Category: mystery


Hey all, sorry for going radio silent again. Odd week. It’s Friday the 13th and I figured what better time to treat you all to an excerpt from a book that, as I hear it, does some really cool stuff with werewolves. The author, Dan O’Brien is re-releasing his entire bibliography, so if you’re interested this could be an awesome time to check him out. Either way, enjoy!

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Synopsis: A predator stalks a cold northern Minnesotan town. There is talk of wolves walking on two legs and attacking people in the deep woods. Lauren Westlake, resourceful and determined FBI agent, has found a connection between the strange murders in the north and a case file almost a hundred years old. Traveling to the cold north, she begins an investigation that spirals deep into the darkness of mythology and nightmares. Filled with creatures of the night and an ancient romance, the revelation of who hunts beneath the moon is more grisly than anyone could imagine.

An excerpt from Bitten:

THE CREATURE crashed into the sides of its space. Tearing broken, rusted objects from the shelves, it threw them to the ground in angry fits of rage. Tears streamed down its face and the guttural whimper that echoed in the oversized shed was the only shred of humanity that remained.

With each mashed piece of its life, it plunged deeper into madness; closer to the monster it was slowly becoming. The light of the day had all but faded. Reaching out and grasping a light bulb that hung dimly at the center of the shed, it crushed it, allowing the shards to rip apart its hands.

Blood dripped on the work table and the partial husk of Wayne Joyce’s mutilated face. It had stretched out the flesh, drying it and coating it with deer oil. Its cries were crocodile tears; there was no emotion left except rage, hatred. Remorse and guilt long since disappearing into the abyss that was its mind.

The winds howled.

It responded.

Black thread, spooled with a sharp needle, sat beside the human mask. It reached down with one of its mangled hands, lifting the needle and then the flesh. Pressing against its skin, it drove the needle into its own face, drawing blood and an angry snarl. Each time through, there was a growl and a pool of blood. The task was complete: the flesh attached to the monster.

Little folds lifted from its face. The wind whipped against them, drawing its attention. Reaching out to a staple gun, it pressed it against its face. The creature drove thick steel staples into its face, flattening out the macabre mask.

The table was a massacre.

Leftover pieces of the trophies it took were lifeless artifacts of its ascension to death-bringer. Reaching out for the long claw of torture it wore as a glove, the creature groaned. Language was lost. More and more, it felt like an animal, a creature meant to destroy everything.

The rage built like steam. It coursed through its veins, polluting every aspect of humanity that remained. The moon would rise soon––full and omniscient. That would be the moment of its ascension.

It would be its masterpiece.

 

If you love supernatural fiction, a good mystery, and a fun story, then you’ll want to give Bitten a look. Releasing in July as well is the follow-up novella, Drained. The third novella in the series, Frighten, will be released in early 2019.

What readers are saying about Bitten

“Bitten is an extremely well-balanced and engaging novel. It contains mystery, suspense, horror, romance, and best of all – a creative, genre-bending twist on werewolf mythology. The story is quick-paced and dark without being too heavy or overdramatic. The protagonist is a strong and courageous FBI agent who is able to assert herself without casting aside her femininity. She reminds me of Sue Grafton’s Kinsey Millhone and Janet Evanovich’s Stephanie Plum…. If a sequel follows, I will definitely read it.”

“Author Dan O’Brien left his mark with Bitten. I’ve now read three books by O’Brien, but BITTEN is by far my favorite. It not only showcases his literary skills, but leaves the reader wanting more. What else could an avid reader ask for?”

Get it today on Kindle!

Dan OBrein author picture

Dan O’Brien has over 50 publications to his name––including the bestselling Bitten, which was featured on Conversations Book Club’s Top 100 novels of 2012. Before starting Amalgam Consulting, he was the senior editor and marketing director for an international magazine. You can learn more about his literary and publishing consulting business by visiting his website at: www.amalgamconsulting.com. Follow him on Twitter at @AuthorDanOBrien.

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I’m going to get back to schedule at some point. It might be the point where I’ve caught up with my to read list, but someday it’s going to happen. This one was a wish granted by netGalley. Here’s Jeff Noon’s The Body Library. Enjoy!

The Body Library cover

In a city where everything is stories and stories are everything, what happens when the plot shifts a little? When an infection of ideas has the potential to overturn the balance of fictional how strange can a murder case be? How strange can anything be when words flow just under the skin? It a city where stories are everything and everything is stories, what do a dead man’s whispers mean? Once upon a time a man called Nyquist followed a job right into trouble.

