know about it from reading the book. Building on that could have been a great way to show more of the world and to explain some of the other stuff. The cannibalistic Eaters, the Broot, the rogue robots, even the climate being messed up all seems to stem from this one set of events. How? It’s mostly waved away as people going too far and it blowing up in their faces, but that’s not satisfying and ,again, leads to this feeling like the start of a series.

There’s also not a lot going on here in the character department. Frost is our ingénue main character innocent, naïve, and just out to save her pet but she doesn’t really seem to change or grow in the course of the book. She’s out in the world for the first time in her life, finds out all this life changing stuff, deals with some seriously messed up situations, but then at the end she’s not a more mature character or more aware. She’s still desperately searching for the same thing she was at the beginning of the book and with not a lot of change in the tone of it.

But she inspires hope in people who meet her, that’s got to count for something, right? Not so much. The side characters she inspires hope in, Flynn and Barrow, are initially written as being hardened by the world they live in and the tragedies of their pasts. Then in comes this random girl, who is super sure that if she can just reach this mythical place she’ll be able to save her pet. She’s so sure of this thing that they both think is impossible at best that they both start believing in hope again. Flynn this could work with if it was done better. He’s the same age as Frost and, despite his tragic back story, is given several moments where he’s shown to want something to believe in. His father, Barrow, not so much. Barrow’s arc feels like it was cut short, which is unfortunate, it was a pretty standard “guy wants to protect his kid even if it means doing questionable things” but it felt more grounded than any of the other character arcs.

A lot of my issues boil down to being issues about character work or world building. There’s a lot of potential to Frost, lots of interesting ideas. In a few instances there’s a quality pay off to an idea established earlier, but there isn’t enough of that for the book as it stands. The book is also very simple both in how it deals with its characters and how the reader is fed how characters feel, almost to the point of it just being straight up telling. In a more solidly written book that wouldn’t have been as much of a problem, but here it goes back to feeling like the author had so many ideas that he didn’t have time to develop any of them.

That’s kind of where I ultimately land on Frost. It’s way too underdeveloped, if Kozlowsky had taken any one of the ideas he introduced here and focused on it the book could have been fantastic. Most of the other issues I had could have been forgiven if the story had been tighter. As it stands though everything is too scattered and underdone so what could have been a solid three to four book winds up being a two out of five, not because it offends me but because it needed so much more work. I might give Kozlowsky’s writing another shot down the road, but it would need to be a book that I’d heard good things about.

Confession time. I know this is the full name for the movie, so I’m only assuming that it’s also the novelization’s proper title. If anyone knows, give me a heads up. Anyway. There’s a review to kick off my throwing so, so many words at the new Ghostbusters. Enjoy!

Ghostbusters Answer the Call cover

Dr. Erin Gilbert has moved past the strangeness of her childhood. She’s respected in her field, up for tenure at Columbia University, and then some guy shows up with a copy of the book she thought she’d buried. To protect her safe, normal life Erin’s going to have to confront her former friend Abby and her new co-worker Holtzmann. Confront them and then wind up working with them once she’s booted from Columbia and determined once again to prove the existence of ghosts to prove she isn’t lying or insane. Strange things are happening in New York and it’s going to be up to the Ghostbusters to get to the bottom of it.

Ghostbusters: Answer the Call, the 2016 movie, was one of my favorite recent movies. It isn’t a perfect movie by any means but it’s solidly entertaining and a lot of fun. This isn’t a review of the movie though, this is about the novelization by Nancy Holder. This bit is mostly here to point out that I’m not really reviewing the story here, I like the story it gets a four out of five from me. This is mostly going to be me talking about the writing itself.

One of the big differences here is that the novelization has a set main narrator where the movie is more of a group thing. Erin Gilbert is the decided lead of the novelization, she’s the one we’re following and it’s her head we’re stuck in for the bulk of the story. That’s both a positive and a negative. Being in Erin’s head lets us dig a lot more into her character stuff it makes it very clear that she’s got anxiety and serious issues with needing validation from the most conventionally normal people possible. That’s fantastic and is both heavily supported by her back story as well as doing a fantastic job informing her actions in the story proper. The flip side to being in Erin’s head is that she’s not an incredibly likeable character here, she’s judgy and picky and can be just generally unpleasant. I do feel like a lot of that comes from the  writing itself. Erin’s thoughts have this weird stilted diction to them that would have been great if she was one of several leads, it is really notable and feels fairly technical in a lot of places. Unfortunately it can put me in mind of “not like other girls” YA protagonists.

