Category: horror


I am so late posting this. So late. Like, I was planning on having this up Wednesday and then work was so much more tiring than usual in the lead up to the store renovation.  This one is courtesy of the author, Michael Okon, this is Monsterland. Enjoy!

Monsterland cover

With zombies, werewolves, and vampires Monsterland promises to be the scariest place on Earth. It might also be the perfect place for Wyatt Baldwin and his friends to finally solve their debate about which is the best monster. Even better, they’ll get a chance to see it all on opening night, with full VIP invites after Wyatt shared a burger with the owner of the park, Vincent Konrad. A park full of monsters, what could possibly go wrong?

Monsterland by Michael Okon reads very much like a first book. There are a lot of good ideas and the frame work is solid but then there are bits that move too quickly. It has some interesting characters and others that don’t quite make it. So, some things work some don’t. That’s every book, and I should clarify, so let’s clarify.

The story for Monsterland is kind of ambitious. We’re started with the werewolves and shown that they didn’t join Monsterland on their own, then we get introduced to our protagonist and the world. It stars a pattern in the story, there’s a monster chapter and then a protagonist chapter. That works really well for me to a point. There’s a weird jump from the monsters as sort of victims of the part and planning to escape to the monsters as monster antagonists. That happens without a lot of build up and feels pretty disjointed. Something similar happens with Wyatt and his friends, they go from super excited about going to the park to thinking it was a bad idea and questioning if it was actually a good thing. Similarly again, we get Vincent jumping from being presented as a force for good to throwing out massive bad guy signals. I would have liked much more build up on all of these things. A slow burn and build and then reveal it. As it stands, while the end isn’t a twist or anything, it also isn’t super satisfying and could have benefited from just a touch more work.

The characters similarly could have benefited from more work. As it stands, they’re more or less sketches of characters rather than being fully realized. Wyatt is interested in zombies and Jade, the cute girl from school, he’s super about Victor Konrad’s plan to save the world with this theme park. His friend Melvin is super into werewolves and messes up his turns of phrase. The other friend is always addressed by his full name and is super smart, he’s afraid of the girl who’s into him. Then there’s background characters, I would have liked a fair deal more with them. It feels like Mr. Okom had a few ideas of what he wanted to work with characters wise, but wasn’t a hundred percent on how he wanted to implement them in the story proper.

I’ve said a fair amount about this needing a touch more work. Thing is, the book is average as it stands, but it has a lot of solid ideas. I liked the one friend’s love interest, Keisha, she had some really interesting moments and I would have really liked to see her do more. Vincent as the villain could have been really good if he was a little more subtle, he just gets a little too cartoony at the end for my taste. The monsters revolting could be built up a little more, show the vampires trying to get in contact with the werewolves. It would have been a fair number of little things, but it could have taken the book from average to good.

That’s pretty well where I’m left with Monsterland, it isn’t bad and it was enjoyable, but it is fairly average. I would read Michael Okon’s next book, and think he’s going to keep improving as a writer. That said, I’m giving Monsterland a three out of five.

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So, I’m behind on this whole Halloween thing. I’d blame work and all the other usual things, but it isn’t any of that. It’s this book, this one that I’m reviewing now. I nearly quit. But I kept going and I’m going to keep going.

The Essential World of Darkness cover

The truest enemy of the Garou is the Wyrm, corruption and pollution incarnate. Its spawn hunt the Garou and contaminate Gaia, bringing darkness and filth to the world. Once there were guardians to keep the Wyrm trapped on its side of the Gauntlet and away from the physical world. Once, but that was a long time ago. Now there’s little more than fragments left, the Great Wolf was shattered and one of its fangs lost, the other guarded by an orphaned werewolf who is little more than a child. If she can’t find the lost fang before the moon is full then the Wyrm and all its horrors will invade our world.

Owl Goingback’s Shaman Moon is the second book in The Essential World of Darkness. In a lot of ways I feel like there isn’t really a good way for me to review this one. This book and I started out on the wrong foot. The bulk of the first chapter covers the main character’s tragic back story in a California orphanage, and this section very nearly made me stop reading the book. We’re talking less than five pages in and I was considering quitting. Because of that, this is going to get kind of spoilery.