The Body Library is, in more ways than anything else, a story about stories. Yes, it’s still a detective story and there is still a case to be solved, but neither of those feel like the core of the book. I’m not sure that Jeff Noon meant for the mystery bits  to be as overshadowed by the story about a story bits, I haven’t read the previous Nyquist novel so this may just be part of his writing style. The nature of the book also makes it somewhat hard to dig into without spoiling it, so this one might be a little thin on details.

A big part of the story here is focused in on Melville 5, an abandoned apartment building and home to all manner of strange folk. More importantly, it’s something of a flux zone where the strangeness of Storyville is eclipsed by something more, by pages with shifting words and trees with ink flowing through their leaves. This is fascinating to me, this sort of space where reality is kind of separated from itself, just slightly tilted.

There’s a lot of slightly tilted reality to go around here. Storyville itself is a town built on tales where each person’s individual story is quite important and monitored to ensure that it doesn’t interfere with anyone else’s story. There’s a great feel to it when Nyquist is going through the city chasing a lead, just being shown the various areas of this sprawling city of words. Different parts of the city are known for different kinds of stories which feels interesting and I would like to see more of it. The city is probably my favorite part of The Body Library.

The flipside to my enjoyment of the city is the characters. There’s a flatness to the characters, I’m not sure if it’s something of the writing style or if it’s something of Nyquist as a focus character but it felt off.  Tied up in all the story elements of the book, the characters can feel less like characters and more like character sketches. Things don’t ring right emotionally. This is especially noticeably when it comes to Zelda. Nyquist has this whole thing towards her, this significance for her that doesn’t really get built up in any satisfying way but that is a driving force throughout the run of the book. The thing is, of course, that it’s a driving force I have a hard time buying into and so it feels forced.

There were some definite issues with the flow of the story. It’s worse towards the end than early on, but I think that sort of ties into the characters issue. Things feel like they could have been set up more solidly. Ideas crop up here and there, but the frame work can feel like it’s missing in places. The connections aren’t there.

Ultimately, I think I like the background elements and workings of The Body Library more than I like the actual story. There is a lot there that’s already solid, that would have been really well done, if it had been better set up. Would I read Jeff Noon again? Probably. While I had issues with some parts of the book I quite enjoyed others and would like to see what the background work in his previous Nyquist book is like. Because of that, I’m giving the body library a three out of five with the note that it only loses out on a four because of the flow issues towards the end.

Devil’s Demise

So, this has been a time and a half coming, hasn’t it? I’m not planning on this being my review for the week, but I did want to get it up since I feel like I’ve been dragging my feet on it. I was sent a copy of this one by Authoright for review. This is Devil’s Demise. Enjoy!

Devils Demise cover

A killer stalks the streets of Edinburgh seeking a twisted revenge on beautiful women. Successful beautiful women. He gets off on their fear, on the power he has over them and the pain he can inflict. He’s untouchable. That is, he’s untouchable until one of his victims survives.

Lee Cockburn’s Devil’s Demise is a frustrating book for me. This is distinctly a first book, with all the pitfalls those tend to have, but it’s a first book that I had really wanted to like. There were a number of solid ideas here and I feel like the characters could have been interesting given more space to interact, but then the writing itself didn’t support them.

A lot of my issues with the writing come from the odd sort of third person omniscient thing going on. It is all tell and no show to the point that our introductions to the major characters are more or less just lists of traits and how other people react to them. After being told so much how evil and terrible the antagonist was, the serial killer who had committed multiple on page rapes, it started to feel more than a bit like Cockburn didn’t trust her audience to understand but that she also didn’t know how to get it across better. Likewise, being told how good and honest and hardworking the protagonist was without being shown much at all of her doing her job, I started to not believe it, she complains about her boss and worries about her maybe girlfriend a lot though. This continues throughout the book, we get told how bad the protagonist feels about failing to catch the killer or how she and her maybe girlfriend are just so into each other or how terrible and glory hogging the boss character is. It’s distracting and leaves me feeling very little for the characters except mild annoyance.

It’s also all very declarative. The characters don’t so much speak as they declare things at each other. When a situation is meant to have humor, it gets noted that that’s just the sort of gallows humor police all have.  This is, again, very repetitive. It ties into how everything is told to the reader while also making the characters feel less human because the way they communicate is just off.