That’s actually kind of a thing with the writing throughout the book, it can feel very like a bad young adult novel when it’s at its worst. There’s a couple scenes that do nothing for the book where Erin talks to other, basically one off, female characters and they feel very like something that would pop up in bad YA. These one off characters exist to mock Erin, and to a lesser degree the other Ghostbusters, which serves to reinforce her not fitting in but the scene doesn’t really work because they have no bearing on anything. Another bad YA moment is when Kevin is introduced and Erin’s brain literally stops working for a paragraph or so. Points for her losing interest as she realizes how incredibly dumb Kevin is.

I feel like I’m being unfair to the main character here. I sort of am. These moments are pretty spaced out and the unlikablilty would probably not be nearly as much a thing for me if I hadn’t seen the movie first. What’s it like when other characters get the spot light? There were some bits before Patty joins the party and towards the end with the other Ghostbusters as the point of view characters. I would have loved to see more of that. We also have several short bits throughout with Rowan, the antagonist. Those have a lot of the same bad YA feel, but they work a lot better for me because Rowan is a character that I’ve known people who were like that. He thinks he’s much better than anyone else, that his station in life is an unfairness inflicted upon him by the innumerable fools he must constantly suffer. That whole feel ties in really well to his driving thing being, essentially, revenge against the world as a whole. Rowan is stilted and full of himself in ways that can often throw a fantastic dark mirror to Erin. I adore that. The idea that, in another iteration of the story, their places could have been swapped interests me. Though, I do feel like more could have been done with him to solidify that and make him a bit less cartoony.

What this all boils down to is that, while Holder does some fantastic character work that I would have absolutely loved to have seen more of on more characters, the same character work can come across as more than a little juvenile. And that can be jarring. There’s a section that I actually read like five times featuring Holtzmann and Patty that was really good, it made me wish there was more of them in the book. It felt like a genuine moment for both of them and, after so much Erin angsting over her past mistakes, it felt really good to just have them getting to know each other. As with many things I’ve mentioned here, I would have really enjoyed more of that kind of moment during the quiet points of the plot.

So, I’ve already said at the beginning that I enjoyed the story. I’ve talked a lot about the writing itself being solid but cartoony or overly exaggerated, about it needing a little more. That’s kind of what decides it for me. Ultimately I would read Nancy Holder’s writing again whether another movie novelization or original fiction, but the need for just a little more in a lot of the character work leaves Ghostbusters: Answer the Call with a three out of five all told.

I’m late! Sorry all, long day yesterday, I didn’t get as much done on this as I wanted to then. I’m really excited for this review though. Back when I was dealing with my being at a low point I kept putting off reading this because I adore Seanan McGuire’s writing and I didn’t want to start it only to find that I wasn’t enjoying it, like every other book I was picking up at the time. That I’ve finally read it and enjoyed it as much as I expected if not more so is a great thing for me. So, thanks to the awesome folks at Tor, here’s Down Among the Sticks and Bones. Enjoy!

Down Among the Sticks and Bones cover

Jack and Jill, sorry, Jacqueline and Jillian, were their parents’ perfect children. Jacqueline was her mother’s daughter, soft and well mannered and always dressed like a fairy princess, a pretty decoration for the society ladies to coo over. Jillian was her father’s sporty tomboy, fearless and brave and almost as good as the son he’d wanted, at least he could talk peewee sports with the guys at work. They learned early that adults couldn’t be trusted. They learned early that what’s said isn’t always what is. But they never learned to lean on each other. When they find an impossible staircase in the room their grandmother abandoned years ago what they’ve learned won’t be enough for the world they find at the bottom or the choices they’ll have to make once they’re there.

Seanan McGuire’s Down Among the Sticks and Bones is a deeply interesting thing to me. It feels like it’s nearly all character study, which I love to pieces. It’s a story about choices and at the same time a story about being shaped by circumstance. It’s a story about expectations and how being forced into them can break someone without them realizing it, but also about how jumping to escape those expectations can hurt just as much. It’s a story about sisters, twins, split by expectations and choice and circumstance.