Let’s start with the bit that I nearly quit the book because of, because the beginning is always a good place to start. See, our character was found in a dumpster near her parents’ murdered bodies and never felt like she belonged in any of the foster homes she wound up in, so she ran away a lot. This wound her up in an orphanage of nightmares run by a woman the kids referred to as the “Iron Maiden”, a woman who only smiled when she was beating one of the girls under her care with a riding crop while calling them terrible names. This woman has a goon squad of older girls who beat the younger girls until they have broken bones and need hospitalization. They don’t get that though, because hospitals would ask questions, no the only medical treatment the girls at the orphanage get is from an elderly pedophile. It goes on and on. The main character makes one friend who, to avoid getting beaten by the goon squad for smoking stolen cigarettes, kisses her and flirts a tiny bit once. Because of this, best friend character is raped by the Iron Maiden and murdered.  Keep in mind, none of this echoes down into the plot itself, our heroine thinks back to the orphanage maybe twice and both times could have been replaced with almost anything.

In addition to the juvenile ideas of what constitutes dark, the writing in Shaman Moon is less than stellar. There are long bits of out of place exposition and clunky bits of environmental statistics. It leads me to wondering just who this was written for. A fan of the Werewolf: the Apocalypse game would already know a lot of the exposition while someone just looking for a werewolf story would get tired of it pretty quickly and look for another book. There’s big repeated bits that keep covering the same ideas, everything is the Wyrm, details about werewolves’ forms, non-werewolves are at best oblivious to the damage they’re doing the planet, this one type of werewolf is bad. It’s stuff that could have been worked in a lot better or glossed over and left to the reader to understand. Left as it is, it feels like Goingback needed to fill his hundred or so pages but only had forty pages of story.

The environmental stuff gets similarly tiresome, there’s only so much statistics I want to deal with in my fiction reading especially when it’s just shoved in there. Yes, pollution is an aspect of the Wyrm, the werewolves one true enemy, but that doesn’t mean that I need statistics about how it’s expected to affect nature in the coming years. It, again, feels like padding and breaks the flow of the story utterly.

I actually don’t have anything good to say about this one. There were ideas there that could have been solid, but they were covered up in padding and bad writing. At the end of the day and idea doesn’t mean much if nothing gets done with it. Shaman Moon gets a one out of five.

Ahhhhh, I got this thing read and reviewed in less than a day. I feel wired. So this is the first book in The Essential World of Darkness and seems to be one of the few to have received a print run prior to the omnibus. We’re starting Halloween off with vampires. Enjoy!

Vampire Diary The Embrace cover

Auston Jacobson is many things. A runaway, a pastor’s son, a bartender, but he’s no monster. Not even with the horrible dreams he’s been having lately. The hunting dreams that he remembers so clearly. The ones where he wakes up sweating and aching. He only started the diary because Danya, the cute girl who comes to the bar a lot, suggested it. It gives them something to talk about. But it’s scaring him more and more.

Vampire Diary: The Embrace was written by Robert Weinberg and Mark Rein-Hagen with art by Daniel Thron and Chris Elliott. This book was hard to read, literally difficult to make out what the words on the page said, hard to read. Vampire Diary: The Embrace is the story of a young man coming into his own and then losing it all to something far more dangerous than he could have imagined. The concept and story are both pretty simple and interesting in their own right. I like the idea of a diary style book from the view point of someone being stalked by a vampire, it’s interesting.

Interesting is really the only thing this book really has going for it. The story has a lot of potential, but the writing is really basic and can get super overblown. It gets so bad that it’s funny at points. The concept is solid and it is definitely the kind of thing I would keep in character for a Vampire game, but it doesn’t totally work here because of the protagonist. He’s too much, nothing is just a thing, everything is big and probably leads back to his dad and how bad his dad treated him. The parts with Danya were pretty solid though, mostly because those bits were love song overblown rather than teenage sad poetry overblown.

My big issue with this book is its presentation. The combination of art and text is reminiscent of the blurbs in the World of Darkness source books. It’s super messy though, with art overlaid with text and pages where the lay out breaks the flow and really should have been done better. More thought to how this would affect the reader’s ability to enjoy the story would have been fantastic. Though, part of the layout issues might be that I’m reading a later reprinting rather than the original printing of the book. There are pages here that hurt my eyes to try and decipher with the art and text laid over each other.

I feel like this book would have been a lot better if the art had been more separated from the text. The pages where art covered the text itself hurt my eyes to try and read, thought those pages were also some of the most overblown bits so they may have been meant to be skipped. I’m not entirely sure. I’ve said it a lot but, while there’s a lot of potential to this, the book isn’t good. I’m giving it a two out of five.