The book also has a weirdly huge focus on all the sex these characters are having. It feels like if you cut out all the sex scenes the book would be a third its total length, half if you removed the consensual sex scenes. I’m probably exaggerating somewhat but this is a book that interrupted itself multiple times, completely breaking tension, to show characters having sex. The sex scenes themselves wound up feeling repetitive and emotionless and half the time I had trouble figuring out just what characters were doing. Though, again, that feeds into the book being so reliant on telling the reader everything. If the action isn’t being shown, then it is going to feel stilted.

That’s really as far as I can get into the writing without going into spoiler territory. As I’ve said before, this was a book I really wanted to like. The concept of a serial killer driven to punish successful women by his own feelings of not being given the respect he deserves is an interesting one for me. Mission driven serial killers are terrifying. I liked the idea of one of his victims surviving and becoming the focus of his hunt, because a single victim could give the reader more time to get to know them and identify. We did get a fair amount of time with the victim, but we spent a lot more with the killer and that just felt weird for me. I feel like stepping back from the killer, leaving him more in the shadows and more a mystery would have been a benefit to the book. I really didn’t want to know how hard he got every time he thought about hurting women.

Ultimately, I’m left disappointed by Devil’s Demise. It’s a book I wanted to like and it had a number of ideas that could have been good. Unfortunately, the writing and the repetition of descriptions and opinions wrecked it for me. I feel like Cockburn could be a solid writer with more practice and the benefit of a second pass with an editor. I wouldn’t read the next book in this series, but might try out one after she has had more practice. Devil’s Demise gets a two out of five from me.

Hey all, I’m taking part in Authoright’s Spring Reading Week this year. I’m lucky enough to get to both host the guest post here and to do a review of the first novel in this series, Devil’s Demise. That’ll be up later today. For now though here’s the author, Lee Cockburn. Enjoy!

Character development between books.

At the beginning I carefully chose the two main characters to feature in the novel Devil‘s Demise, they are Taylor Nicks and Marcus Black, I chose names that I like, ones I thought were pretty cool, names I would like for myself if I could choose, male or female.

I then thought about what they would be like, as people, their good points and their bad, Taylor striking to look at, intelligent, committed to work, but very flighty in her private life, unintentionally hurting others as she fails to commit to them, the explanation for this will come in the third book which will hopefully be out this year.  Marcus is a very handsome, kind, caring individual, clean cut, faithful, hard working, and loyal, everything a man could be, committed to his wife and son, and works very hard to provide for them, he’s intelligent and enjoys his work, and the team he works within.

These two main characters are featured heavily through all three novels, the books cover their working relationships and their private lives, the emotional turmoil of the harrowing incidents they deal with week in and week out.  The second book Porcelain Flesh of Innocents covers one of the most terrifying situations a parent will ever face, DC Marcus Black’s son is snatched from just outside their home, only being left for a moment.  The rollercoaster of fear and terror, their heartaches as the team work to try and get him back before it is too late.  Both novels delve deeply into their personal lives, as other characters dip in and out of the storyline and add to the ups and downs the main characters are involved in.

I like the freedom of writing you can and add and takeaway characters as and when required, new love interests for Taylor, their emotional problems, their personalities, their draw towards the main characters, especially Taylor, she tends to lure people into her life and then shuts the door as they get too close, when she deeply wants to change, to be different, but hasn’t managed, yet.

Taylor and Marcus are good friends as well as colleagues and share a relationship that many would crave to have, they are able to tell the truth to one an other, whether it will be liked or not, they have each others backs and are fiercely loyal to one another, and share a mutual respect, but don’t always see eye to eye, as their private lives differ greatly in the spectrum of life.

The main storyline will always change, along with the villain, so to speak, other characters will come and go, and others will feature throughout all three books, their part to play always simmering just below the surface, their presence almost as important as the main characters, with the depth of the parts they play, so the reader will also wonder about what will happen to them too.

I don’t know if I’ve really explained how all the characters roles develop, it just happens, when you are writing the story moves in varying directions and the characters just fold into the mix and their importance in the grand scheme of things, is just like a piece in a jigsaw, it can’t be completed without every little bit, some a piece of sky, the same as many others and non descript and the others a face, or special feature, but all required to complete the task.

Hopefully if and when the reader finishes the novels, they will be satisfied the way the story has kept the characters parts running, explaining what is going on in their lives and leaving them wanting the characters to do the right thing and wanting things to work out for them, and of course, wanting more.