A big thing I like about Down Among the Sticks and Bones is the way things echo down from the beginning. Jacqueline is constantly told as a young child not to get dirty, to keep her dress clean, it’s part of her mother shaping her into the perfect society daughter. Once she’s on the other side of the door Jack has a phobia of getting dirty, even after years of working with Dr. Bleak as a mad scientist’s apprentice, it still effects her. Their dad does his best to shape Jillian into the ultimate tomboy, to make up for not having a son, but kids are cruel and the boys she was friends with as a kid abandon her as expectations tell them that girls are gross and not fun. She gets to see people calling her sister the pretty one without being allowed to be anything but the tomboyish one, the trouble maker with the same face as the prettiest girl in class. So she has no support structure on our side of the door and thus, once in the Moors, Jill clings to the adult authority figure who promises her comfort and pampering. She clings to him and idolizes him even as it’s revealed that he’s not concerned with her well being. Old resentments grow into a gulf of frustrations with consequences of their own.

I do feel like, ultimately, Jack pushes the story a lot more than Jill does. It tends to happen in stories with sibling protagonists that one gets more focus than the other. That said though, that feels more like a feature than a bug here. Jack chooses to go with Dr. Bleak, so Jill is left with the Master. Jack was tired of being just pretty and so jumped at the chance to learn, while Jill was tired of feeling like second pick and decided to be whatever the Master wanted to convince him she’d chosen him. That this also gave her a chance to be the pretty one is, if not significant to the initial choice, a fantastic bonus. Jack does more in story because she chose to be Dr. Bleak’s apprentice and so works with more people. Jill is the Master’s pampered daughter and so has little she has to do, which leaves her to soak in more of how fantastic it is to be the town ruler’s child and so above it all. It can leave Jill hard to care as much about, since we see her less versus seeing Jack grow.

Another thing I want to talk about real quick is the setting. The book takes place in this sort of fairy tale world, but it’s more gothic literature than the Disney stuff most of us have grown up with. The sun is seldom out from behind the clouds and night comes far too early. The mountains are full of wolves and what lurks beneath the ever stormy sea must be placated. The Moors are a dangerous place, something that the reader is reminded of regularly, but the danger is a fact of life. People plan for it and work around it. The Master is terrifying and dangerous, but so are the things behind his city’s walls. It’s dark, but not oppressive. It’s dangerous, but not paralysingly so. It’s really well written.

I don’t have a lot of wrap up here. I adored this book. I enjoyed the characters. The setting was great. Even the stuff that bothers me works in terms of the story itself, and I’m totally going to go find the one that came before this one. It gets a five out of five and if you can find it you should give Down Among the Sticks and Bones a read.

Hey all, check it out, I’m on time this week. Super impressive, I know. I have a review for you all. It was a little hard to write, because spoilers, and I’m not totally happy with parts of it but the whole isn’t half bad. Thanks to the nice folks from Harper this is The Book of Joan. Enjoy!

The Book of Joan cover

Ciel was meant to be a haven for the chosen few of humanity. An Eden away from an Earth wrecked by wars and over consumption. That ended almost as soon as it began, when the charismatic Jean de Men took full control. When the wars started back up because Earth didn’t want to, couldn’t, send the supplies Ciel demanded he lead ruthless attack after attack. The rebels had one hope, a girl with a glowing mark on her face and a song pulsing in her being, Joan. They never stood a chance. Earth fell, Joan was martyred, and only the faintest memory of her song remains. But there is power in songs and more in stories. Jean de Men’s rule is iron fisted, but rebellion is stirring again even among the withered denizens of Ciel. A story can light the fires of rebellion, and a song can shake the heavens, but not even Joan can know how either will end.

So, Lidia Yuknavitch’s The Book of Joan is a really weird book. It wants to be smart and literary and all that. It wants to explore what it means to be human and humanity’s relationship with the Earth. But it has a lot of spinning its wheels and drama on the way there. It also doesn’t mesh well with its blurb, which made writing the summary a little iffy.