I am in fact posting this a couple days late. The comic shop didn’t get their delivery until yesterday and then my car died and I kind of couldn’t write because stress. But that’s all cleared up now and I’ve got words for you all. Not a ton, because I’m still getting used to writing about comics, but words. This is part one of What Dreams May Come. Enjoy!

Issue 1 What Dreams May Come pt 1. cover

The ladies have saved the world, been to another dimension, and now they’re finally back home and ready to get back down to business. Unfortunately, while out on a routine bust something comes home with them. Something hungry and dangerous.

I’ve been waiting for this comic for literal months. This is the comic that I got a pull list again for. Does it stand up to my excitement? Yes, yes it does. But that is hardly a review and I really want to talk about this comic. So, here’s Ghostbusters: Answer the Call issue one.

Monthly comic books have always been somewhat difficult for me to review. Given that, by nature, they tend to be short and light on story content. That’s one of the points that issue one does really well for me, Kelly Thompson’s writing does a really good job of both capturing the characters and playing them off each other, something that a new reader or someone who hadn’t seen the movie would need. She also does a fantastic job of setting up the story, giving us plenty of build for our antagonist and an awesome lead in to the rest of the “What Dreams May Come” arc.

The writing is bolstered by Corin Howell’s art, which is emotive and fits the characters really well. There’s also some seriously great atmospheric bits that are improved greatly by Valentina Pinto’s work on the colors. This is seriously one of my favorite comics in a long time for visuals.

This comic leaves me bouncing with excitement, seriously literally bouncing. If you’re a fan of the 2016 movie, you’re going to enjoy this. If you aren’t a fan but enjoy comics, it’s definitely worth checking out. I’m giving it a five out of five, let’s see what next month brings.

Early this week is kind of like late last week, right? I think that’s how that works anyway. I’ve got a review for you all thanks to the nice folks at First Second for sending me a review copy, it’s Spill Zone.

Spill Zone cover

Three years ago something happened in upstate New York. No one’s sure what it was or why it happened. It destroyed Addison’s hometown, leaving her alone to take care of her little sister. Armed only with a camera and her rules Addison dodges both the physics bending horrors within the Zone and the military blockade outside it. All for pictures. All to take care of her little sister.

Scott Westerfeld and Alex Puvilland’s Spill Zone fits pretty squarely in my wheelhouse as far as story concepts go. It isn’t quite fantasy or horror, more something between the two. The format is a bit iffy for me, this is the first volume of a graphic novel so it winds up being largely introduction to the world and characters. In a straight up novel that would be a massive deal breaker for me, it’s a little more forgivable here but does still hurt the story as it stands.

Let’s actually start with that. This is the first volume of Spill Zone rather than the full story all at once and I feel like there are two views that I could take on that. One is to look at it like one of the trade paperbacks of monthly comics, where I know I’m getting an arc and some connective tissue for the main story. That’s the more generous option. The second option is to look at it more like a book that builds to a sequel but has little substance on its own. In a lot of ways I lean towards the second one more. There’s a lot of interesting stuff introduced in Spill Zone volume one, and I do want to know more about what’s going on, but enough is introduced that nothing gets a real in depth going over. That’s where I run into problems with Spill Zone.

There’s a ton of interesting stuff that looks like it’s going to be expanded on in later volumes, but it isn’t expanded on enough in this volume for me to be super into it. Things like Addison’s little sister and her doll. Little sister doesn’t talk, except when she does, but she and the doll have what are apparently mental conversations. Sometimes Addison seems to hear them, sometimes she doesn’t. The doll, Vespertine, gains power from the Spill Zone and seems to rely on regular charges to maintain herself. I would love to see more of that and maybe the mysterious buyer for Addison’s art, Ms. Vandersloot, and have the other Spill Zone in North Korea and all the stuff related to that be introduced in a later volume. Because, as it stands, I feel like that was all just left hanging and could have been done better later.

So, that’s the story as it stands, what about the art? I like it. There’s this slightly sketchy quality to it that lends itself to the comic, especially its more surreal moments. I feel like the art did a lot of lifting to make up for the writing not being super. It’s emotive and atmospheric and, I feel, one of the best things about the book.

Which of course leaves the wrap up. I want to read more of Spill Zone but I’m also really disappointed at how little content it feels like this first volume has. So this is one that gets scored more on where I’m hoping it goes, and what looks like a lot of potential, than its own merits. I’m giving Spill Zone a three out of five.

So, house keeping post is coming up later in the week. I’ve been falling behind lately and want to address that. Switching over from that, I do have a review for you all today. Thanks to the folks at Tor, who provided me a review copy, here’s The Empty Ones. Enjoy!