 

Devils Demise cover

Devil’s Demise

A cruel and sinister killer is targeting Edinburgh’s most powerful women, his twisted sense of superiority driving him to satisfy his depraved sexual appetite. He revels in the pain and suffering he inflicts on his unsuspecting victims but a twist of fate and an overwhelming will to survive by one victim ruins his plans for a reign of terror. His tormented prey will need all her courage if she is to survive the hunt.

Purchase from Amazon UK: https://www.amazon.co.uk/Devils-Demise-Lee-Cockburn-ebook/dp/B00OKQB900/ref=sr_1_2?s=digital-text&ie=UTF8&qid=1509620984&sr=1-2&keywords=lee+cockburn

Lee Cockburn Photo

About Lee Cockburn

Lee Cockburn has worked for Police Scotland for sixteen years including as a police sergeant in Edinburgh for seven years and also as a public order officer. Before joining the force, she played for Scotland Women’s rugby team for fifteen years, earning over eighty caps for the Scottish ladies and British Lionesses teams. She also swam competitively for twelve years, successfully representing Edinburgh at the age of fifteen in the youth Olympics in Denmark in 1984. Lee lives in Edinburgh with her civil partner Emily and their two young sons Jamie and Harry. Her first book Devil’s Demise was published by Clink Street Publishing November 2014.

Follow Lee Cockburn on Twitter: https://twitter.com/lee_leecockburn

This one is for kind of an older book. I’d actually originally stumbled across this back when I worked at the bookstore. I was hoping to find stuff featuring Batwoman and then here was this. It popped up on my BookBub suggestions not too long ago and I finally had a chance to give it a read. So here’s Alexis Hall’s Iron and Velvet. Enjoy!

Iron and Velvet cover

Private Investigator Kate Kane should know better than to take a job from a vampire, much less a vampire prince. She should know, but bills need paying and jobs are a little thing since her partner died. She’s got a dead werewolf outside a vampire’s nightclub, some kind of horrific ooze, and not a lot of clues to go on. Stepping wrong on this case could lead to a war or, worse, her dead but at least she’s got scotch.

I am mostly happy with Alexis Hall’s Iron and Velvet. The main character is by turns enjoyable and frustrating with an implied back story that I really want to find out more about. The back story elements made for awesome character building without devolving into an angst fest. The parts that did get angsty felt tone appropriate and were generally balanced out with a thread of humor.

There were a couple of rough spots early on, with the cast being introduced, where the writing went off the rails a bit. The initial descriptions for our hedonist vampire prince and lingerie model alpha werewolf got kind of male gaze-y and uncomfortable. That said, the resident incubus got similar treatment and this did improve later on. I did find myself much more into the book after the introductions were past and I got into the meat of the story.

The mystery itself unwinds slowly with a couple of false starts and room to get to know the major players while still holding enough back that it’s still a solid mystery. There’s build to a solution but then there’s more. Kate finds herself trying to solve the problem without making any more problems or setting off a supernatural war. Things get a little fiddly there and while I liked the issues it brought up I feel like more could have been done with it. I would probably say that regardless though, I have a tendency of wanting more out of tense situations where the protagonist is out of their league.

That actually leads me to a big positive I had with this book. Kate was noteably out of her depth at various points and, instead of hard headedly going for it anyway, went for help. She had contacts from her previous P.I. work that she could ask for details and she goes to them when she realizes she needs help. It was super refreshing and I would really like to see more of that.

So, that’s kind of where I’m left with this one. There was some stuff I was iffy on at the start, but then the book rolls on and got really fun. There’s a ton of implied back story that I’m really interested in, possibly more so because it isn’t just spelled out for me. Iron and Velvet gets a four out of five from me. I’m definitely going to go find the second one in the future.

Guest Post: Pete Likins

Hey all, not a ton to say here. I’ve been meaning to host another guest post and was lucky enough to be approached with the opportunity for this one. Enjoy!

After a long and fulfilling career in such serious jobs as spacecraft engineer, college professor, and university president, I found pure joy in writing the whimsical murder mystery ACADEMIC AFFAIRS:  A Poisoned Apple.

I had published other books previously:  three engineering textbooks, a family memoir and a literary novel, each book a satisfying achievement that required real intellectual labor, but ACADEMIC AFFAIRS was just fun to write.  I’m told that it’s also fun to read!

