Archive for August, 2017


I’m late! Sorry all, long day yesterday, I didn’t get as much done on this as I wanted to then. I’m really excited for this review though. Back when I was dealing with my being at a low point I kept putting off reading this because I adore Seanan McGuire’s writing and I didn’t want to start it only to find that I wasn’t enjoying it, like every other book I was picking up at the time. That I’ve finally read it and enjoyed it as much as I expected if not more so is a great thing for me. So, thanks to the awesome folks at Tor, here’s Down Among the Sticks and Bones. Enjoy!

Down Among the Sticks and Bones cover

Jack and Jill, sorry, Jacqueline and Jillian, were their parents’ perfect children. Jacqueline was her mother’s daughter, soft and well mannered and always dressed like a fairy princess, a pretty decoration for the society ladies to coo over. Jillian was her father’s sporty tomboy, fearless and brave and almost as good as the son he’d wanted, at least he could talk peewee sports with the guys at work. They learned early that adults couldn’t be trusted. They learned early that what’s said isn’t always what is. But they never learned to lean on each other. When they find an impossible staircase in the room their grandmother abandoned years ago what they’ve learned won’t be enough for the world they find at the bottom or the choices they’ll have to make once they’re there.

Seanan McGuire’s Down Among the Sticks and Bones is a deeply interesting thing to me. It feels like it’s nearly all character study, which I love to pieces. It’s a story about choices and at the same time a story about being shaped by circumstance. It’s a story about expectations and how being forced into them can break someone without them realizing it, but also about how jumping to escape those expectations can hurt just as much. It’s a story about sisters, twins, split by expectations and choice and circumstance.

A big thing I like about Down Among the Sticks and Bones is the way things echo down from the beginning. Jacqueline is constantly told as a young child not to get dirty, to keep her dress clean, it’s part of her mother shaping her into the perfect society daughter. Once she’s on the other side of the door Jack has a phobia of getting dirty, even after years of working with Dr. Bleak as a mad scientist’s apprentice, it still effects her. Their dad does his best to shape Jillian into the ultimate tomboy, to make up for not having a son, but kids are cruel and the boys she was friends with as a kid abandon her as expectations tell them that girls are gross and not fun. She gets to see people calling her sister the pretty one without being allowed to be anything but the tomboyish one, the trouble maker with the same face as the prettiest girl in class. So she has no support structure on our side of the door and thus, once in the Moors, Jill clings to the adult authority figure who promises her comfort and pampering. She clings to him and idolizes him even as it’s revealed that he’s not concerned with her well being. Old resentments grow into a gulf of frustrations with consequences of their own.

I do feel like, ultimately, Jack pushes the story a lot more than Jill does. It tends to happen in stories with sibling protagonists that one gets more focus than the other. That said though, that feels more like a feature than a bug here. Jack chooses to go with Dr. Bleak, so Jill is left with the Master. Jack was tired of being just pretty and so jumped at the chance to learn, while Jill was tired of feeling like second pick and decided to be whatever the Master wanted to convince him she’d chosen him. That this also gave her a chance to be the pretty one is, if not significant to the initial choice, a fantastic bonus. Jack does more in story because she chose to be Dr. Bleak’s apprentice and so works with more people. Jill is the Master’s pampered daughter and so has little she has to do, which leaves her to soak in more of how fantastic it is to be the town ruler’s child and so above it all. It can leave Jill hard to care as much about, since we see her less versus seeing Jack grow.

Another thing I want to talk about real quick is the setting. The book takes place in this sort of fairy tale world, but it’s more gothic literature than the Disney stuff most of us have grown up with. The sun is seldom out from behind the clouds and night comes far too early. The mountains are full of wolves and what lurks beneath the ever stormy sea must be placated. The Moors are a dangerous place, something that the reader is reminded of regularly, but the danger is a fact of life. People plan for it and work around it. The Master is terrifying and dangerous, but so are the things behind his city’s walls. It’s dark, but not oppressive. It’s dangerous, but not paralysingly so. It’s really well written.

I don’t have a lot of wrap up here. I adored this book. I enjoyed the characters. The setting was great. Even the stuff that bothers me works in terms of the story itself, and I’m totally going to go find the one that came before this one. It gets a five out of five and if you can find it you should give Down Among the Sticks and Bones a read.