Let’s just jump in on that. When I say this book wants to be literary but spins its wheels, I am mostly talking about the way words get used. Everyone is overly verbose, everyone uses five dollar words where something more common would serve just as well. Just as well or better, honestly, since everyone includes the foulmouthed child soldier. The use of SAT-esque vocabulary makes the whole reading experience feel clunky and obtuse, which of course makes for a really dull read.

I do feel like a lot of the big, look at how smart I am, words are part of the wanting to be literary thing. The Book of Joan wants to impress you with how literary and important and think-y it is, but then doesn’t have a solid line on what it wants to say and what it wants to make you think about. It is sound and fury signifying nothing, and that is unfortunate because there are some nifty ideas buried in the text. A side effect of that is that there winds up being a ton of sex and gender weirdness.

In the early parts of the book we are introduced to the idea that the people of Ciel have been warped by radiation. Their hair has fallen out, their skin is bleached, and their genitals are either sealed shut or shriveled. This leads our point of view character for the Ciel bits, Christine, to contemplate humanity and the loss thereof. Which means she talks a lot about sex and how that’s lost to the people of Ciel. This could have been something about a loss of connection in a better book but, given how The Book of Joan also keeps going over how withered and useless the remaining humans’ genitals are, it doesn’t land well enough to work on any level.

There’s also some gender based stuff that really rubbed me the wrong way, especially towards the end. Because spoilers, I’m not going to go super into it here. Basically though, the end winds up throwing in stuff about women being around to be mothers out of nowhere. It also really didn’t work, because there wasn’t anything to support it as part of the narrative. It also didn’t work for me personally because that’s just not a sentiment I can get behind. There was also an eleventh hour character reveal that pissed me off so badly I nearly threw the book.

There were some ideas I found interesting. The grafts, particularly the stories rather than the skin art, were a nifty idea that I’d have liked to see more about. The change from humans as we know them to the hairless withered version of the book, if that hadn’t happened in a laughably tiny timeframe, I would be super interested in. Ciel itself strikes me as a place very similar to Bioshock’s Rapture, with only the best of the best and the richest able to go there but then also having such a reliance on the world they left behind. That kind of stuff fascinates me and could have been the base for a really interesting story. But it wasn’t.

So, where does that leave me with this book? The Book of Joan is sci-fi that wants to be literature when it could have been fantastic genre fiction if only it felt comfortable being genre fiction. It wants to be big and important and smart and fails utterly on all counts. I do still think some of the ideas from this book could have been good, if they were handled by another author. I admit, my score for this is pretty heavily affected by the thing at the end. That took the book from a meh three to a one out of five.

I’m late again. Not going to lie, this one was hard to write. LArgely because a lot of my issues with the book stemmed from spoilery things that were hard to write around and I didn’t want to do a spoiler filled review. This one’s from NetGalley. Enjoy!

Moonbreaker cover

Eddie Drood, former head of the Drood family and very secret agent, is a dead man. He was attacked and poisoned by Dr. DOA and cannot last much longer. To prevent anyone else getting hurt Eddie and Molly Metcalf, former magical terrorist turned ally and love interest, are going to do whatever it takes to stop Dr. DOA. If that means dealing with the Unforgiven God, fighting the Drood family’s past mistakes, or even going to the moon to prevent a world ending weapon from being used, well that’s just business as usual.

Moonbreaker is another book that is far into its series, leading to me having a number of issues with both the characters and story. That makes me worry a little about being fair to the story, especially given that I can’t help comparing it to books from Simon R. Green’s Nightside series which is set in the same world.

The characters, particularly Eddie himself, were a fair part of my issue here. Imagine that James Bond knew that he was kind of awful and was perfectly happy to explain that to his companion and, by extension, the reader. Also MI6 has not only hunted Bond in the past, but also has a habit of hording all the dangerous things and people they’ve managed to capture. Just in case. That’s the Eddie and the rest of the Drood family. For a first time series reader this makes Molly the reader’s view into the Drood family’s whole deal, and her horror with some of the things the family does just sort of gets brushed aside. It’s what and how they do things and it’s always been that way. That annoys me. I’m good with protagonists that aren’t golden heroes who do no wrong and help everyone, those guys get boring, this isn’t that. The Droods feel so married to the grey area that I just couldn’t get invested in them or Eddie.