Most of the plot twists and many of the characters in ACADEMIC AFFAIRS came to me in my swimming pool.  If I didn’t let my mind pursue such fantasies, my morning hour in the pool would be mindless exercise.

In sharp contrast, every other publication began as a serious effort, each uniquely motivated.  Every book began as something else and somehow a real book emerged.

Although every book is a different experience for me, I have always enjoyed the act of writing.  Probably the underlying pleasure is reading, which has enriched my life since childhood. In the sixth grade I was taken under the wing of the school librarian, to whom I dedicated my first novel.  She guided me through the classics before high school brought sports and the girl I married sixty-two years ago.

As my academic interests turned to science and engineering my reading narrowed accordingly, as did my writing when Stanford and MIT led me to faculty life at UCLA, where teaching projects led to an undergraduate textbook, two advanced treatises on spacecraft dynamics and fifty technical papers.  As my faculty life evolved into roles as dean, provost and (twice) university president I simply had no time to luxuriate in the pleasures of creative writing.  My family memoir and two novels were written only after my retirement at age seventy.

The memoir began as a love letter to my wife of then fifty years, a journal of some fifty pages.  Only after the Obama election did we decide that our six adopted children, black, white and brown, had a story for the world to hear.  We called it A NEW AMERICAN FAMILY:  A Love Story.   The response was gratifying, as reflected in fifty opportunities to talk to interested assemblies or television audiences about the changes in American society that are so visible in our family.

In my mid-seventies, I began to wonder if, as an old spacecraft engineer, professor and academic administrator, I had the creative capacity required to write a serious novel.  I wanted to challenge myself in my retirement to do something different and difficult, with no assurance of success.  I worked hard to write COYOTE SPEAKS:  Cross Country Run, a novel that brought me great personal satisfaction.  I felt that I had done my best and would never write another novel.

Then, with no serious intentions, I found myself playing with characters and stories during my morning swim, as I confessed above.  I had no plans to write another novel, but this was just too much fun to stop.  I couldn’t resist the birth of ACADEMIC AFFAIRS:  A Poisoned Apple.

Academic_Affairs_Cover

Author Bio:

Perhaps an unlikely author of a whimsical murder mystery novel, Peter Likins is President Emeritus of the University of Arizona, former president of Lehigh University and, while at Columbia University, first dean of engineering and then provost or executive vice president for academic affairs (a title that led to the title of his most recent novel!) Now happily retired in Tucson, Arizona with his best friend and wife of more than sixty years, he has free time to write as his heart desires.

Peter Likins - Author photo

One Was Lost

So, this turned out better than I’d hoped. This was one I’d picked up because it sounded interesting and a co-worker had mentioned enjoying it. I figured, “thriller, cool” and ran with it. So this is One Was Lost by Natalie D. Richards. Enjoy!

One Was Lost cover

Sera’s school requires its students to complete a Senior Life Experience Mission before they graduate. A big field trip that takes them some place new and away from their comfort zones. No problem, it’s a camping trip in the rain. Until it isn’t. Sera finds herself trapped with three other students and their very drugged teacher, a killer stalking the woods after them, and mysterious words lovingly written on their arms. The words are clues, maybe, maybe keys to their escape or a judgment. They’ll have to figure out what it all means if they want to survive.

Natalie D. Richards’ One Was Lost is a solid thriller in many ways. In many ways it also falls into standard teen novel pitfalls that damage the flow of the story. This leaves the book in a strange place writing wise, which is interesting for me. It has fantastic bones and a lot of ideas that I would love to see more of, but then tends to side track away from those ideas where it counts.

The biggest pull for a thriller is the characters. Who are they? How does the situation affect them and how they view each other? So, character is important. There is a fair amount of good character work here. Unfortunately that character work gets overshadowed by the romance fairly often. I got really tired of Sera’s whole circular deal with how attracted she is to Lucas and how she doesn’t want to become her mother. It took up a lot of page space compared to Emily and Jude, the other half of the group being hunted.

I wanted to see so much more of Emily and Jude. To find out more about what made them Damaged and Deceptive respectively, and see how they started working better with our lead pair. I feel like that and the killer threat should have been the core of the story. Here are these kids, they’ve each been labeled by the killer in the woods, why? What’s the game here? How is the killer making this work, leading them through the woods and sneaking around so much? More build on any or all of those would have been great and done a lot for the plot.