Housekeeping 8/15/17

So, I’m back to reviewing regularly. That’s good and I’m really happy with myself over that. Here’s planning for that to continue.

I’ve got a couple of things coming up soon, so that’s most of what I’m going to be going over today.

First thing, I want to start doing weekly housekeeping posts again. Those let me go over some of the stuff I’m planning and, hopefully, see about including more content based on what you guys seem interested in.

Next thing, I’m going to do another Book vs. Movie. This time I’m doing Ghostbusters: Answer the Call, because I really enjoyed the movie and I’m super hyped for the ongoing comic that’s going to start in October. The review for the novelization will probably drop next week, possibly the week after, I want to post that and the Book vs. Movie post fairly close to each other. Then I’m also planning on doing something with the character work in the novelization as a separate post, probably tied in with the other posts, possibly going into source material and fan work stuff. Not going to lie, I enjoy a lot of the fanon stuff for Ghostbusters: Answer the Call.

Last thing, I’ve been invited to be an affiliate of the Too Much Mondays monthly boxes. It’s a monthly subscription box that comes with a book, some artisan tea, a snack, a candle, and a mystery “pampering item”. The first box for that should be here later this week, so I’m going to be reviewing that in addition to this week’s book, possibly next week’s book depending on when the box gets here. More details on that when the review drops. I’m pretty excited for this, since it’s a new thing.

Full disclosure, as an affiliate I have an affiliate link and coupon code and when someone signs up for the Too Much Mondays subscription program using either of those I receive a book from the program. Both the link and coupon code will be included in my review and, possibly, I’ll post some kind of sidebar thing. If anyone is interested in either thing before the review goes up, just comment and ask, they get you 15% off your first box.

Hey all, check it out, I’m on time this week. Super impressive, I know. I have a review for you all. It was a little hard to write, because spoilers, and I’m not totally happy with parts of it but the whole isn’t half bad. Thanks to the nice folks from Harper this is The Book of Joan. Enjoy!

The Book of Joan cover

Ciel was meant to be a haven for the chosen few of humanity. An Eden away from an Earth wrecked by wars and over consumption. That ended almost as soon as it began, when the charismatic Jean de Men took full control. When the wars started back up because Earth didn’t want to, couldn’t, send the supplies Ciel demanded he lead ruthless attack after attack. The rebels had one hope, a girl with a glowing mark on her face and a song pulsing in her being, Joan. They never stood a chance. Earth fell, Joan was martyred, and only the faintest memory of her song remains. But there is power in songs and more in stories. Jean de Men’s rule is iron fisted, but rebellion is stirring again even among the withered denizens of Ciel. A story can light the fires of rebellion, and a song can shake the heavens, but not even Joan can know how either will end.

So, Lidia Yuknavitch’s The Book of Joan is a really weird book. It wants to be smart and literary and all that. It wants to explore what it means to be human and humanity’s relationship with the Earth. But it has a lot of spinning its wheels and drama on the way there. It also doesn’t mesh well with its blurb, which made writing the summary a little iffy.

Let’s just jump in on that. When I say this book wants to be literary but spins its wheels, I am mostly talking about the way words get used. Everyone is overly verbose, everyone uses five dollar words where something more common would serve just as well. Just as well or better, honestly, since everyone includes the foulmouthed child soldier. The use of SAT-esque vocabulary makes the whole reading experience feel clunky and obtuse, which of course makes for a really dull read.

I do feel like a lot of the big, look at how smart I am, words are part of the wanting to be literary thing. The Book of Joan wants to impress you with how literary and important and think-y it is, but then doesn’t have a solid line on what it wants to say and what it wants to make you think about. It is sound and fury signifying nothing, and that is unfortunate because there are some nifty ideas buried in the text. A side effect of that is that there winds up being a ton of sex and gender weirdness.

In the early parts of the book we are introduced to the idea that the people of Ciel have been warped by radiation. Their hair has fallen out, their skin is bleached, and their genitals are either sealed shut or shriveled. This leads our point of view character for the Ciel bits, Christine, to contemplate humanity and the loss thereof. Which means she talks a lot about sex and how that’s lost to the people of Ciel. This could have been something about a loss of connection in a better book but, given how The Book of Joan also keeps going over how withered and useless the remaining humans’ genitals are, it doesn’t land well enough to work on any level.