My other problems is that the plot feels almost fractured. There are several conflicts that crop up that have little to do with stopping Dr. DOA or could have done better as the main conflict of another story. There are enough of those that by the time we get to the climax of the story there just isn’t any tension. Eddie’s presented as pretty boringly unstoppable for most of the book’s run due to his Drood armor, only being weakened by the poison in any meaningful way in the last quarter or so of the book, which doesn’t help with all the little conflicts feeling unimportant. Then the book was over and I could only be disappointed.

Molly was pretty awesome though. I kind of want to read a series about her. What didn’t work with Eddie being so, so over powered because of his armor, sort of worked in Molly’s favor. She’s also supposed to be super powerful but, because all the Droods have this ridiculous armor, she stands out more for holding her own despite being so much weaker by comparison. She’s also the one who wants to look for an antidote or something instead of just letting Eddie have his death. Trying to find a cure would have actually worked better for me as the B conflict that a lot of the other stuff and it could have hit a lot of the same beats the book did anyway.

Where does that leave Moonbreaker? Despite my best efforts, I know that my enjoyment of the older Nightside books leaves me more disappointed in this one than I would otherwise be. That’s not really fair to this book as a standalone and, again, it being later in the series doesn’t help things. I feel like there were a lot of good ideas here that wound up being used as padding instead of explored as well as they could have been. But it is rushed and disjointed, so it gets a two out of five. I would read Simon R. Green again, just not this series.

Mormama

Hey all, I’ve got a review for you today. It’s a little late, just due to general life stuff, but still up on Wednesday. So I’m happy with that. Thanks to the nice folks at Tor, this is Mormama. Enjoy!

Mormama cover

Sometimes the past doesn’t like to let go. The Ellis house has been standing for three generations, a rotting shrine to fabulous wealth and festering greed.  The house keeps its own, drawing them back when they try to escape. Lane escaped once, until her husband walked out on her and her son. She had to go back to the house that nearly devoured her as a child. Memory less, Dell can only hope that the card in his pocket will take him home to the Ellis house and a family that could be his. Theo, Theo wants out, away from the elderly Aunts who haunt the house like a trio of ghosts, away from his mom being stuck unable to care for either of them, and away from the thing that whispers to him at night. Away from the Mormama who tells him about the house’s tragedies and the darkness that presses in on its residents. Sometimes the past doesn’t like to let go. Sometimes it refuses to.

Southern gothic isn’t a genre I’ve done much with before. Based on Kit Reed’s Mormama, it’s not quite horror, and it’s not quite genre literature, but somewhere between the two. There’s a lot of almost character versus atmosphere going on and, more than that, a character versus past thing. I really dug both of those aspects. The downside to how atmospheric and into how trapped the characters feel by their situations is that the book can be very easy to put down.

So, what do I mean by that? Part of the atmosphere for the book was this sort of floating hopelessness. It seeped into little corners of the characters lives and pulled them more tightly to the house. Lane wants out as soon as possible, but she can’t find a job to allow that. Dell wants his past back, wants to know where he came from, but he’s so desperate for it to be this one version of him that he can’t accept anything else. He also can’t bring himself to use the one source he has that might tell him everything. Even the Aunts are trapped in their past and the bitterness they have over merely being caretakers of the house rather than the belles they had been in their youth. It’s both something that slows down the book and cuts its readability and also, ultimately, really cool.

That’s kind of my feeling on a lot of the book ultimately. It’s a slow read with a lot of bits that don’t feel super important to the story but that absolutely build the characters and atmosphere. Which makes for an interesting read. I do feel like some of the supernatural bits could have been tied in better, but that’s a little thing for the most part. The fairly slow pace over can make the ending feel a little too fast, but that’s not a huge deal, that little too fast can also make it feel cataclysmic. It’s a scale thing I guess. I actually don’t have a ton to say about this one so on to the score I guess?

Like I said earlier, southern gothic isn’t a genre that I have a ton of experience with. That’s part of why I don’t have a ton to say about it. There’s also a lot of almost fiddly bits that would probably count as spoilers, so I’m not talking a ton about those. That said, I did quite enjoy this book. While it can get slow at points that works for the overall feel of it. I’m giving Mormama a four out of five and would read Kit Reed again.