Because the plot is sort of scattered, the killer seems to both have a specific timeline for their plot and is totally willing to just let the kids do whatever. It almost feels a bit like a Joker plot, everything the kids do plays into the killer’s plans somehow, but there shouldn’t have been a way for everything to work without the killer getting caught. This leads to a point where the red herring makes a lot more sense throughout the book than the actual killer. And that feels like a missed mark in the writing, where I feel like removing the red herring and letting the killer be this dangerous unknown could have been fantastic, especially if we had gotten more about some of the scary stories told on one of the earlier nights. Have more work put into the foreshadowing for the big reveal.

That’s where I land with a lot of One Was Lost, more work would have made the book so much better. It has good bones, solid ideas, and the potential for good characters. Then there are also points where it seems determined not to live up to any of its potential, the romance is an example of this. It’s frustrating like that. I did like the book and I would read more of Richards’ stuff in the future, but I would probably see what other people said first. I’m giving One Was Lost a three out of five.

Head Games

I’m cutting it a little close to the wire here. I’d driven to visit my folks and spent a fair amount of time on the road today. It was fun and my car is once again fully functional, plus I got to see their new kitten. So, a win all around. This book is a bit of an odd one for me, it’s not my usual genre at all, but it was worth giving a shot. Thanks to the nice folks at First Second, this is Head Games. Enjoy!

Head Games cover

Novelist Hector Lassiter thought his adventure days were behind him. At least, he thought that until an old acquaintance lures him into one last run. He’s found Pancho Villa’s skull and a buyer, he just needs someone to get it to them. Money in the bank, easy as easy can be. At least until others get wind of the skull. Feds, frat boys, and soldiers of fortune are on Hector’s tail and the only folks he can count on are himself, a poet, and a woman hard as nails and twice as beautiful.

So, the Head Games graphic novel is an adaptation of Craig McDonald’s debut novel of the same title. It’s content is more than a little bit of a surprise, given that I’m used to more kid friendly graphic novels from this publisher. That threw me for a bit of a loop. The book very much not my usual thing. The lead character is very much a man losing his place in the world and becoming more aware of it day by day. This might be his last big adventure and he knows it. He knows that the world is changing without him and that he can’t, or won’t, keep up.

That’s actually part of the problem with the book. The protagonist, Hector Lassiter, spends so much time looking back to his glory days early on in the story that, while I’m interested in those stories, I don’t really care what’s going on in the actual plot. The action is tied too much to Lassiter’s past and his adventures in his youth. That’s where most of the characters who are after the skull come from, they’re people he knew from his army days or folks who have been hired by those people. I would have liked for there to have been more characters who weren’t connected to him or, failing that, if the protagonist had been Bud, the poet side character. I could have also done without the second and third parts included, combined they’re about half the size of part one and they don’t really add much to the story proper.

This is the part where I admit that my problems with the book are probably more due to the nature of it being a graphic novel adaptation of a novel rather than an original comic. Some connective tissue and character details were probably cut to make it flow better. For what it is, the writing is pretty solid even as it’s not exactly my thing.

The art fits really well with the plot. It’s blocked out with a lot of heavy shadows and sparse color. The character design is also solid, the characters are distinct and the backgrounds are detailed without distracting from what’s going on.

At the end of the day, Head Games isn’t really my kind of story. There isn’t much of anything wrong with the writing, and very little that couldn’t be attributed to it being an adaptation. It’s a first book as well, so others in the series could easily have less of the looking backward. I would probably be willing to read one of them. So, given that, I give it a three out of five.

Mormama

Hey all, I’ve got a review for you today. It’s a little late, just due to general life stuff, but still up on Wednesday. So I’m happy with that. Thanks to the nice folks at Tor, this is Mormama. Enjoy!

Mormama cover

Sometimes the past doesn’t like to let go. The Ellis house has been standing for three generations, a rotting shrine to fabulous wealth and festering greed.  The house keeps its own, drawing them back when they try to escape. Lane escaped once, until her husband walked out on her and her son. She had to go back to the house that nearly devoured her as a child. Memory less, Dell can only hope that the card in his pocket will take him home to the Ellis house and a family that could be his. Theo, Theo wants out, away from the elderly Aunts who haunt the house like a trio of ghosts, away from his mom being stuck unable to care for either of them, and away from the thing that whispers to him at night. Away from the Mormama who tells him about the house’s tragedies and the darkness that presses in on its residents. Sometimes the past doesn’t like to let go. Sometimes it refuses to.