The Empty Ones cover

You’ve seen them before. You’ve even seem the charming strangers with nothing behind their eyes. Carey’s been fighting them since the seventies. Kaitlyn just found out about them a couple weeks ago. To being hunted endlessly by the empty one that nearly killed them, they’ll have to track him down first. Meanwhile a blast from Carey’s past turns up and she doesn’t seem interested in helping save the day.

Robert Brockway’s The Empty Ones is a decent follow up to The Unnoticeables and a solid book in its own right. It’s definitely a middle book, though one that has the courtesy of tying up its own story before jumping for the next book.

It being a middle book is sort of where my big complaint comes from. With The Unnoticeables there was an awareness that there had to be more creepies than just what the protagonists were dealing with, but it was pretty well all small scale stuff. It was local, almost personal, to the protagonists so it felt huge and each thing they stumbled into built it up more and reinforced how out of their depths they were. This book doesn’t have that. It physically takes the protagonists out of their usual haunts and has them chasing the monsters. Having that makes the whole plot feel smaller, or less, even as the stakes are higher this time around.

Part of what makes this an issue is the difference between what the reader knows from the 2013 sections and what the reader learns from the 1978 sections of the book. In the first book, the split timelines worked really well because it allowed the reader to see something in action and then learn about it or vice versa. The parallels aren’t nearly as clean in The Empty Ones, so we get a lot of new information in the past that doesn’t really seem to inform the present or the previous book. It can feel  awkward even when it does land right, making scenes feel off kilter and characters feel not like themselves.

That’s a big part of what I meant when I said it’s solid in its own right but only a decent follow up. On its own, The Empty Ones has a lot of the same energy and punch as The Unnoticeables. The characters are still easy to care about. The monsters are still that extra spark of creepy. Even the new things that don’t totally work in context of the previous book are really cool if taken as part of a standalone novel. Reading it as a sequel though leads to comparisons and little rough spots throughout. The wonderful bittersweet ending to The Unnoticeables is suddenly fractured because we don’t have to wonder how Carey got from there to being nearly alone. Sammy Six’s story matters a whole lot less now because of new details. What’s lost is a lot of character stuff, and not necessarily little stuff at that.

On its own this is a really fun book. The antagonists are far stronger than the heroes, so the heroes have to be clever or just runaway. The characters feel very human or that perfect degree of just slightly wrong. The tone is by and large spot on. Emotive scenes hit the right chords, generally at the right times. And ultimately, while I like it better on its own than as a sequel, it makes me want to keep reading. I want to see where everything goes.

So, where does this leave The Empty Ones? As a standalone book it would be nearly a five out of five. The issue is that it follows a book that I would more than happily give a five to and, while it does well on its own, it doesn’t stack up to the book it follows. So that earns The Empty Ones a four out of five.

I’m back, and I never left. But this is still a bit late, more things coming up this week. Progress is slow fixing that. I’m a little worried, but it’s workable. Also, there’s a review! Enjoy all.

FNaF The Silver Eyes cover

Ten years ago several children disappeared from Freddy Fazbear’s Pizzeria. Their bodies were never found. The restaurant closed and it’s owner committed suicide, seemingly from his inability to deal with his guilt. On the anniversary of one of the children’s death Charlie and several of her friends return to her home town to attend a memorial in his honor. Nostalgia turns to terror when she and her friends find the old pizzeria buried in an abandoned shopping mall and decide to investigate. Sometimes the past should stay forgotten. Some things never die.

So, Scott Cawthon and Kira Breed-Wrisley’s Five Nights at Freddy’s: The Silver Eyes is a bit of an interesting thing just as a concept. It’s a video game tie in novel, that isn’t canon to the games it ties into while still relying pretty heavily on the reader being familiar with the source material. The first part of that doesn’t hurt it for me, the second bit does though. In a lot of ways it’s like a cheesy horror movie in book form.

This isn’t a book that’s heavy on plot or character development, both things that I think really should have been worked on more. The plot is mostly an excuse to get our characters into the old Freddy Fazbear’s and is kind of a regurgitation of the third game’s story components. It doesn’t really do much to go into the murders themselves or the animatronics being haunted, that’s where I feel the meat of the story would have and should have been. Give me the characters having their nostalgia time and then trying to figure things out while dodging haunted robots. They could have also tightened up the ending to tie it in better.