There’s also some gender based stuff that really rubbed me the wrong way, especially towards the end. Because spoilers, I’m not going to go super into it here. Basically though, the end winds up throwing in stuff about women being around to be mothers out of nowhere. It also really didn’t work, because there wasn’t anything to support it as part of the narrative. It also didn’t work for me personally because that’s just not a sentiment I can get behind. There was also an eleventh hour character reveal that pissed me off so badly I nearly threw the book.

There were some ideas I found interesting. The grafts, particularly the stories rather than the skin art, were a nifty idea that I’d have liked to see more about. The change from humans as we know them to the hairless withered version of the book, if that hadn’t happened in a laughably tiny timeframe, I would be super interested in. Ciel itself strikes me as a place very similar to Bioshock’s Rapture, with only the best of the best and the richest able to go there but then also having such a reliance on the world they left behind. That kind of stuff fascinates me and could have been the base for a really interesting story. But it wasn’t.

So, where does that leave me with this book? The Book of Joan is sci-fi that wants to be literature when it could have been fantastic genre fiction if only it felt comfortable being genre fiction. It wants to be big and important and smart and fails utterly on all counts. I do still think some of the ideas from this book could have been good, if they were handled by another author. I admit, my score for this is pretty heavily affected by the thing at the end. That took the book from a meh three to a one out of five.

I’m late again. Not going to lie, this one was hard to write. LArgely because a lot of my issues with the book stemmed from spoilery things that were hard to write around and I didn’t want to do a spoiler filled review. This one’s from NetGalley. Enjoy!

Moonbreaker cover

Eddie Drood, former head of the Drood family and very secret agent, is a dead man. He was attacked and poisoned by Dr. DOA and cannot last much longer. To prevent anyone else getting hurt Eddie and Molly Metcalf, former magical terrorist turned ally and love interest, are going to do whatever it takes to stop Dr. DOA. If that means dealing with the Unforgiven God, fighting the Drood family’s past mistakes, or even going to the moon to prevent a world ending weapon from being used, well that’s just business as usual.

Moonbreaker is another book that is far into its series, leading to me having a number of issues with both the characters and story. That makes me worry a little about being fair to the story, especially given that I can’t help comparing it to books from Simon R. Green’s Nightside series which is set in the same world.

The characters, particularly Eddie himself, were a fair part of my issue here. Imagine that James Bond knew that he was kind of awful and was perfectly happy to explain that to his companion and, by extension, the reader. Also MI6 has not only hunted Bond in the past, but also has a habit of hording all the dangerous things and people they’ve managed to capture. Just in case. That’s the Eddie and the rest of the Drood family. For a first time series reader this makes Molly the reader’s view into the Drood family’s whole deal, and her horror with some of the things the family does just sort of gets brushed aside. It’s what and how they do things and it’s always been that way. That annoys me. I’m good with protagonists that aren’t golden heroes who do no wrong and help everyone, those guys get boring, this isn’t that. The Droods feel so married to the grey area that I just couldn’t get invested in them or Eddie.

My other problems is that the plot feels almost fractured. There are several conflicts that crop up that have little to do with stopping Dr. DOA or could have done better as the main conflict of another story. There are enough of those that by the time we get to the climax of the story there just isn’t any tension. Eddie’s presented as pretty boringly unstoppable for most of the book’s run due to his Drood armor, only being weakened by the poison in any meaningful way in the last quarter or so of the book, which doesn’t help with all the little conflicts feeling unimportant. Then the book was over and I could only be disappointed.

Molly was pretty awesome though. I kind of want to read a series about her. What didn’t work with Eddie being so, so over powered because of his armor, sort of worked in Molly’s favor. She’s also supposed to be super powerful but, because all the Droods have this ridiculous armor, she stands out more for holding her own despite being so much weaker by comparison. She’s also the one who wants to look for an antidote or something instead of just letting Eddie have his death. Trying to find a cure would have actually worked better for me as the B conflict that a lot of the other stuff and it could have hit a lot of the same beats the book did anyway.

Where does that leave Moonbreaker? Despite my best efforts, I know that my enjoyment of the older Nightside books leaves me more disappointed in this one than I would otherwise be. That’s not really fair to this book as a standalone and, again, it being later in the series doesn’t help things. I feel like there were a lot of good ideas here that wound up being used as padding instead of explored as well as they could have been. But it is rushed and disjointed, so it gets a two out of five. I would read Simon R. Green again, just not this series.