Southern gothic isn’t a genre I’ve done much with before. Based on Kit Reed’s Mormama, it’s not quite horror, and it’s not quite genre literature, but somewhere between the two. There’s a lot of almost character versus atmosphere going on and, more than that, a character versus past thing. I really dug both of those aspects. The downside to how atmospheric and into how trapped the characters feel by their situations is that the book can be very easy to put down.

So, what do I mean by that? Part of the atmosphere for the book was this sort of floating hopelessness. It seeped into little corners of the characters lives and pulled them more tightly to the house. Lane wants out as soon as possible, but she can’t find a job to allow that. Dell wants his past back, wants to know where he came from, but he’s so desperate for it to be this one version of him that he can’t accept anything else. He also can’t bring himself to use the one source he has that might tell him everything. Even the Aunts are trapped in their past and the bitterness they have over merely being caretakers of the house rather than the belles they had been in their youth. It’s both something that slows down the book and cuts its readability and also, ultimately, really cool.

That’s kind of my feeling on a lot of the book ultimately. It’s a slow read with a lot of bits that don’t feel super important to the story but that absolutely build the characters and atmosphere. Which makes for an interesting read. I do feel like some of the supernatural bits could have been tied in better, but that’s a little thing for the most part. The fairly slow pace over can make the ending feel a little too fast, but that’s not a huge deal, that little too fast can also make it feel cataclysmic. It’s a scale thing I guess. I actually don’t have a ton to say about this one so on to the score I guess?

Like I said earlier, southern gothic isn’t a genre that I have a ton of experience with. That’s part of why I don’t have a ton to say about it. There’s also a lot of almost fiddly bits that would probably count as spoilers, so I’m not talking a ton about those. That said, I did quite enjoy this book. While it can get slow at points that works for the overall feel of it. I’m giving Mormama a four out of five and would read Kit Reed again.

As promised, I’ve got a review for you all. This one comes from Bold Strokes Books via netGalley. Enjoy!

The Girl on the Edge of Summer cover

Micky Knight has taken on two cases, one to pay the bills and the other because she feels she has to. The first has a rich out of towner wanting her to solve a murder from a hundred years ago, research at the most. The other was brought to her by a grieving mother, looking for why her daughter killed herself. It doesn’t look like either case is going to have a happy ending, if she can find an ending at all. But secrets seldom keep and, as Mickey will find out, the lives of teens rarely simple.

The Girl on the Edge of Summer by J. M. Redmann is something of a cozy mystery, high on personal character drama and low on plot. The protagonist, Micky Knight, is mired in her feelings over her girlfriend leaving her and her friends all acting strange. The book doesn’t seem interested in the plot for the most part. None of this adds up to a particularly compelling read. I would also feel remiss in not mentioning that this is the ninth book in the series, and I do think that a lot of my issues with the book tie into that in one way or another.

A big part of jumping in on a later book in a series is that I’ve missed everything that came before this book. The entirety of Micky’s character development, the entirety of the relationship she’s mourning the loss of, I have none of that. So my first impression is of a character who is such a downer that it became a slog to get through the book at times. She just felt so sorry for herself and the book got mired in that. Plus, there was a lot of stuff that felt like early series character development stuff, stuff that’s important to shaping who Micky Knight is meant to be. But given the general downer vibe of the book and how often it was repeated, it just felt like Micky looking for more things to be sad about. She’s down on herself, on the women she meets online, on her friends, and even on the people who hired her. It gets tiring.

Was there anything in this book that I enjoyed? The parts where Micky actually does her job, particularly the parts with her doing research for the rich guy’s case, were pretty solid. The Micky Knight working in the library trying to find out what happened to this guy’s ancestor was almost a different character, one I’d be interested in reading more. She was invested in what she was doing and talking to people without the self pity from the rest of the book. I would have really liked to see more of this part. It might count as a mild spoiler but I also liked that, towards the end at least, Micky seemed to realize that she was being a downer and started trying to fix that. It’s not enough to save the book for me but I appreciate that it’s there.

So, wrap up time. I feel like I would have enjoyed this book a little bit more if I’d read the first eight books. Having not, the book is a slog with an unlikeable main character and a habit of not caring about its own story. This is one of the few books I’ve seriously considered just not finishing. Which is a shame, because when J. M. Redmann writes well she writes really well, unfortunately there wasn’t a lot of that in this one.  The Girl on the Edge of Summer gets a one out of five.