That brings up the characters. Remember that comparison to a horror movie? That comes in big time with the cast. We get a lot of characters here, but only Charlie really matters for the vast bulk of the book. That leads to none of the cast getting a ton of development, which works in a movie with a dwindling cast but not so much here. It also leads to a couple of moments that feel out of nowhere because the characters involved weren’t acting like themselves, if the book had gone more into the supernatural stuff and used that as an explanation it could have worked, as it stands it really doesn’t.

That said, and bringing up that I read it because the games interest me, I did have fun reading this book. Part of that is that while the characters don’t work when it’s all of them together, because they kind of run together, the smaller scenes with just one or two characters really work at times. I enjoyed Charlie going back to her childhood home and seeing how things hadn’t changed in the house itself. That bit had really good character work and built tension well. The characters’ excitement over maybe seeing the old pizzeria again was great and could have worked into the horror really well.

So, where does this all leave Five Nights at Freddy’s: The Silver Eyes? While I had fun reading it, the book could have done a lot more with its material and its characters. Could have, but didn’t, and that’s really my big problem with it. I’d have liked to have seen a smaller, more developed cast and for the plot to show up faster and more coherently. For all that, I’m still giving it a three out of five. It could have done a lot more, but I still enjoyed it.

The Sitter

Hey, guess who’s reviewing a fourteen year old book! This gal! So, yeah, there might be some spoilers here. I tried to avoid them, but this was surprisingly hard to talk about without getting into what, specifically, made my reactions happen. I got really hung up on one thing, guess what it was. That’s pretty well it though. I’ll have another post up probably tomorrow or Friday. For now, enjoy!

the-sitter-cover

Ellie Saks is at the end of her lease, the end of her temp job, and the end of her patience with her mother and her ex-boyfriend turned stalker Clay. So, she jumps at the opportunity to leave the city behind for a trip to the Hamptons for a summer of fun away from it all. A stroke of luck even lands her a babysitting job and place to stay. That luck turns sour though when someone starts sending her threatening notes and disturbing gifts. With a disturbed child to care for, a stalker on the loose, and a ghost story unfolding with her in the middle of it can Ellie figure out what’s going on or even survive her summer as the sitter?

Not going to lie, I didn’t enjoy The Sitter. This is one of those books that feels so, so like a lot of the books I have tremendous nostalgia for but with all the nostalgia stripped away and a painful attempt at retargeting its readership. See, R. L. Stine does a great job with teen horror, particularly cheesy teen horror. His books can be very formula and very like a B horror movie, but they tend to be fun and quick and you know what you’re getting in to when you pick one up. That’s sort of the case here and with a few changes this could have been a pretty standard Fear Street book. That’s part of the problem though, with The Sitter Stine tries too hard to make his book “adult” and it feels very forced. There’s a fair amount of profanity, some drinking, a really gross sex scene, drug use is mentioned, but it all feels like someone reminded Stine that he was writing for grownups after the book was already finished, so he just threw that all in.

So, that said, what made me dislike this book other than the audience related weirdness? There are a lot of things that get a pass in teen novels that shouldn’t and don’t in adult novels, this book for example had terrible foreshadowing. Early on, we find out about Ellie’s cat, he’s sweet and trusting and she misses him so because she couldn’t have him in her apartment. Yeah, he didn’t make it to the end of the book. The problem with that is twofold. Stine’s used killing the beloved family pet to gain a quick cheep hit to the feels before, several times actually, so as soon as the cat gets mentioned you know what’s going to happen. It’s a similar thing with the big twist at the end. It also ties into my next big issue.

A ton of terrible stuff happens between Lucky’s introduction and Lucky’s plot appointed death, but Ellie doesn’t seem to take that into account. The book’s plot was almost entirely reliant on the protagonist making stupid choices. Again, a lot of those choices would have made more sense in a book with a teenaged protagonist rather than one in her twenties both because relative youth and because a teen protagonist could be stuck being the sitter rather than it being a summer job. This bit is really hard to go into without spoilers, but our protagonist gets death threats and vile stuff mailed to her. She stays, doesn’t even talk to the police after like the second thing. Not for the threats, or her cat getting killed, or her stalker ex showing up and threatening her. Most of the tension in the book relies on the reader having never read R. L. Stine before and Ellie being an idiot.

Add to that, The Sitter has a ton of stuff going on that doesn’t seem to go anywhere until the end. There are chapters from the antagonist’s view point. They could have been cut entirely. There was a side plot about some curse on the guest house. That could have been cut. Clay probably should have been cut, he doesn’t really add much to the story and is basically made of cringe. The cat could have been cut, he was a completely pointless inclusion. Any of that could have been removed to tighten up the main plot and work the twist in better.

Those are my big issues with the book, everything else kind of spins off of those. It had a twist ending, but that was completely unsupported by the rest of the book. The only reason I didn’t see it coming was that it was so completely out of left field it came from another game entirely. It’s silly in the grand scheme of things, but this book made me angry. There were so many places where Stine could have done better, could have not done the blatantly obvious thing, could have shored up the writing instead of going into another side plot. This book gets a one, as much for what it could have been as for what it is.

Not posted on a Wednesday, but hey, I didn’t skip this week. Quick reminder that the giveaway for The People’s Police Giveaway is still going until midnight Sunday the 19th. This book’s one that I bought rather than being send to review. So, enjoy!

your-favorite-band-cannot-save-you-cover

Beautiful Remorse is your new favorite band. You couldn’t say why if asked. You couldn’t even really say anything about the lyrics. But their music does something for you. To you. It’s like nothing you’ve ever heard, and their singer, Airee MacPherson. She’s fantastic, completely out of this world.  Strange things keep happening with each new track they release. Beautiful Remorse is your new favorite band, and your favorite band cannot save you.

Scotto Moore’s Your Favorite Band Cannot Save You: a tale in ten tracks is a quick fun read that’ll pull you along right to the end. The first two thirds of the book is solid genre fiction, but then it gets to a certain point and everything starts to feel kind of rushed. Think of it a little bit like a love letter to the Cthulhu mythos through the lens of modern internet culture.

There are a few bits that needed more attention throughout the book. Without that, the end isn’t a total big lipped alligator moment, but it does still feel under supported. I’d have liked more exposition on Aimee’s plan or the music itself, though the narrator’s limited knowledge goes a ways towards explaining that away.

My other big issue is with the characters. I legitimately cannot remember the narrator’s name or much of anything about him. The same goes for most of the characters that aren’t Airee, they sort of get lost in her or the music and just don’t come up again. I could easily say that this was a purposeful thing and that a big part of the point was a collective nothingness for humanity. It still doesn’t really work for me in the long run though, at the end of the day I’m still very much invested in character over plot.

More than anything, Your Favorite Band Cannot Save You reminds me of a B movie. Despite its faults, the story is aggressively readable and fast paced. It’s eyes off the action to build tension, which works well in a lot of ways. This is a book that could have been a lot better with a little work, but it doesn’t need it to be a fun book. If that makes sense at all. It’s fun, it’s fast, and at the end of the day I still really enjoyed it.

So, where does that leave us? While Your Favorite Band Cannot Save You has some issues, I still had a ton of fun with it. So, from me at least, it gets a four out of five.

Squeaking in at the last moment, I have one last Halloween treat for you all. Yes readers, today you get two reviews! Enjoy!

edgar-allan-poe-an-adult-coloring-book-cover

Edgar Allan Poe: And Adult Coloring Book by Odessa Begay is a bit of an outlier for my reviews, so bear with me here.

Back in high school and middle school I read a fair amount of Edgar Allan Poe’s short fiction and some of his poetry. The dark broodiness appealed in a lot of ways and I loved the detail work in some of his stories and the slow decent into madness that overtook most of his protagonists. So, when given the chance to review a coloring book based on his work, I accepted happily.

My experience with adult coloring books involves a lot of little fiddly bits that take a ton of attention to detail to fill out well. I like that because it makes me slow down and focus on what I’m doing. This particular adult coloring book has some of that, but not nearly enough for my taste. Most of the art is presented in two page spreads with one page having a section of writing from the piece that it’s referencing. This works both to the book’s advantage and disadvantage.

On some pieces the spread allows for a grand scope and a good deal of detail work. On others it winds up with a lot of empty space that leaves the art feeling incomplete or like it’s floating. The amount empty space is definitely my biggest issue with the book itself, there is quite a lot of it. That said, the paper feels nice and heavy and the quality feels good. I didn’t get the chance to test it with markers, but it takes color pencils very well.

I feel like the sections of prose could have been worked in better in many of the spreads. In many cases the prose is just kind of left hanging in empty space, making it feel less like a centerpiece than I think it is supposed to be. The spreads where it’s boxed in or solidly framed work best for me personally.

Where does that leave the review then? I’m giving it a three out of five, mostly because of the empty space and partly because some of the art has a tendency to feel detached from itself.